Lola Montez - The Original Classic Edition. d'Auvergne Edmund

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circulated to the effect that she had long been known in London as a disreputable character. She positively asserted that she was a native of Seville, and had never before been in London. She complains of the cruel calumnies that had got[Pg 45] abroad concerning her, and says that she has instructed her lawyer to prosecute their utterers. Of course, the greater part of this statement was untrue, but she had her back against the wall, and with their reputation, social and professional, and means of livelihood at stake, few women would have acted otherwise. My own view is that after her affair with

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       Lennox, Lola tried hard "to keep straight," and made powerful enemies in consequence. The alliance of Pecksniff and Sir Mulberry proved too strong for her.

       [Pg 46]

       [Pg 47] VII WANDERJAHRE

       London, then, was closed to Lola. She was recognised, and for the divorced wife of Lieutenant James there were no prospects of a career. Her defeat determined her to aim higher, not lower, as most women would have done. In the English country towns she would have been quite unknown, and might have earned a modest competence. But her experience of Montrose and Meath did not predispose her towards the provincial atmosphere. Devoting England and its serpent seed to the infernal gods, she took wing to Brussels. So rapidly were her preparations made that when "Q." called the very morning after the "frost" at Her Majesty's at

       her apartments in Grafton Street, he found her gone--none knew whither. We must feel sorry for our anonymous friend, for it is evident from his confessions that Lola's blue eyes had bored a big hole in his heart. He consoled himself for her loss by writing (I suspect) some of the flattering notices on her performance to which reference has been made.

       It is impossible to trace his enchantress's movements in their proper sequence during the next nine or ten months (June 1843 to March 1844). We find her at Brussels, Berlin, Dresden, Warsaw, and St. Petersburg.[Pg 48] She reached the Belgian capital practically with an empty purse. She afterwards said[5] that she went there partly because she had not enough money wherewith to go to Paris, partly because she hoped to make her way on to The Hague. She proposed to lay siege to the heart of his Dutch Majesty William II., then a man fifty-one years of age. She had, quite probably, met his son, the Prince of Orange, who was visiting Lord Auckland about the time she was at Simla, and had heard tales in Calcutta about the Dutch Court. The House of Orange has not been fortunate in

       its domestic relations. It is said that during the last king's first experience of wedlock, the heads of chamberlains often intercepted the books aimed by the Royal spouses at each other, while the whole palace re-echoed with the slamming of doors and the crash of crockery. William II., though not possessed of the reputation of his son and grandson, the celebrated "Citron," was known to be on bad terms with his Russian wife, Anna Pavlovna. He seemed to Lola a promising subject for the exercise of her powers of fascination. The design, if she ever really entertained it, was not one that moralists could applaud, but in extenuation it must be urged that Lola's late defeat could not have encouraged her to persevere in the path of virtue. However, the Dutch project came to nothing, and the display of our heroine's statecraft was reserved for another capital and another day.

       In Brussels she found herself friendless and penniless. She was reduced to singing in the streets to save herself from starvation--she who only four years before had been borne from the stately Indian Court enthroned on[Pg 49] the Viceroy's elephant! Her distress is rather to the credit of her reputation, for it would have been easy enough for so beautiful a woman to have found a wealthy protector in the Belgian capital. She was noticed by a man, whom she believed to be a German, who took her with him to Warsaw. "He spoke many languages," says Lola, "but he was not very well off himself. However, he was very kind, and when we got to Warsaw, managed to get me an engagement at the Opera."[6] I cannot help wishing that Lola had given us some account of a journey that must have been performed in a carriage right across Central Europe from Belgium to Poland.

       Warsaw in 1844 must have been as cheerless a spot as any in Europe. The great insurrection of 1831 had been suppressed with ruthless severity by the soldiers of the Tsar, and there was not a family of rank in the city that was not mourning for some one of its members who had passed beyond the ken of its living, into dread Siberia. Order reigned at Warsaw, indeed, in its conqueror's famous phrase, but it was order obtained only with the knout and the bayonet. The Polish language was barely tolerated, the Catholic religion proscribed. Women, half-naked, were publicly flogged for their attachment to their faith, school-boys and schoolgirls sent to perish beyond the Urals. The secret service ramified through every grade of society. Fathers distrusted their sons, husbands feared to discover in their own wives the tools of the Muscovite Government. To this day Poles are seldom free from the nightmare of the Russian spy. The present writer remembers how, some years ago, at Bern, in the capital of[Pg 50] a free republic, a Polish medical man refused, with every symptom of apprehension, to discuss the condition of his country within the longest ear-shot of a third party.

       Yet unhappy Warsaw, under the heel of the terrible Paskievich, could be coaxed into a smile by the flashing eyes of the new Andalu-

       sian dancer. Her beauty enraptured the Poles, and drew from one of their dramatic critics the following elaborate panegyric:--

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       "Lola possesses twenty-six of the twenty-seven points on which a Spanish writer insists as essential to feminine beauty--and the real connoisseurs among my readers will agree with me when I confess that blue eyes and black hair appear to me more ravishing than black eyes and black hair. The points enumerated by the Spanish writer are: three white--the skin, the teeth, the hands; three black--the eyes, eye-lashes, and eyebrows; three red--the lips, the cheeks, the nails; three long--the body, the hair, the hands; three short--the ears, the teeth, the legs; three broad--the bosom, the forehead, the space between the eyebrows; three full--the lips, the arms, the calves; three small--the waist, the hands, the feet; three thin--the fingers, the hair, the lips. All these perfections are Lola's, except as regards the colour of her eyes, which I for one, would not wish to change. Silky hair, rivalling the gloss of the raven's wing, falls in luxuriant folds down her back; on the slender, delicate neck, whose whiteness shames the swan's down, rests the beautiful head. How, too, shall I describe Lola's bosom, if words fail me to describe the dazzling whiteness of her teeth? What the pencil

       could not portray, certainly the pen cannot.

       "'Vedeansi accesi entro le gianci belle

       Dolci fiamme di rose e di rubini,

       E nel ben sen per entro un mar di latte

       Tremolando nutar due poma intatte.'

       [Pg 51]"Lola's little feet hold the just balance between the feet of the Chinese and French ladies. Her fine, shapely calves are the lowest rungs of a Jacob's ladder leading to Heaven. She reminds one of the Venus of Knidos, carved by Praxiteles in the 104th Olympiad. To see her eyes is to be satisfied that her soul is throned in them.... Her eyes combine the varying shades of the sixteen varieties of forget-me-not...."

       And so forth, and so on.

       It is indisputable that in this, her twenty-sixth year, Lola was extremely beautiful. Her bitterest detractors have never denied her

       the possession of almost magical loveliness. This was informed by sparkling vivacity, and a force of personality, without which we should never have heard the name of Lola Montez. A human masterpiece of this sort is as much a source of trouble in a community as a priceless diamond. Everyone's cupidity is excited, probity and honour melt away in the fierce heat of temptation. The upright think that here at last is a prize worth the sacrifice of all the standards that have hitherto guided them. St. Anthony, after forty years of sainthood, succumbs--and is glad that he does. Even miserable Poland for a moment forgot her woes when she looked on Lola; and her stern conqueror, the terrible Paskievich, felt a new spring pervading

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