on Isabelle. Isabelle resolved secretly that she would, if necessary, force herself to like him--she owed it to Sally. Suppose she were terribly disappointed. Sally had painted him in such glowing colors--he was good-looking, "sort of distinguished, when he wants to be," had a line, and was properly inconstant. In fact, he summed up all the romance that her age and environment led her to desire. She wondered if those were his dancing-shoes that fox-trotted tentatively around the soft rug below.All impressions and, in fact, all ideas were extremely kaleidoscopic to Isabelle. She had that curious mixture of the social and the artistic temperaments found often in two classes, society women and actresses. Her education or, rather, her sophistication, had been absorbed from the boys who had dangled on her favor; her tact was instinctive, and her capacity for love-affairs was limited only by the number of the susceptible within telephone distance. Flirt smiled from her large black-brown eyes and shone through her intense physical magnetism.
30
So she waited at the head of the stairs that evening while slippers were fetched. Just as she was growing impatient, Sally came out of the dressing-room, beaming with her accustomed good nature and high spirits, and together they descended to the floor below, while the shifting search-light of Isabelle's mind flashed on two ideas: she was glad she had high color to-night, and she wondered if he danced well.
Down-stairs, in the club's great room, she was surrounded for a moment by the girls she had met in the afternoon, then she heard Sally's voice repeating a cycle of names, and found herself bowing to a sextet of black and white, terribly stiff, vaguely familiar figures. The name Blaine figured somewhere, but at first she could not place him. A very confused, very juvenile moment of awkward backings and bumpings followed, and every one found himself talking to the person he least desired to. Isabelle manoeuvred herself and Froggy Parker, freshman at Harvard, with whom she had once played hop-scotch, to a seat on the stairs. A humorous reference to the past was all she needed. The things Isabelle could do socially with one idea were remarkable. First, she repeated it rapturously in an enthusiastic contralto with a soupcon of Southern accent; then she held it off at a distance and smiled at it--her wonderful smile; then she delivered it in variations and played a sort of mental catch with it, all this in the nominal form of dialogue. Froggy was fascinated and quite unconscious that this was being done, not for him, but for the green eyes that glistened under the shining carefully watered hair, a little to her left, for Isabelle had discovered Amory. As an actress even in the fullest flush of her own conscious magnetism gets a deep impression of most of the people in the front row, so Isabelle sized up her antagonist. First, he had auburn hair, and from her feeling of disappointment she knew that she had expected him to be dark and of garter-advertisement
slenderness.... For the rest, a faint flush and a straight, romantic profile; the effect set off by a close-fitting dress suit and a silk ruffled
shirt of the kind that women still delight to see men wear, but men were just beginning to get tired of. During this inspection Amory was quietly watching.
"Don't you think so?" she said suddenly, turning to him, innocent-eyed.
There was a stir, and Sally led the way over to their table. Amory struggled to Isabelle's side, and whispered:
"You're my dinner partner, you know. We're all coached for each other."
Isabelle gasped--this was rather right in line. But really she felt as if a good speech had been taken from the star and given to a mi-nor character.... She mustn't lose the leadership a bit. The dinner-table glittered with laughter at the confusion of getting places and then curious eyes were turned on her, sitting near the head. She was enjoying this immensely, and Froggy Parker was so engrossed with the added sparkle of her rising color that he forgot to pull out Sally's chair, and fell into a dim confusion. Amory was on the other side, full of confidence and vanity, gazing at her in open admiration. He began directly, and so did Froggy:
"I've heard a lot about you since you wore braids--" "Wasn't it funny this afternoon--"
Both stopped. Isabelle turned to Amory shyly. Her face was always enough answer for any one, but she decided to speak.
"How--from whom?"
"From everybody--for all the years since you've been away." She blushed appropriately. On her right Froggy was hors de combat
already, although he hadn't quite realized it.
"I'll tell you what I remembered about you all these years," Amory continued. She leaned slightly toward him and looked modestly at the celery before her. Froggy sighed--he knew Amory, and the situations that Amory seemed born to handle. He turned to Sally and asked her if she was going away to school next year. Amory opened with grape-shot.
"I've got an adjective that just fits you." This was one of his favorite starts--he seldom had a word in mind, but it was a curiosity
provoker, and he could always produce something complimentary if he got in a tight corner.
"Oh--what?" Isabelle's face was a study in enraptured curiosity.
Amory shook his head.
"I don't know you very well yet."
31
"Will you tell me--afterward?" she half whispered.
He nodded. "We'll sit out." Isabelle nodded.
"Did any one ever tell you, you have keen eyes?" she said.
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