Bibliographic Research in Composition Studies. Vicki Byard

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shape them to appeal to a particular audience, and support them with convincing evidence. Information must not only be retrieved and evaluated, it must be put to use rhetorically—i.e., used to construct a text” (“Teaching” 212). While bibliographic resources and strategies are the beginning of your own scholarly work in composition studies, they are not all you need to know to participate well in the scholarly conversation. Additional courses in composition studies, as well as your independent reading of scholarship in the discipline, will help you in this regard.

      Finally, there are additional issues related to joining the scholarly conversation in composition studies that this book does not discuss. Much has been written about how an author’s gender and contractual obligations affect his or her scholarly work in composition studies. There are also published discussions about the appropriate voice for scholarly writing, about experimenting with new forms of publication, and even about the relative merits of teaching and publishing. These are all nuances of the conversation about composition studies scholarship that are beyond the immediate purpose of this book; if these issues interest you, you can learn more about them once you have used this book to enter the composition studies parlor, where these and many other discussions take place.

      I urge you, then, to not think of this book as an encyclopedia of all you may ever need to know about scholarship in composition studies. I write it instead as a navigation guide for first-time travelers entering the discipline. If you follow its guidance, you will arrive at your destination—the parlor of composition studies—via the shortest, fastest route, with fewer wrong turns than you’d be likely to make without such a guide. I also hope to direct your journey so that you won’t be already exhausted and disoriented upon your arrival but can instead arrive refreshed, ready to listen and learn from the conversation taking place.

      Let’s begin.

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      Brown, Stuart C., Monica F. Torres, Theresa Enos, and Erik Juergensmeyer. “Mapping a Landscape: The 2004 Survey of MA Programs in Rhetoric and Composition Studies.” Rhetoric Review 24 (2005): 5–12.

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      —. “No Longer a Brand New World: The Development of Bibliographic Resources in Composition.” Composition in Context: Essays in Honor of Donald C. Stewart. Ed. W. Ross Winterowd and Vincent Gillespie. Carbondale: Southern Illinois UP, 1994. 139–51.

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      Coffey, Daniel P. “A Discipline’s Composition: A Citation Analysis of Composition Studies.” The Journal of Academic Librarianship 32 (2006): 155–65.

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      —. “Teaching the Rhetorical Dimensions of Research.” Research Strategies 11 (1993): 211–19.

      Fontaine, Sheryl I., and Susan M. Hunter. “Inviting Students into Composition Studies with a New Instructional Genre.” Culture Shock and the Practice of Profession: Training the New Wave in Rhetoric and Composition. Ed. Virginia Anderson and Susan Romano. Cresskill, NJ: Hampton, 2006. 197–213.

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      Lauer, Janice M. “Graduate Students as Active Members of the Profession: Some Questions for Mentoring.” Publishing in Rhetoric and Composition. Ed. Gary A. Olson and Todd W. Taylor. Albany: SUNY P, 1997. 229–35.

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      Peirce, Karen P., and Theresa Jarnagin Enos. “How Seriously Are We Taking Professionalization? A Report on Graduate Curricula in Rhetoric and Composition.” Rhetoric Review 25 (2006): 204–10.

      Phelps, Louise Wetherbee. “Writing the New Rhetoric of Scholarship.” Defining the New Rhetorics. Sage Series in Written Communication Volume 7. Ed. Theresa Enos and Stuart C. Brown. Newbury Park, CA: Sage, 1993. 55–78.

      Rockman, Ilene F. “Introduction: The Importance of Information Literacy.” Integrating Information Literacy into the Higher Education Curriculum: Practical Models for Transformation. Ed. Ilene F. Rockman. San Francisco: Jossey-Bass, 2004. 1–28.

      Scott, Patrick. “Bibliographical Problems in Research on Composition.” College

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