P. N. 242-243Koliker 243
Lambert, Jean Nicolas--Lapaix--Laprevotte, Etienne--Leclerc--Lecomte--Leduc, Pierre--Lefebvre--Le Jeune, Fran-
cois--Le Pileur, Pierre--Lesclop, Francois Henry--Louis--Louvet, Jean--Lupot, Jean--Lupot, Laurent--Lupot, Francois--LU-POT, NICOLAS; maker to the Conservatoire; an excellent workman, and named "The French Stradivari," and "The king of modern makers;" characteristics of his work 243-247
Marquis de Lair--Mast, Jean Laurent--Mast--Maucotel, Charles--Maucotel, Charles Adolphe--Medard, Francois-- Medard, Nicolas--Medard, Jean--Mennegand, Charles; distinguished as a maker and repairer, and also as a "cutter"--Miremont, Claude Augustin--Modessier--Mougenot 247-250
Namy--Nezot--Nicolas, Francois--Nicolas, Fourrier--Nicolas, Didier--Nicolas, Joseph 250
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Ouvrard, Jean 250
Pacherele, Michel--Pacherel--Paul, Saint--PIERRAY, CLAUDE; an excellent workman, following Amati--Piete, N.-- PIQUE, F. L.; close copyist of Stradivari; excellent work and material--Pirot, Claude--Pons, Cesar--Pons 250-252
Rambaux, Claude Victor--Raut, Jean--Remy--Remy, Jean Mathurin--Remy, Jules--Remy--Renaudin, Leopold--Renault, Nicolas--Rombouts, Peeter--Roze 252-253
Sacquin--Salle--Salomon, Jean Baptiste--Saunier--Schnoeck, Egidius--SILVESTRE, PIERRE; a true artist; follower of Stradivari--Silvestre, Hippolyte--Silvestre, Hippolyte Chretien--Simon--Simonin, Charles--Socquet 253-254
Theress, Charles--Thibout, Jacques Pierre; an excellent workman, and well-known dealer; his relations with Luigi Tarisio--Thomassin--Tywersus 254
Vaillant, Francois--Veron, Pierre--Vibrecht, Gysbert--Vuillaume, Jean--VUILLAUME, J. B.; a prolific and skilful maker; associated with Tarisio, and purchaser of his collection--Vuillaume, N. F.--Vuillaume, Claude Francois--Vuillaume, Sebastien 254-255
SECTION IX.--THE GERMAN SCHOOL.
No trace of Violin manufacture in Germany previous to the middle of the seventeenth century--Pervading influence of Jacob Stainer in the constitution of the German School--Popularity of his model--Mediocre character of the school, with some notable exceptions 256-258
SECTION X.--GERMAN MAKERS.
Albani, Mathias (pere)--ALBANI, MATHIAS (fils); his style Italian, and workmanship excellent--Albani--Alletzie,
Paolo--Artmann 259-260
Bachmann, Carl Ludwig; maker to the Court of Frederick the Great; founder of Concerts for Amateurs at Berlin--Bachmann, O.--Bausch, Ludwig C. A.--Bausch, Ludwig B.--Bausch, Otto B.--Beckmann--Bedler--Bindernagel; made in both Ger-man and Italian styles--Buchstadter 260-261
Christa, Joseph Paul 261
Diel (or Diehl), Martin--Diel, Nicolaus--Diel, Johann--Diel, Jacob--Diehl, Nicolaus Louis--Diehl, Friedrich--Diehl, Johann--Diehl, Heinrich--Dopfer, Nicolaus--Durfel 261-262
Eberle, J. Ulric; good copyist; form Italian; made also Viols d'Amour--Edlinger, T.--Edlinger, Joseph Joachim--Elsler, Joseph; made Viols da Gamba--Ernst, Franz Anton; pupil of Antonio Lolli; Court Musician at Gotha 262-263
Felden, M.--Fichtold, Hans--Fichtl, Martin--Ficker, Johann Christian--Ficker, Johann Gotlieb--Fischer, Zacharie-- Frey, Hans; maker of Lutes; related to Albert Durer--Fritzche 263-264
Gedler, Johann A.--Gedler, Johann B.--Geissenhof, Franz; Stradivari model--Gerle, Johann, Lute-maker--Griesser, Matthias--Grimm, Carl--Grobitz, A.--Gugemmos 264
Haensel, Johann A.; his "Ueber den Bau der Violin"--Hamberger, Joseph--Hamm--Hammig, Johann Gottfried-- Hassert--Hassert--Helmer, Carl--Hildebrandt--Hiltz, Paul--Hoffmann, Martin--Hoffmann, Johann Christian--Hornstainer, Joseph--Hornstainer, Matthias--Horil, Jacob--Huller, August--Humel, Christian--Hunger, Christoph Friedrich 264-265
Jais, Johann--Jauch, Johann 265
Karb--Kambl, Johann A.--Kembter--Kiaposse, Sawes--Kirchschlag--Kloz, Matthias; pupil of Stainer--KLOZ, SE-BASTIAN; superior model, form flat--Kloz, George--Kloz, Egidius--Kloz, Joseph--Kloz, J. Karl--Knittle, Joseph--Knitting-- Kohl, Johann--Kolditz, J.--Kolditz, Mathias Johann--Kramer, H.--Kriner, Joseph 265-267
Laska, Joseph--Lembock 267
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Mann, Hans--MAUSSIELL, LEONARD; Stainer model; excellent workmanship; style of Tecchler--Maher (Maier)-- Meusidler--Mohr, Philip--Moldonner 267
Niggel, Simpertus; good workmanship 267
Ohberg, Johann--Ott, Johann--Otto, Jacob August; maker to the Court of Weimar; author of "Ueber den Bau und die Ehrhaltung der Geige und aller Bogeninstrumente"--Otto, Georg August--Otto, Christian--Otto, Heinrich--Otto, Carl--Otto, C. U. F.--Otto, Ludwig--Otto, Louis--Otto, Hermann 267-268
Parth, Andreas Nicholas--Pfretzschner, Gottlob--Pfretzschner, Carl Friedrich--Plack, F.--Possen, L. 268-269
Rauch--Rauch, Jacob; Court Violin-maker--Rauch, Sebastian--Rauch--Reichel, Johann Gottfried--Reichel, Johann
Conrad--Reichers, August--Riess--Roth, Christian--Ruppert 269
Sainprae, Jacques; Baryton Viol-maker--Sawicki--Scheinlein, Mathias--Scheinlein, Johann Michael--Schell, Sebastian-- Schlick--Schmidt--Schonfelder, Johann A.--Schonger, Franz--Schonger, Georg--Schorn, Johann; excellent work; high model-- Schorn, Johann Paul; Court instrument-maker--Schott, Martin--Schweitzer--Stadelmann, Daniel; good work; Stainer model-- Stadelmann, Johann Joseph--STAINER, JACOB; the greatest of German makers, and a thorough artist; his model original; sketch of his history and work; great popularity of his style; his "Elector Stainers;" Herr S. Ruf 's personal history of Stainer's life, and the romance founded thereon; Counsellor Von Sardagna's contributions to his history; Rabenalt's drama, "Jacob Stainer," and other poems thereon: "Der Geigenmacher Jacob Stainer von Absam;" said to have been a pupil of Niccolo Amati; his marriage; his appointment as Court Violin-maker; accused of heresy, and imprisoned; pecuniary difficulties, and sad end; his good name frequently clouded by inferior work falsely attributed to him--Stainer, Markus--Stainer, Andreas--Staugtinger, Mathias W.--Steininger, Jacob; related to Dopfer and Nicholas Diel--Steininger, Franz--Stoss--Stoss, Martin--Straube--Strauss, Joseph 269-281
TIEFFENBRUCKER--TIELKE, JOACHIM (i.); Lute and Guitar-maker; rich and chaste ornamentation of his work; description of examples extant in England--TIELKE, JOACHIM (ii.); fine examples of a later maker of this name at South Kensington and elsewhere 281-282
VOEL, E.; excellent work; Stradivari model--Vogel, Wolfgang--Vogler, Johann Georg--Voigt, Martin 282-283
Wagner, Joseph--Weickert--Weigert--Weiss, Jacob--Wenger, G. F.--Widhalm, Leopold; follower of Stainer; careful fin-ish and good varnish--Wyemann, Cornelius 283
Zwerger, Antoni 283
SECTION XI.--THE ENGLISH SCHOOL.
Non-recognition of English makers by Continental writers on the Violin--Causes of the partial decadence of the art in this country as on the Continent--Earliest English makers, and their several models--School of English copyists 284-292
SECTION XII.--ENGLISH MAKERS.
Absam, Thomas--Adams--Addison, William--Aireton, Edmund; an excellent copyist of Amati--Aldred--Askey, Samuel 293
Baines--Baker--Ballantine--BANKS, BENJAMIN; the foremost English maker,
