Clementine Classics: Sister Carrie by Theodore Dreiser. Theodore Dreiser
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Before following her in her round of seeking, let us look at the sphere in which her future was to lie. In 1889 Chicago had the peculiar qualifications of growth which made such adventuresome pilgrimages even on the part of young girls plausible. Its many and growing commercial opportunities gave it widespread fame, which made of it a giant magnet, drawing to itself, from all quarters, the hopeful and the hopeless—those who had their fortune yet to make and those whose fortunes and affairs had reached a disastrous climax elsewhere. It was a city of over 500,000, with the ambition, the daring, the activity of a metropolis of a million. Its streets and houses were already scattered over an area of seventy-five square miles. Its population was not so much thriving upon established commerce as upon the industries which prepared for the arrival of others. The sound of the hammer engaged upon the erection of new structures was everywhere heard. Dreiser just wanted to pop in and remind you that he does indeed have a penis. He’s going to do this from time to time. Get ready. Great industries were moving in. The huge railroad corporations which had long before recognized the prospects of the place had seized upon vast tracts of land for transfer and shipping purposes. Streetcar lines had been extended far out into the open country in anticipation of rapid growth. The city had laid miles and miles of streets and sewers through regions where, perhaps, one solitary house stood out alone—a pioneer of the populous ways to be. Sewers! You hear that, Upton Sinclair? Chicago was fucking fancy, so keep your muckraking to yourself and let our girl live out her pre-health code regulated dreams. There were regions open to the sweeping winds and rain, which were yet lighted throughout the night with long, blinking lines of gas-lamps, fluttering in the wind. Narrow board walks extended out, passing here a house, and there a store, at far intervals, eventually ending on the open prairie.
In the central portion was the vast wholesale and shopping district, to which the uninformed seeker for work usually drifted. It was a characteristic of Chicago then, and one not generally shared by other cities, that individual firms of any pretension occupied individual buildings. The presence of ample ground made this possible. It gave an imposing appearance to most of the wholesale houses, whose offices were upon the ground floor and in plain view of the street. The large plates of window glass, now so common, were then rapidly coming into use, and gave to the ground floor offices a distinguished and prosperous look. Windows were a big fucking deal back then. Before large windows, people could just carry on their personal business with no scrutiny. Now they were being judged. In short, windows were a precursor to reality television. The casual wanderer could see as he passed a polished array of office fixtures, much frosted glass, clerks hard at work, and genteel businessmen in “nobby” suits and clean linen lounging about or sitting in groups. Wiki says “nobby” means anything related to clerks. Urban Dictionary says “nobby” means “A manky old guy with a grizzly full beard and skanky unwashed hair.” I suppose I’ll subscribe to the latter definition for research purposes. Polished brass or nickel signs at the square stone entrances announced the firm and the nature of the business in rather neat and reserved terms. The entire metropolitan center possessed a high and mighty air calculated to overawe and abash the common applicant, and to make the gulf between poverty and success seem both wide and deep.
Into this important commercial region the timid Carrie went. She walked east along Van Buren Street through a region of lessening importance, until it deteriorated into a mass of shanties and coal-yards, and finally verged upon the river. She walked bravely forward, led by an honest desire to find employment and delayed at every step by the interest of the unfolding scene, and a sense of helplessness amid so much evidence of power and force which she did not understand. These vast buildings, what were they? These strange energies and huge interests, for what purposes were they there? She could have understood the meaning of a little stone-cutter’s yard at Columbia City, carving little pieces of marble for individual use, but when the yards of some huge stone corporation came into view, filled with spur tracks and flat cars, transpierced by docks from the river and traversed overhead by immense trundling cranes of wood and steel, it lost all significance in her little world.
It was so with the vast railroad yards, with the crowded array of vessels she saw at the river, and the huge factories over the way, lining the water’s edge. Through the open windows she could see the figures of men and women in working aprons, moving busily about. The great streets were wall-lined mysteries to her; the vast offices, strange mazes which concerned far-off individuals of importance. She could only think of people connected with them as counting money, dressing magnificently, and riding in carriages. Carrie’s imagination is a PG version of a Lil Wayne video because that’s obviously what comes to mind when you see turn-of-the-century Chicago. What they dealt in, how they labored, to what end it all came, she had only the vaguest conception. It was all wonderful, all vast, all far removed, and she sank in spirit inwardly and fluttered feebly at the heart as she thought of entering any one of these mighty concerns and asking for something to do—something that she could do—anything.
WEE QUESTION OF FORTUNE—FOUR-FIFTY A WEEK
Once across the river and into the wholesale district, she glanced about her for some likely door at which to apply. As she contemplated the wide windows and imposing signs, she became conscious of being gazed upon and understood for what she was—a wage-seeker. She had never done this thing before, and lacked courage.
To avoid a certain indefinable shame she felt at being caught spying about for a position, she quickened her steps and assumed an air of indifference supposedly common to one upon an errand. We’ve all done this before. Turn a belch into a casual yawn. Turn a wedgie-pick into a slight shrug. If you do it with dignity, Sister Carrie, no one notices a damn thing. In this way she passed many manufacturing and wholesale houses without once glancing in. At last, after several blocks of walking, she felt that this would not do, and began to look about again, though without relaxing her pace. A little way on she saw a great door which, for some reason, attracted her attention. It was ornamented by a small brass sign, and seemed to be the entrance to a vast hive of six or seven floors. “Perhaps,” she thought, “they may want someone,” and crossed over to enter. When she came within a score of feet of the desired goal, she saw through the window a young man in a gray checked suit. That he had anything to do with the concern, she could not tell, but because he happened to be looking in her direction her weakening heart misgave her and she hurried by, too overcome with shame to enter. What would your mentor Lil Wayne do, Carrie? He’d adjust his nutsack and stride in like he owned the place. Over the way stood a great six-story structure, labelled Storm and King, which she viewed with rising hope. It was a wholesale dry goods concern and employed women. She could see them moving about now and then upon the upper floors. This place she decided to enter, no matter what. She crossed over and walked directly toward the entrance. As she did so, two men came