A Wodehouse Miscellany: Articles & Stories - The Original Classic Edition. Wodehouse P

       I had always wanted to be a dramatic critic. A taste for sitting back and watching other people work, so essential to the make-up of this sub-species of humanity, has always been one of the leading traits in my character.

       I have seldom missed a first night. No sooner has one periodical got rid of me than another has had the misfortune to engage me, with the result that I am now the foremost critic of the day, read assiduously by millions, fawned upon by managers, courted by stagehands. My lightest word can make or mar a new production. If I say a piece is bad, it dies. It may not die instantly. Generally it takes forty weeks in New York and a couple of seasons on the road to do it, but it cannot escape its fate. Sooner or later it perishes. That is the sort of man I am.

       Whatever else may be charged against me, I have never deviated from the standard which I set myself at the beginning of my career. If I am called upon to review a play produced by a manager who is considering one of my own works, I do not hesitate. I praise that play.

       If an actor has given me a lunch, I refuse to bite the hand that has fed me. I praise that actor's performance. I can only recall one instance of my departing from my principles. That was when the champagne was corked, and the man refused to buy me another bottle.

       As is only natural, I have met many interesting people since I embarked on my career. I remember once lunching with rare Ben Jonson at the Mermaid Tavern--this would be back in Queen Elizabeth's time, when I was beginning to be known in the theatrical world--and seeing a young man with a nobby forehead and about three inches of beard doing himself well at a neighboring table at the expense of Burbage the manager.