York against foreign attack.Forbes denied this violently, but Ten Eyck winked. "Diplomatic, eh?"
When they were gone Forbes asked who they were.
"Society reporters!" said Ten Eyck. And the next day Forbes read in two of the papers a varying description of the costumes of Persis, Winifred, and Mrs. Neff, and a duplicated mention of his own name with the added information that he was "the eminent military expert called home from the Philippines to help fortify New York against foreign attack."
When he read this Forbes breathed a prayer that none of his superior officers might be addicted to the social columns. But that was to-morrow's excitement.
The third act brought him back under the Wagnerian yoke. Tristan's castle walls ran along a cliff overlooking the ocean; in a green space under a tree the wounded knight lay eternally demanding of his devoted squire if he could not yet see the ship, the ship that was to bring Isolde to nurse him back to life.
Forbes forgot all light thoughts before the infinitely pathetic wail of the shepherd's pipe and the reiterated appeal of Tristan for "das
Schiff ! das Schiff !"
Like most men of to-day, Forbes never wept except at the theater, or at some other fiction. He had not wept[Pg 105] so well since he had seen "Romeo and Juliet" played. Now again, as then, it startled him to think what a genius for love some hearts have, while others have only a talent or a taste for it. He felt a little ashamed that he had never been able to love as Romeo or Tristan loved, and yet he thanked his stars that he had been spared that fatal power.
How often we thank our stars that we have never met the very thing that waits us round the corner! Perhaps that Pharisee who
stands immortally thanking the Lord that he was not as other men, found out the same afternoon how very like he was.
The thrall of the theater was so complete upon Forbes that when the sorrowful drone of the shepherd's pipe suddenly turned to joy at the sight of Isolde's ship, Forbes' heart leaped up as if he were witnessing a rescue in actual life.
The hurrying rapture of the music that described Isolde's arrival, and her haste up the cliff, sent his hopes to heaven; but when the delirious Tristan rose from his couch to his staggering feet and began to tear at the bandages about his wound, Forbes felt the stab of fear. He wanted to cry out, "Oh no! no!" He sat with lips parted in anguish, and his hand groping for support.
The left hand of Persis was reaching about in the same gesture of protest against intolerable cruelty. It met the hand of Forbes. Their fingers clutched each other in an instinct for companionship. The two souls were so intent upon the action of the scene, and so swept along by the torrential music, that they hardly knew their hands were joined.
When Tristan fell at Isolde's feet, with one poor wailing "Isolde!" and died before she could clasp him in her arms, it seemed that Forbes' heart broke. A groan escaped him; his hand clenched the hand of Persis with all its might. He heard a little gasp from her, and he thought that her heart had broken with his.[Pg 106]
He had bitten into one of the beautiful apples of Hades, and his mouth was filled with ashes. The tears poured down his cheeks, and
in his aching throat there was a lump like broken glass.
The noblest song in all music, the "love-death" of Isolde, gave the tragedy nobility; but it was the mad beauty of a grief too great for grieving over. Passion shivered in the air and seemed to come from Forbes' own soul. The harmonies kept climaxing, eternally reaching the last possible thrill, only to find that it led on to one yet higher. The melodies were crowded like the angels climbing Jacob's ladder into the clouds, where every rung seemed heaven, till it disclosed one more.
The music was a love-philter to Forbes and Persis; they could not escape it, had no thought of escape. Their hands swung in a little
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arc, clenched and unclenched in an utter sympathy of mind and body, in a kind of epic dance.
And then the opera was over, and Forbes began to dread the raising of the lights. He was grateful for the long ovation to the singers, since it kept the house dark till he could shake off the tears he was ashamed to dab with a handkerchief. Time was when greater soldiers than he were proud rather than ashamed of their tears, but Forbes was thankful for the gloom. He applauded and joined the cries of "Bravo!" to prolong the respite.
Mrs. Neff was sniffling as she beat her gloves together.
"Even Isolde's husband couldn't hate her--or him--for a love like that."
And Winifred, with her cheeks all blubbered, swallowed hard as she applauded.
"Why don't we have such lovers nowadays? Even I could play Isolde if I could find a Tristan." "Permit me," said Bob Fielding. But he was referring to the opera-cloak he was holding out for her. Willie Enslee, however, shook his head contemptuously and made no pretense of applause.[Pg 107]
"Can you beat 'em, Mr. Lord? They're never so happy as when they're crying their make-up off. They pretend they're blue, but
they've been having the time of their lives."
And Forbes hated him for saying it. Then he noted that Persis was not applauding. She was pulling off a long glove slowly and winc-ingly. When it was off, she looked ruefully at her left hand and nursed it in her right. She glanced to see that the others were busy with their wraps, then she held her hand out where Forbes could see it; and gave him a look of pouting reproach.
His first stare showed him only that her soft, slim fingers were almost hidden with rings. And then he saw that the flesh was all creased and bruised and marred with marks like tiny teeth. He realized that it was his fierce clench that had ground the rings and their settings into her flesh, and his heart was wrung with shame and pity.
He saw, too, that on one of the little fingers there was a thread of blood. The alert old eyes of Mrs. Neff caught the by-play of the
two, and her curiosity brought her forward with a question.
"How in heaven did you hurt your finger?" Persis answered quietly and at once:
"I caught it on the thorn of a rose. It's nothing."
Willie insisted on seeing the wound, and was frantic with excitement. He was genuinely distressed. He poured out sympathy for the pain, anxiety for the future of the wound, the necessity for sterilizing it. But it was Willie's doom to be always tactless or unwelcome, and his sympathy was an annoyance.
Forbes was compelled to silence by Persis' explanation of the accident. He must not say how sorry he was, though he had wounded
her--he had wounded Persis till she bled![Pg 108]
CHAPTER XVIII
THERE was an atmosphere of mourning everywhere as the enormous audience issued from the exits. It had assisted at the obse-
quies of a tremendous love, and all the eyes were sad.
Forbes had seen it stated until he had come to believe it, that the Metropolitan Opera was supported by snobs who attended merely to show off their jewels, and that the true music-lovers were to be found in the gallery. It came upon him now that this is one of the many cheap missiles poor people of poor wit hurl at luckier folk, with no more discrimination than street Arabs show when they throw whatever they can find in the street at whoever passes by in better clothes.
