The Complete Poetical Works of Henry Wadsworth Longfellow - The Original Classic Edition. Longfellow Henry

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The Complete Poetical Works of Henry Wadsworth Longfellow - The Original Classic Edition - Longfellow Henry

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I have none else to fear; the fight is done, The citadel is stormed, the victory won! [Exit with FRANCISCO.

       SCENE VII. -- A lane in the suburbs. Night. Enter CRUZADO and BARTOLOME. Cruz. And so, Bartolome, the expedition failed. But where

       wast thou for the most part?

       Bart. In the Guadarrama mountains, near San Ildefonso.

       Cruz. And thou bringest nothing back with thee? Didst thou rob no one?

       Bart. There was no one to rob, save a party of students from Segovia, who looked as if they would rob us; and a jolly little friar, who had nothing in his pockets but a missal and a loaf of bread.

       Cruz. Pray, then, what brings thee back to Madrid? Bart. First tell me what keeps thee here?

       Cruz. Preciosa.

       Bart. And she brings me back. Hast thou forgotten thy promise?

       Cruz. The two years are not passed yet. Wait patiently. The girl shall be thine.

       Bart. I hear she has a Busne lover. Cruz. That is nothing.

       Bart. I do not like it. I hate him,--the son of a Busne harlot. He goes in and out, and speaks with her alone, and I must stand aside, and wait his pleasure.

       Cruz. Be patient, I say. Thou shalt have thy revenge. When the time comes, thou shalt waylay him. Bart. Meanwhile, show me her house.

       Cruz. Come this way. But thou wilt not find her. She dances

       at the play tonight.

       Bart. No matter. Show me the house. [Exeunt.

       SCENE VIII. -- The Theatre. The orchestra plays the cachucha. Sound of castanets behind the scenes. The curtain rises, and

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       discovers PRECIOSA in the attitude of commencing the dance. The cachucha. Tumult; hisses; cries of "Brava!" and "Afuera!" She falters and pauses. The music stops. General confusion. PRECIOSA faints.

       SCENE IX. -- The COUNT OF LARA'S chambers. LARA and his friends at supper. Lara. So, Caballeros, once more many thanks!

       You have stood by me bravely in this matter.

       Pray fill your glasses.

       Don J. Did you mark, Don Luis,

       How pale she looked, when first the noise began, And then stood still, with her large eyes dilated! Her nostrils spread! her lips apart! Her bosom Tumultuous as the sea!

       Don L. I pitied her.

       Lara. Her pride is humbled; and this very night

       I mean to visit her.

       Don J. Will you serenade her? Lara. No music! no more music!

       Don L. Why not music? It softens many hearts. Lara. Not in the humor

       She now is in. Music would madden her. Don J. Try golden cymbals.

       Don L. Yes, try Don Dinero;

       A mighty wooer is your Don Dinero.

       Lara. To tell the truth, then, I have bribed her maid. But, Caballeros, you dislike this wine.

       A bumper and away; for the night wears. A health to Preciosa.

       (They rise and drink.)

       All. Preciosa.

       Lara. (holding up his glass).

       Thou bright and flaming minister of Love! Thou wonderful magician! who hast stolen My secret from me, and mid sighs of passion

       Caught from my lips, with red and fiery tongue, Her precious name! O nevermore henceforth Shall mortal lips press thine; and nevermore

       A mortal name be whispered in thine ear. Go! keep my secret!

       (Drinks and dashes the goblet down.)

       Don J. Ite! missa est!

       (Scene closes.)

       SCENE X. -- Street and garden wall. Night. Enter CRUZADO and BARTOLOME.

       Cruz. This is the garden wall, and above it, yonder, is her house. The window in which thou seest the light is her window. But we will not go in now.

       Bart. Why not?

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       Cruz. Because she is not at home.

       Bart. No matter; we can wait. But how is this? The gate is bolted. (Sound of guitars and voices in a neighboring street.) Hark! There

       comes her lover with his infernal serenade! Hark! SONG.

       Good night! Good night, beloved! I come to watch o'er thee!

       To be near thee,--to be near thee, Alone is peace for me.

       Thine eyes are stars of morning, Thy lips are crimson flowers! Good night! Good night beloved, While I count the weary hours.

       Cruz. They are not coming this way. Bart. Wait, they begin again.

       SONG (coming nearer).

       Ah! thou moon that shinest

       Argent-clear above!

       All night long enlighten My sweet lady-love! Moon that shinest,

       All night long enlighten!

       Bart. Woe be to him, if he comes this way!

       Cruz. Be quiet, they are passing down the street.

       SONG (dying away).

       The nuns in the cloister

       Sang to each other; For so many sisters

       Is there not one brother!

       Ay, for the partridge, mother!

       The cat has run away with the partridge! Puss! puss! puss!

       Bart. Follow that! follow that! Come with me. Puss! puss!

       (Exeunt. On the opposite side enter the COUNT OF LARA and gentlemen, with FRANCISCO.)

       Lara. The gate is fast. Over the wall, Francisco, And draw the bolt. There, so, and so, and over. Now, gentlemen, come in, and help me scale Yon balcony. How now? Her light still burns. Move warily. Make fast the gate, Francisco.

       (Exeunt. Re-enter CRUZADO and BARTOLOME.)

       Bart. They went in at the gate. Hark! I hear them in the garden. (Tries the gate.) Bolted again! Vive Cristo! Follow me over the wall. (They climb the wall.)

       SCENE XI. -- PRECIOSA'S bedchamber. Midnight. She is sleeping in an armchair, in an undress. DOLORES watching her.

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       Dol. She sleeps at last!

       (Opens

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