The Anatomy of Melancholy - The Original Classic Edition. Burton Robert
Чтение книги онлайн.
Читать онлайн книгу The Anatomy of Melancholy - The Original Classic Edition - Burton Robert страница 9
vast chaos and confusion of books, we are [97]oppressed with them, [98]our eyes ache with reading, our fingers with turning. For my
part I am one of the number, nos numerus sumus, (we are mere ciphers): I do not deny it, I have only this of Macrobius to say for myself, Omne meum, nihil meum, 'tis all mine, and none mine. As a good housewife out of divers fleeces weaves one piece of cloth, a bee gathers wax and honey out of many flowers, and makes a new bundle of all, Floriferis ut apes in saltibus omnia libant, I have laboriously [99]collected this cento out of divers writers, and that sine injuria, I have wronged no authors, but given every man his own; which [100]Hierom so much commends in Nepotian; he stole not whole verses, pages, tracts, as some do nowadays, conceal-ing their authors' names, but still said this was Cyprian's, that Lactantius, that Hilarius, so said Minutius Felix, so Victorinus, thus far Arnobius: I cite and quote mine authors (which, howsoever some illiterate scribblers account pedantical, as a cloak of ignorance,
and opposite to their affected fine style, I must and will use) sumpsi, non suripui; and what Varro, lib. 6. de re rust. speaks of bees,
minime maleficae nullius opus vellicantes faciunt delerius, I can say of myself, Whom have I injured? The matter is theirs most part, and yet mine, apparet unde sumptum sit (which Seneca approves), aliud tamen quam unde sumptum sit apparet, which nature doth with the aliment of our bodies incorporate, digest, assimilate, I do concoquere quod hausi, dispose of what I take. I make them pay tribute, to set out this my Maceronicon, the method only is mine own, I must usurp that of [101]Wecker e Ter. nihil dictum quod
non dictum prius, methodus sola artificem ostendit, we can say nothing but what hath been said, the composition and method is ours
only, and shows a scholar. Oribasius, Aesius, Avicenna, have all out of Galen, but to their own method, diverso stilo, non diversa fide. Our poets steal from Homer; he spews, saith Aelian, they lick it up. Divines use Austin's words verbatim still, and our story-dressers do as much; he that comes last is commonly best,
------donec quid grandius aetas
Postera sorsque ferat melior.------[102]
Though there were many giants of old in physic and philosophy, yet I say with [103]Didacus Stella, A dwarf standing on the shoulders of a giant may see farther than a giant himself; I may likely add, alter, and see farther than my predecessors; and it is no greater prejudice for me to indite after others, than for Aelianus Montaltus, that famous physician, to write de morbis capitis after Jason Pratensis, Heurnius, Hildesheim, &c., many horses to run in a race, one logician, one rhetorician, after another. Oppose then what thou wilt,
Allatres licet usque nos et usque
Et gannitibus improbis lacessas.
I solve it thus. And for those other faults of barbarism, [104]Doric dialect, extemporanean style, tautologies, apish imitation, a rhap-sody of rags gathered together from several dunghills, excrements of authors, toys and fopperies confusedly tumbled out, without art, invention, judgment, wit, learning, harsh, raw, rude, fantastical, absurd, insolent, indiscreet, ill-composed, indigested, vain, scurrile, idle, dull, and dry; I confess all ('tis partly affected), thou canst not think worse of me than I do of myself. 'Tis not worth the reading, I yield it, I desire thee not to lose time in perusing so vain a subject, I should be peradventure loath myself to read him or
thee so writing; 'tis not operae, pretium. All I say is this, that I have [105]precedents for it, which Isocrates calls perfugium iis qui peccant, others as absurd, vain, idle, illiterate, &c. Nonnulli alii idem fecerunt; others have done as much, it may be more, and perhaps thou thyself, Novimus et qui te, &c. We have all our faults; scimus, et hanc, veniaim, &c.; [106]thou censurest me, so have I done others, and may do thee, Cedimus inque vicem, &c., 'tis lex talionis, quid pro quo. Go now, censure, criticise, scoff, and rail. [107]Nasutus cis usque licet, sis denique nasus:
Non potes in nugas dicere plura meas, Ipse ego quam dixi, &c.
Wert thou all scoffs and flouts, a very Momus,
Than we ourselves, thou canst not say worse of us.
Thus, as when women scold, have I cried whore first, and in some men's censures I am afraid I have overshot myself, Laudare se
vani, vituperare stulti, as I do not arrogate, I will not derogate. Primus vestrum non sum, nec imus, I am none of the best, I am none of the meanest of you. As I am an inch, or so many feet, so many parasangs, after him or him, I may be peradventure an ace before thee. Be it therefore as it is, well or ill, I have essayed, put myself upon the stage; I must abide the censure, I may not escape it. It is most true, stylus virum arguit, our style bewrays us, and as [108]hunters find their game by the trace, so is a man's genius descried
15
by his works, Multo melius ex sermone quam lineamentis, de moribus hominum judicamus; it was old Cato's rule. I have laid myself open (I know it) in this treatise, turned mine inside outward: I shall be censured, I doubt not; for, to say truth with Erasmus, nihil morosius hominum judiciis, there is nought so peevish as men's judgments; yet this is some comfort, ut palata, sic judicia, our censures are as various as our palates.
[109]Tres mihi convivae prope dissentire videntur, Poscentes vario multum diversa palato, &c.
Three guests I have, dissenting at my feast, Requiring each to gratify his taste
With different food.
Our writings are as so many dishes, our readers guests, our books like beauty, that which one admires another rejects; so are we approved as men's fancies are inclined. Pro captu lectoris habent sua fata libelli.. That which is most pleasing to one is amaracum sui, most harsh to another. Quot homines, tot sententiae, so many men, so many minds: that which thou condemnest he commends. [110]Quod petis, id sane est invisum acidumque duobus. He respects matter, thou art wholly for words; he loves a loose and free style, thou art all for neat composition, strong lines, hyperboles, allegories; he desires a fine frontispiece, enticing pictures, such as [111]Hieron. Natali the Jesuit hath cut to the Dominicals, to draw on the reader's attention, which thou rejectest; that which one admires, another explodes as most absurd and ridiculous. If it be not point blank to his humour, his method, his conceit, [112]si
quid, forsan omissum, quod is animo conceperit, si quae dictio, &c. If aught be omitted, or added, which he likes, or dislikes, thou art mancipium paucae lectionis, an idiot, an ass, nullus es, or plagiarius, a trifler, a trivant, thou art an idle fellow; or else it is a thing of mere industry, a collection without wit or invention, a very toy. [113]Facilia sic putant omnes quae jam facta, nec de salebris cogitant, ubi via strata; so men are valued, their labours vilified by fellows of no worth themselves, as things of nought, who could not have done as much. Unusquisque abundat sensu suo, every man abounds in his own sense; and whilst each particular party is so affected, how should one please all?
[114]Quid dem? quid non dem? Renuis tu quod jubet ille.
------What courses must I choose?
What not? What both would order you refuse.
How shall I hope to express myself to each man's humour and [115]conceit, or to give satisfaction to all?