18'You never ought to have married out of the profession, Julie. I'm not saying a word against the late--I can't remember his name; never could--but you shouldn't have done it, an artist like you. Shall I ever forget the way you used to knock them with "Rumpty-tiddley-umpty-ay"?'
'Ah! how wonderful you were in that act, Joe.' Aunt Julia sighed. 'Do you remember the back-fall you used to do down the steps? I
always have said that you did the best back-fall in the profession.'
'I couldn't do it now!'
'Do you remember how we put it across at the Canterbury, Joe? Think of it! The Canterbury's a moving-picture house now, and the old Mogul runs French revues.'
'I'm glad I'm not there to see them.'
'Joe, tell me, why did you leave England?'
'Well, I--I wanted a change. No I'll tell you the truth, kid. I wanted you, Julie. You went off and married that--whatever that stage-door johnny's name was--and it broke me all up.'
Aunt Julia was staring at him. She is what they call a well-preserved woman. It's easy to see that, twenty-five years ago, she must have been something quite extraordinary to look at. Even now she's almost beautiful. She has very large brown eyes, a mass of soft grey hair, and the complexion of a girl of seventeen.
'Joe, you aren't going to tell me you were fond of me yourself !'
'Of course I was fond of you. Why did I let you have all the fat in
"Fun in a Tea-Shop"? Why did I hang about upstage while you sang
"Rumpty-tiddley-umpty-ay"? Do you remember my giving you a bag of buns when we were on the road at Bristol?'
'Yes, but--'
'Do you remember my giving you the ham sandwiches at Portsmouth?'
'Joe!'
'Do you remember my giving you a seed-cake at Birmingham? What did you think all that meant, if not that I loved you? Why, I
was working up by degrees to telling you straight out when you suddenly went off and married that cane-sucking dude. That's why I
wouldn't let my daughter marry this young chap, Wilson, unless he went into the profession. She's an artist--'
'She certainly is, Joe.'
'You've seen her? Where?'
'At the Auditorium just now. But, Joe, you mustn't stand in the way of her marrying the man she's in love with. He's an artist, too.'
'In the small time.'
'You were in the small time once, Joe. You mustn't look down on him because he's a beginner. I know you feel that your daughter is marrying beneath her, but--'
'How on earth do you know anything about young Wilson?
'He's my son.'
'Your son?'
'Yes, Joe. And I've just been watching him work. Oh, Joe, you can't think how proud I was of him! He's got it in him. It's fate. He's my son and he's in the profession! Joe, you don't know what I've been through for his sake. They made a lady of me. I never worked
19
so hard in my life as I did to become a real lady. They kept telling me I had got to put it across, no matter what it cost, so that he wouldn't be ashamed of me. The study was something terrible. I had to watch myself every minute for years, and I never knew when I might fluff my lines or fall down on some bit of business. But I did it, because I didn't want him to be ashamed of me, though all the time I was just aching to be back where I belonged.'
Old Danby made a jump at her, and took her by the shoulders.
'Come back where you belong, Julie!' he cried. 'Your husband's dead, your son's a pro. Come back! It's twenty-five years ago, but I
haven't changed. I want you still. I've always wanted you. You've got to come back, kid, where you belong.' Aunt Julia gave a sort of gulp and looked at him.
'Joe!' she said in a kind of whisper.
'You're here, kid,' said Old Danby, huskily. 'You've come back.... Twenty-five years!... You've come back and you're going to stay!' She pitched forward into his arms, and he caught her.
'Oh, Joe! Joe! Joe!' she said. 'Hold me. Don't let me go. Take care of me.'
And I edged for the door and slipped from the room. I felt weak. The old bean will stand a certain amount, but this was too much. I
groped my way out into the street and wailed for a taxi.
Gussie called on me at the hotel that night. He curveted into the room as if he had bought it and the rest of the city.
'Bertie,' he said, 'I feel as if I were dreaming.'
'I wish I could feel like that, old top,' I said, and I took another glance at a cable that had arrived half an hour ago from Aunt Agatha. I had been looking at it at intervals ever since.
'Ray and I got back to her flat this evening. Who do you think was there? The mater! She was sitting hand in hand with old Danby.'
'Yes?'
'He was sitting hand in hand with her.'
'Really?'
'They are going to be married.'
'Exactly.'
'Ray and I are going to be married.'
'I suppose so.'
'Bertie, old man, I feel immense. I look round me, and everything seems to be absolutely corking. The change in the mater is marvel-lous. She is twenty-five years younger. She and old Danby are talking of reviving "Fun in a Tea-Shop", and going out on the road with it.'
I got up.
'Gussie, old top,' I said, 'leave me for a while. I would be alone. I think I've got brain fever or something.'
'Sorry, old man; perhaps New York doesn't agree with you. When do you expect to go back to England?' I looked again at Aunt Agatha's cable.
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'With luck,' I said, 'in about ten years.'
When he was gone I took up the cable and read it again.
'What is happening?' it read. 'Shall I come over?'
I sucked a pencil for a while, and then I wrote the reply. It was not an easy cable to word, but I managed it.
'No,' I wrote, 'stay where you are. Profession overcrowded.'
WILTON'S HOLIDAY
When Jack Wilton first came to Marois Bay, none of us dreamed that he was a man with a hidden sorrow in his life. There was something about the man which made the idea absurd, or would have made it absurd if he himself had not been the authority for
the story. He looked so thoroughly
