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the turreted corners of the mediaeval houses. Charles Gould had with him the inseparable compan-ionship of the mine. The other man was interested in mining enterprises, knew something of Costaguana, and was no stranger to the name of Gould. They had talked together with some intimacy which was made possible by the difference of their ages. Charles wanted now to find that capitalist of shrewd mind and accessible character. His father's fortune in Costaguana, which he had sup- 23 posed to be still considerable, seemed to have melted in the rascally crucible of revolutions. Apart from some ten thousand pounds deposited in England, there appeared to be nothing left except the house in Sulaco, a vague right of forest exploitation in a remote and savage district, and the San Tome Concession, which had attended his poor father to the very brink of the grave. He explained those things. It was late when they parted. She had never before given him such a fascinating vision of herself. All the eagerness of youth for a strange life, for great distances, for a future in which there was an air of adventure, of combat--a subtle thought of redress and conquest, had filled her with an intense excitement, which she returned to the giver with a more open and exquisite display of tenderness. He left her to walk down the hill, and directly he found himself alone he became sober. That irreparable change a death makes in the course of our daily thoughts can be felt in a vague and poignant discomfort of mind. It hurt Charles Gould to feel that never more, by no effort of will, would he be able to think of his father in the same way he used to think of him when the poor man was alive. His breathing image was no longer in his power. This consideration, closely affecting his own identity, filled his breast with a mournful and angry desire for action. In this his instinct was unerring. Action is consolatory. It is the enemy of thought and the friend of flattering illusions. Only in the conduct of our action can we find the sense of mastery over the Fates. For his action, the mine was obviously the only field. It was imperative sometimes to know how to disobey the solemn wishes of the dead. He resolved firmly to make his disobedience as thorough (by way of atonement) as it well could be. The mine had been the cause of an absurd moral disaster; its working must be made a serious and moral success. He owed it to the dead man's memory. Such were the--properly speaking--emotions of Charles Gould. His thoughts ran upon the means of raising a large amount of capital in San Francisco or elsewhere; and incidentally there occurred to him also the general reflection that the counsel of the departed must be an unsound guide. Not one of them could be aware beforehand what enormous changes the death of any given individual may produce in the very aspect of the world. The latest phase in the history of the mine Mrs. Gould knew from personal experience. It was in essence the history of her married life. The mantle of the Goulds' hereditary position in Sulaco had descended amply upon her little person; but she would not allow the peculiarities of the strange garment to weigh down the vivacity of her character, which was the sign of no mere mechanical sprightliness, but of an eager intelligence. It must not be supposed that Mrs. Gould's mind was masculine. A woman with a masculine mind is not a being of superior efficiency; she is simply a phenomenon of imperfect differentiation--interestingly barren and without importance. Dona Emilia's intelligence being feminine led her to achieve the conquest of Sulaco, simply by lighting the way for her unselfishness and sympathy. She could converse charmingly, but she was not talkative. The wisdom of the heart having no concern with the erection or demolition of theories any more than with the defence of prejudices, has no random words at its command. The words it pronounces have the value of acts of integrity, tolerance, and compassion. A woman's true tenderness, like the true virility of man, is expressed in action of a conquering kind. The ladies of Sulaco adored Mrs. Gould. "They still look upon me as something of a monster," Mrs. Gould had said pleasantly to one of the three gentlemen from San Francisco she had to entertain in her new Sulaco house just about a year after her marriage. They were her first visitors from abroad, and they had come to look at the San Tome mine. She jested most agreeably, they thought; and Charles Gould, besides knowing thoroughly what he was about, had shown himself a real hustler. These facts caused them to be well disposed towards his wife. An unmistakable enthusiasm, pointed by a slight flavour of irony, made her talk of the mine absolutely fascinating to her visitors, and provoked them to grave and indulgent smiles in which there was a good deal of deference. Perhaps had they known how much she was inspired by an idealistic view of success they would have been amazed at the state of her mind as the Spanish-American ladies had been amazed at the tireless activity of her body. She would--in her own words--have been for them "something of a monster." However, the Goulds were in essentials a reticent couple, and their guests departed without the suspicion of any other purpose but simple profit in the working of a silver mine. Mrs. Gould had out her own carriage, with two white mules, to drive them down to the harbour, whence the Ceres was to carry them off into the Olympus of plutocrats. Captain Mitchell had snatched at the occasion of leave-taking to remark to Mrs. Gould, in a low, confidential mutter, "This marks an epoch." Mrs. Gould loved the patio of her Spanish house. A broad flight of stone steps was overlooked silently from a niche in the wall by a Madonna in blue robes with the crowned child sitting on her arm. Subdued voices ascended in the early mornings from the paved well of the quadrangle, with the stamping of horses and mules led out in pairs to drink at the cistern. A tangle of slender bamboo stems drooped its narrow, blade-like leaves over the square pool of water, and the fat coachman sat muffled up on the edge, holding lazily the ends of halters in his hand. Barefooted servants passed to and fro, issuing from dark, low doorways below; two laundry girls with baskets of washed linen; the baker with the tray of bread made for the day; Leonarda--her own camerista--bearing high up, swung from her hand raised above her raven black head, a bunch of starched under-skirts dazzlingly white in the slant of sunshine. Then the old porter would hobble in, sweeping the flagstones, and the house was ready for the day. All the lofty rooms on three sides of the quadrangle opened into each other and into the corredor, with its wrought-iron railings and a border of flowers, whence, like the lady of the mediaeval castle, she could witness from above all the departures and arrivals of the Casa, to which the sonorous arched gateway lent an air of stately importance. 24 She had watched her carriage roll away with the three guests from the north. She smiled. Their three arms went up simultaneously to their three hats. Captain Mitchell, the fourth, in attendance, had already begun a pompous discourse. Then she lingered. She lingered, approaching her face to the clusters of flowers here and there as if to give time to her thoughts to catch up with her slow footsteps along the straight vista of the corredor. A fringed Indian hammock from Aroa, gay with coloured featherwork, had been swung judiciously in a corner that caught the early sun; for the mornings are cool in Sulaco. The cluster of flor de noche buena blazed in great masses before the open glass doors of the reception rooms. A big green parrot, brilliant like an emerald in a cage that flashed like gold, screamed out ferociously, "Viva Costaguana!" then called twice mellifluously, "Leonarda! Leonarda!" in imitation of Mrs. Gould's voice, and suddenly took refuge in immobility and silence. Mrs. Gould reached the end of the gallery and put her head through the door of her husband's room. Charles Gould, with one foot on a low wooden stool, was already strapping his spurs. He wanted to hurry back to the mine. Mrs. Gould, without coming in, glanced about the room. One tall, broad bookcase, with glass doors, was full of books; but in the other, without shelves, and lined with red baize, were arranged firearms: Winchester carbines, revolvers, a couple of shot-guns, and even two pairs of double-barrelled holster pistols. Between them, by itself, upon a strip of scarlet velvet, hung an old cavalry sabre, once the property of Don Enrique Gould, the hero of the Occidental Province, presented by Don Jose Avellanos, the hereditary friend of the family. Otherwise, the plastered white walls were completely bare, except for a water-colour sketch of the San Tome mountain--the work of Dona Emilia herself. In the middle of the red-tiled floor stood two long tables littered with plans and papers, a few chairs, and a glass show-case containing specimens of ore from the mine. Mrs. Gould, looking at all these things in turn, wondered aloud why the talk of these wealthy and enterprising men discussing the prospects, the working, and the safety of the mine rendered her so impatient and uneasy, whereas she could talk of the mine by the hour with her husband with unwearied interest and satisfaction. And dropping her eyelids expressively, she added-- "What do you feel about it, Charley?" Then, surprised at her husband's silence, she raised her eyes, opened wide, as pretty as pale flowers. He had done with the spurs, and, twisting his moustache with both hands, horizontally, he contemplated her from the height of his long legs with a visible appreciation of her appearance. The consciousness of being thus contemplated pleased Mrs. Gould. "They are considerable men," he said. "I know. But have you listened to their conversation? They don't
