White Like Me. Tim Wise
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I cared deeply for Bobby, and was grieved by his death. So too, I understood why his father so steadfastly supported a death sentence for the man who had taken his only son from him right in front of his eyes. But even then, at the age of eleven, I never wanted Cecil Johnson to die. And even now, though I would want to kill, personally, anyone who murdered one of my children, I steadfastly believe that no matter how much a person may deserve to die, the bigger question is whether the state deserves to kill. And that calculation—given the inherent class and racial biases embedded in the justice system—is considerably trickier than a simple consideration of what a murderer has earned for him or herself.
On December 2, 2009, nearly thirty years after Cecil Johnson murdered three people, including my friend, the state of Tennessee intravenously delivered to him a lethal cocktail of drugs, ending his life, and bringing to a close this chapter in mine. The night of Johnson’s execution, as I thought about the waste of four lives—Bobby’s, the other two victims, James Moore and Charles House, and his own—I couldn’t help but wonder what kind of a society we are that so readily inculcates the notion of human disposability, whether in individuals who commit such senseless crimes, or in the body politic, which believes against all evidence to the contrary, that by ratifying that same mentality, it will somehow render its citizens safer.
JUNIOR HIGH WAS hell. To begin with, it looked like an industrial building where a call center might be housed: one level, bland office park architecture, and hardly any windows. It was (and still is) just one big brick structure, capable of squeezing all the joy out of the educational process by virtue of its physical plant alone. Though internally it had been constructed as an experimental, even progressive attempt at “open classroom” learning—no walls between classrooms, the idea being that teachers would co-teach in learning pods, linking, say, a literature lesson with a history lesson, and then with a geography lesson—none of the teachers at John Trotwood Moore made use of the open classroom approach. They didn’t seem to believe in it, so the internal architecture of the building, which could have been liberatory in the hands of the right teachers, became little more than a wall-less, open arena for noise.
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