Late Empire. Lisa Olstein
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We bring the world to bed with us,
its weather, its moving maps,
and its wars. When the staff told
the grieving chimp, tomorrow
they’d bring her a baby, she understood
her baby, the one three years ago
whisked inexplicably away,
not any baby, which is what
they brought. Of course
she wouldn’t touch it. Of course
this lasted all day and into
the night and by morning
had been replaced by embrace.
Kinship is a gun set to stun,
circumstance a falcon striking
midair. Tonight I know the head
shot, I know the kneeling man.
If you know a face, when you
know a face, how you know
a face is the way every part of it
works together when, still a person,
across a table a person laughs
on just another sunny day.
ARRANGEMENTS
It’s November, so we’re talking politics
and I’ve been personally selected to hear
from Mark Ruffalo what it was he dreamt
last night. This is when I begin to imagine
his beautiful blurred head sinking into
and somehow floating above a pillow
very white and his beautiful blurred children,
but no, no thank you, no wife, because
if not here then where, exactly, am I
supposed to insert myself? And if we’re talking
movie stars, Mark seems to be doing it right.
At least, anyone who still manages to be sexy
even when you know you’re being played
must be the good kind of wrong. Imagine,
Mark writes. Imagine, is what he dreamt
last night, imagine a world, and then
I lost track of what he was so artfully made
to be saying, but dinner was involved
and a chance at something, a chance
for something, a chance. Mark, what if
by chance I met my true love when I was
too young to know to keep him? Mark,
what if by character or by foolishness
or by fate sometimes good people are
inexorably drawn to their own demise?
Marked by desire is usually code for something
catastrophic and even when we try to focus
with quiet minds and pursue the animal
feelings within us with only the most
measured sighs, so often something
catastrophic is what turns up in the late light
of early night, like you did on Annette Bening’s
porch in that movie and even as a loser,
Mark, you were sexy, but less so, I’d be lying
if I didn’t admit. Line, please. Just give me
a hint. Actually, let’s take ten, I need
some time alone in my trailer. Sometimes,
we arrange in our minds a thousand goodbyes.
By arrangement, a funeral publicly can be
held to honor a body not present or, privately,
for somebody technically not dead yet.
Final arrangements may be made in advance
and locked in a drawer in a sealed envelope
with to be opened in the event of my death
scrawled elegantly across the seam.
Imagine, the next e-mail in my queue details
arrangements being made to honor a man
who made arrangements for the dispersal
of his modest assets by embedding subtle clues
only his family would detect in the arrangement
of the phrases of what turned out to be,
and probably he knew it, a farewell letter
his cellmate memorized the night before
his ransom came through. The cellmate’s, Mark.
Like so many of the best parts of ourselves,
like so many of the characters we like to watch
you play, he was the good one left behind.
QUESTIONS ARE AN ATTRIBUTE OF GOD
Light a steeple bright enough and blind
the bats will come stitching white
against the torn black cloth of sky.
All these years and still no one knows
what draws the moths and their buzzing
relations with tired jaws, or at least