149 Paintings You Really Need to See in North America. Julian Porter

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Balbi (c. 1623)

      130 — Sir Anthony van Dyck (1599–1641)

      Queen Henrietta Maria with Sir Jeffrey Hudson (1633)

      131 — Jan van Eyck (1390–1441)

      The Annunciation (1434–36)

      132 — Vincent van Gogh (1853–90)

      Self-Portrait (1889)

      Phillips Collection

      133 — Auguste Renoir (1841–1919)

      Luncheon of the Boating Party (1880–81)

      CANADA

      Chapter 13 KleinbUrg, Ontario

      McMichael Canadian Art Collection

      134 — A.J. Casson (1898–1992)

      Summer Hillside (1945)

      Lawren Harris (1885–1970)

      Northern Lake (c. 1923)

      135 — A.Y. Jackson (1882–1974)

      First Snow, Algoma (1919–20)

      Chapter 14 Montreal, Quebec

      Musée D’art Contemporain de Montréal

      136 — Guido Molinari (1933–2004)

      Mutation Quadri-Violet (1966)

      Chapter 15 Ottawa, Ontario

      National Gallery of Canada

       Giovanni Canaletto (1697–1768)

      Saint Mark’s and the Clock Tower, Venice (c. 1735–37)

       Paul Cézanne (1839–1906)

      Forest (c. 1902–04)

      137 — Jean-Siméon Chardin (1699–1779)

      The Governess (1739)

      138 — John Constable (1776–1837)

      Salisbury Cathedral from the Bishop’s Grounds (1820)

       Honoré Daumier (1808–79)

      The Third Class Carriage (c. 1863–65)

      139 — Paterson Ewen (1925–2002)

      Gibbous Moon (1980)

      140 — Lawren Harris (1885–1970)

      North Shore, Lake Superior (1926)

       Gustav Klimt (1862–1918)

      Hope I (1903)

      141 — Jean Paul Lemieux (1904–90)

      The Evening Visitor (1956)

      142 — Simone Martini (1284–1344)

      St. Catherine of Alexandria (c. 1320–25)

      143 — Barnett Newman (1905–70)

      Voice of Fire (1967)

      144 — Mary Pratt (1935–)

      Red Currant Jelly (1972)

      145 — Tom Thomson (1877–1917)

      The Jack Pine (1916–17)

      Chapter 16 Toronto, Ontario

      Art Gallery of Ontario

       Lawren Harris (1885–1970)

      Untitled Mountain Landscape (c. 1927–28)

      146 — Augustus John (1878–1961)

      The Marchesa Casati (1919)

      147 — Camille Pissarro (1830–1903)

      Pont Boieldieu in Rouen, Rainy Weather (1896)

       Rembrandt ( Rembrandt van Rijn) (1606–69)

      Portrait of a Lady with a Lap Dog (c. 1665)

      148 — Peter Paul Rubens (1577–1640)

      The Massacre of the Innocents (c. 1611–12)

       Tom Thomson (1877–1917)

      Winter Thaw in the Woods (1916)

       Sir Anthony van Dyck (1599–1641)

      Daedalus and Icarus (c. 1620)

      Chapter 17 Vancouver, British Columbia

      Vancouver Art Gallery

      149 — Emily Carr (1871–1945)

      Forest, British Columbia (1931–32)

       Emily Carr (1871–1945)

      Scorned as Timber, Beloved of the Sky (1935)

      Epilogue

      Notes

      Index of Artists and Their Works

      Index of Paintings by Title

      Checklist of the 149 Paintings

      Acknowledgements

      To Anna for her vision and rewriting skills. To Dawn Mathews for stitching all this together. To Jessica for creating Los Angeles. To Cliff Lax and Ian Roland and their band of legal supporters for having faith.

      JP

      Special thanks to Madeline Lisus, Madelyn Kirby, and Emma Fogelman for their diligence and persistence in the face of all research adversity.

      SG

      Introduction

      You might well ask, what do two litigation lawyers know about painting? Good question. Answer: More than you think! And yet, we are not “experts” in the academic sense. What we have is a love of art that we think radiates in this book.

      So, where do we come from in the art of looking at art?

      Julian Porter, who focuses on the older paintings found in this book, was a guide to students in European galleries more than fifty years ago. There he learned how to talk with a painting. His writing is saucy, as you may know from his book, 149 Paintings You Really Need to See in Europe (So You Can Ignore the Others) .

      Stephen

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