his sufferings would be dreadful.In the second place, to have to do his creeping about and spying practically in her presence-- Still, business was business.
At five minutes to eleven on the morning named he was at the station, a false beard and spectacles shielding his identity from the public eye. If you had asked him he would have said that he was a Scotch business man. As a matter of fact, he looked far more like a motor-car coming through a haystack.
The platform was crowded. Friends of the company had come to see the company off. Henry looked on discreetly from behind a stout porter, whose bulk formed a capital screen. In spite of himself, he was impressed. The stage at close quarters always thrilled him. He recognized celebrities. The fat man in the brown suit was Walter Jelliffe, the comedian and star of the company. He stared keenly at him through the spectacles. Others of the famous were scattered about. He saw Alice. She was talking to a man with a face like a hatchet, and smiling, too, as if she enjoyed it. Behind the matted foliage which he had inflicted on his face, Henry's teeth came together with a snap.
In the weeks that followed, as he dogged 'The Girl From Brighton' company from town to town, it would be difficult to say whether Henry was happy or unhappy. On the one hand, to realize that Alice was so near and yet so inaccessible was a constant source of misery; yet, on the other, he could not but admit that he was having the very dickens of a time, loafing round the country like this.
He was made for this sort of life, he considered. Fate had placed him in a London office, but what he really enjoyed was this unfet-tered travel. Some gipsy strain in him rendered even the obvious discomforts of theatrical touring agreeable. He liked catching trains; he liked invading strange hotels; above all, he revelled in the artistic pleasure of watching unsuspecting fellow-men as if they were so many ants.
That was really the best part of the whole thing. It was all very well for Alice to talk about creeping and spying, but, if you considered it without bias, there was nothing degrading about it at all. It was an art. It took brains and a genius for disguise to make a man a successful creeper and spyer. You couldn't simply say to yourself, 'I will creep.' If you attempted to do it in your own person, you
would be detected instantly. You had to be an adept at masking your personality. You had to be one man at Bristol and another quite different man at Hull--especially if, like Henry, you were of a gregarious disposition, and liked the society of actors.
The stage had always fascinated Henry. To meet even minor members of the profession off the boards gave him a thrill. There was a resting juvenile, of fit-up calibre, at his boarding-house who could always get a shilling out of him simply by talking about how
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he had jumped in and saved the show at the hamlets which he had visited in the course of his wanderings. And on this 'Girl From Brighton' tour he was in constant touch with men who really amounted to something. Walter Jelliffe had been a celebrity when Henry was going to school; and Sidney Crane, the baritone, and others of the lengthy cast, were all players not unknown in London. Henry courted them assiduously.
It had not been hard to scrape acquaintance with them. The principals of the company always put up at the best hotel, and--his expenses being paid by his employer--so did Henry. It was the easiest thing possible to bridge with a well-timed whisky-and-soda the gulf between non-acquaintance and warm friendship. Walter Jelliffe, in particular, was peculiarly accessible. Every time Henry accosted him--as a different individual, of course--and renewed in a fresh disguise the friendship which he had enjoyed at the last town, Walter Jelliffe met him more than half-way.
It was in the sixth week of the tour that the comedian, promoting him from mere casual acquaintanceship, invited him to come up to his room and smoke a cigar.
Henry was pleased and flattered. Jelliffe was a personage, always surrounded by admirers, and the compliment was consequently of a high order.
He lit his cigar. Among his friends at the Green-Room Club it was unanimously held that Walter Jelliffe's cigars brought him within the scope of the law forbidding the carrying of concealed weapons; but Henry would have smoked the gift of such a man if it had been a cabbage-leaf. He puffed away contentedly. He was made up as an old Indian colonel that week, and he complimented his host on the aroma with a fine old-world courtesy.
Walter Jelliffe seemed gratified.
'Quite comfortable?' he asked.
'Quite, I thank you,' said Henry, fondling his silver moustache.
'That's right. And now tell me, old man, which of us is it you're trailing?' Henry nearly swallowed his cigar.
'What do you mean?'
'Oh, come,' protested Jelliffe; 'there's no need to keep it up with me.
I know you're a detective. The question is, Who's the man you're after? That's what we've all been wondering all this time.'
All! They had all been wondering! It was worse than Henry could have imagined. Till now he had pictured his position with regard to
'The Girl From Brighton' company rather as that of some scientist who, seeing but unseen, keeps a watchful eye on the denizens of a drop of water under his microscope. And they had all detected him--every one of them.
It was a stunning blow. If there was one thing on which Henry prided himself it was the impenetrability of his disguises. He might be slow; he might be on the stupid side; but he could disguise himself. He had a variety of disguises, each designed to befog the public more hopelessly than the last.
Going down the street, you would meet a typical commercial traveller, dapper and alert. Anon, you encountered a heavily bearded
Australian. Later, maybe, it was a courteous old retired colonel who stopped you and inquired the way to Trafalgar Square. Still later,
a rather flashy individual of the sporting type asked you for a match for his cigar. Would you have suspected for one instant that each of these widely differing personalities was in reality one man?
Certainly you would.
Henry did not know it, but he had achieved in the eyes of the small servant who answered the front-door bell at his boarding-house a well-established reputation as a humorist of the more practical kind. It was his habit to try his disguises on her. He would ring the bell, inquire for the landlady, and when Bella had gone, leap up the stairs to his room. Here he would remove the disguise, resume his normal appearance, and come downstairs again, humming a careless air. Bella, meanwhile, in the kitchen, would be confiding to her ally the cook that 'Mr Rice had jest come in, lookin' sort o' funny again'.
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He sat and gaped at Walter Jelliffe. The comedian regarded him curiously.
'You look at least a hundred years old,' he said. 'What are you made up as? A piece of Gorgonzola?'
Henry glanced hastily at the mirror. Yes, he did look rather old. He must have overdone some of the lines on his forehead. He looked something between a youngish centenarian and a nonagenarian who had seen a good deal of trouble.
'If you knew how you were demoralizing the company,' Jelliffe went on, 'you would drop it. As steady and quiet a lot of boys as ever you met till you came along. Now they do nothing but bet on what disguise you're going to choose for the next town. I don't see why you need to change so often. You were all right as the Scotchman at Bristol. We were all saying how nice you looked. You should
have stuck to that. But what do you do at Hull but roll in in a
