a distance. Discipline was her religion; emotion to her was base and self-indulgent.
She compelled Charles to help her move to an apartment over a hardware store on Eglinton Avenue at Warren Road, where he studied with her from age ten to twenty. The main room was dominated by her pride and joy and raison d’être, a Bechstein concert grand piano and some carefully chosen exquisite objets d’art: a nineteenth-century painted-wood sculpture of a serene Japanese woman, which she always referred to as “my goddess,” a Chinese carved chair, some silk tapestries, and a nineteenth-century ink drawing by Rousseau.
Charles’s music teacher, Rachel Cavalho, 1963.
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