Edgar Allan Poe's Complete Poetical Works - The Original Classic Edition. Poe Edgar

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Edgar Allan Poe's Complete Poetical Works - The Original Classic Edition - Poe Edgar

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are on that account deeply interesting. The description of the sleepy old London suburb, as it was in those days, is remarkably accurate, but the revisions which the story of William Wilson went through before it reached its present perfect state caused many of the author's details to deviate widely from their original correctness. His schoolhouse in the earliest draft was truthfully described as an "old, irregular, and cottage-built" dwelling, and so it remained until its destruction a few years ago.

       The soi-disant William Wilson, referring to those bygone happy days spent in the English academy, says,

       "The teeming brain of childhood requires no external world of incident to occupy or amuse it. The morning's awakening, the nightly summons to bed; the connings, the recitations, the periodical half-holidays and perambulations, the playground, with its broils, its

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       pastimes, its intrigues--these, by a mental sorcery long forgotten, were made to involve a wilderness of sensation, a world of rich incident, a universe of varied emotion, of excitement the most passionate and spirit-stirring, 'Oh, le bon temps, que ce siecle de fer!'" From this world of boyish imagination Poe was called to his adopted parents' home in the United States. He returned to America

       in 1821, and was speedily placed in an academy in Richmond, Virginia, in which city the Allans continued to reside. Already well grounded in the elementary processes of education, not without reputation on account of his European residence, handsome, proud, and regarded as the heir of a wealthy man, Poe must have been looked up to with no little respect by his fellow pupils. He speedily made himself a prominent position in the school, not only by his classical attainments, but by his athletic feats--accomplishments calculated to render him a leader among lads.

       "In the simple school athletics of those days, when a gymnasium had not been heard of, he was facile princeps,"

       is the reminiscence of his fellow pupil, Colonel T. L. Preston. Poe he remembers as

       "a swift runner, a wonderful leaper, and, what was more rare, a boxer, with some slight training.... He would allow the strongest boy

       in the school to strike him with full force in the chest. He taught me the secret, and I imitated him, after my measure. It was to inflate the lungs to the uttermost, and at the moment of receiving the blow to exhale the air. It looked surprising, and was, indeed, a little rough; but with a good breast-bone, and some resolution, it was not difficult to stand it. For swimming he was noted, being in many of his athletic proclivities surprisingly like Byron in his youth."

       In one of his feats Poe only came off second best.

       "A challenge to a foot race," says Colonel Preston, "had been passed between the two classical schools of the city; we selected Poe as our champion. The race came off one bright May morning at sunrise, in the Capitol Square. Historical truth compels me to add that on this occasion our school was beaten, and we had to pay up our small bets. Poe ran well, but his competitor was a long-legged, Indian-looking fellow, who would have outstripped Atalanta without the help of the golden apples."

       "In our Latin exercises in school," continues the colonel, "Poe was among the first--not first without dispute. We had competitors who fairly disputed the palm, especially one, Nat Howard, afterwards known as one of the ripest scholars in Virginia, and distinguished also as a profound lawyer. If Howard was less brilliant than Poe, he was far more studious; for even then the germs of waywardness were developing in the nascent poet, and even then no inconsiderable portion of his time was given to versifying. But

       if I put Howard as a Latinist on a level with Poe, I do him full justice." "Poe," says the colonel, "was very fond of the Odes of Hor-ace, and repeated them so often in my hearing that I learned by sound the words of many before I understood their meaning. In the lilting rhythm of the Sapphics and Iambics, his ear, as yet untutored in more complicated harmonies, took special delight. Two odes, in particular, have been humming in my ear all my life since, set to the tune of his recitation:

       'Jam satis terris nivis atque dirce Grandinis misit Pater, et rubente,' and

       'Non ebur neque aureum

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