The Empty House And Other Ghost Stories - The Original Classic Edition. Blackwood Algernon

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The Empty House And Other Ghost Stories - The Original Classic Edition - Blackwood Algernon

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That is fatal."

       "Agreed," she said, a little shakily, after a moment's hesitation. "I'll try--"

       Arm in arm, Shorthouse holding the dripping candle and the stick, while his aunt carried the cloak over her shoulders, figures of ut-ter comedy to all but themselves, they began a systematic search.

       Stealthily, walking on tip-toe and shading the candle lest it should betray their presence through the shutterless windows, they went

       first into the big dining-room. There was not a stick of furniture to be seen. Bare walls, ugly mantelpieces and empty grates stared

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       at them. Everything, they felt, resented their intrusion, watching them, as it were, with veiled eyes; whispers followed them; shadows flitted noiselessly to right and left; something seemed ever at their back, watching, waiting an opportunity to do them injury. There was the inevitable sense that operations which went on when the room was empty had been temporarily suspended till they were

       well out of the way again. The whole dark interior of the old building seemed to become a malignant Presence that rose up, warning them to desist and mind their own business; every moment the strain on the nerves increased.

       Out of the gloomy dining-room they passed through large folding doors into a sort of library or smoking-room, wrapt equally in silence, darkness, and dust; and from this they regained the hall near the top of the back stairs.

       Here a pitch black tunnel opened before them into the lower regions, and--it must be confessed--they hesitated. But only for a minute. With the worst of the night still to come it was essential to turn from nothing. Aunt Julia stumbled at the top step of the dark descent, ill lit by the flickering candle, and even Shorthouse felt at least half the decision go out of his legs.

       "Come on!" he said peremptorily, and his voice ran on and lost itself in the dark, empty spaces below. "I'm coming," she faltered, catching his arm with unnecessary violence.

       They went a little unsteadily down the stone steps, a cold, damp air meeting them in the face, close and mal-odorous. The kitchen, into which the stairs led along a narrow passage, was large, with a lofty ceiling. Several doors opened out of it--some into cupboards with empty jars still standing on the shelves, and others into horrible little ghostly back offices, each colder and less inviting than the last. Black beetles scurried over the floor, and once, when they knocked against a deal table standing in a corner, something about the size of a cat jumped down with a rush and fled, scampering across the stone floor into the darkness. Everywhere there was a sense

       of recent occupation, an impression of sadness and gloom.

       Leaving the main kitchen, they next went towards the scullery. The door was standing ajar, and as they pushed it open to its full extent Aunt Julia uttered a piercing scream, which she instantly tried to stifle by placing her hand over her mouth. For a second Shorthouse stood stock-still, catching his breath. He felt as if his spine had suddenly become hollow and someone had filled it with particles of ice.

       Facing them, directly in their way between the doorposts, stood the figure of a woman. She had dishevelled hair and wildly staring eyes, and her face was terrified and white as death.

       She stood there motionless for the space of a single second. Then the candle flickered and she was gone--gone utterly--and the

       door framed nothing but empty darkness.

       "Only the beastly jumping candle-light," he said quickly, in a voice that sounded like someone else's and was only half under control. "Come on, aunt. There's nothing there."

       He dragged her forward. With a clattering of feet and a great appearance of boldness they went on, but over his body the skin moved as if crawling ants covered it, and he knew by the weight on his arm that he was supplying the force of locomotion for two. The scullery was cold, bare, and empty; more like a large prison cell than anything else. They went round it, tried the door into the yard, and the windows, but found them all fastened securely. His aunt moved beside him like a person in a dream. Her eyes were tightly shut, and she seemed merely to follow the pressure of his arm. Her courage filled him with amazement. At the same time he noticed that a certain odd change had come over her face, a change which somehow evaded his power of analysis.

       "There's nothing here, aunty," he repeated aloud quickly. "Let's go upstairs and see the rest of the house. Then we'll choose a room to wait up in."

       She followed him obediently, keeping close to his side, and they locked the kitchen door behind them. It was a relief to get up again. In the hall there was more light than before, for the moon had travelled a little further down the stairs. Cautiously they began to go up into the dark vault of the upper house, the boards creaking under their weight.

       On the first floor they found the large double drawing-rooms, a search of which revealed nothing. Here also was no sign of furniture or recent occupancy; nothing but dust and neglect and shadows. They opened the big folding doors between front and back drawing-rooms and then came out again to the landing and went on upstairs.

       They had not gone up more than a dozen steps when they both simultaneously stopped to listen, looking into each other's eyes with

       a new apprehension across the flickering candle flame. From the room they had left hardly ten seconds before came the sound of

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       doors quietly closing. It was beyond all question; they heard the booming noise that accompanies the shutting of heavy doors, followed by the sharp catching of the latch.

       "We must go back and see," said Shorthouse briefly, in a low tone, and turning to go downstairs again.

       Somehow she managed to drag after him, her feet catching in her dress, her face livid.

       When they entered the front drawing-room it was plain that the folding doors had been closed--half a minute before. Without hesitation Shorthouse opened them. He almost expected to see someone facing him in the back room; but only darkness and cold air met him. They went through both rooms, finding nothing unusual. They tried in every way to make the doors close of themselves, but there was not wind enough even to set the candle flame flickering. The doors would not move without strong pressure. All was silent as the grave. Undeniably the rooms were utterly empty, and the house utterly still.

       "It's beginning," whispered a voice at his elbow which he hardly recognised as his aunt's.

       He nodded acquiescence, taking out his watch to note the time. It was fifteen minutes before midnight; he made the entry of exactly what had occurred in his notebook, setting the candle in its case upon the floor in order to do so. It took a moment or two to balance it safely against the wall.

       Aunt Julia always declared that at this moment she was not actually watching him, but had turned her head towards the inner room, where she fancied she heard something moving; but, at any rate, both positively agreed that there came a sound of rushing feet, heavy and very swift--and the next instant the candle was out!

       But to Shorthouse himself had come more than this, and he has always thanked his fortunate stars that it came to him alone and not to his aunt too. For, as he rose from the stooping position of balancing the candle, and before it was actually extinguished, a face thrust itself forward so close to his own that he could almost have touched it with his lips. It was a face working with passion; a man's face, dark, with thick features, and angry, savage eyes. It belonged to a common man, and it was evil in its ordinary normal expression, no doubt, but as he saw it, alive with intense, aggressive emotion, it was a malignant and terrible human countenance.

      

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