The Lost Pianos of Siberia. Sophy Roberts

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       15 · A Game of Risk: Kamchatka

       16 · Siberia’s Last Piano: The Commanders to the Kurils

       17 · Provenance Regained: Khabarovsk

       EPILOGUE

       Epilogue: The Orkhon Valley

       A Brief Historical Chronology

       Selected Bibliography

       Acknowledgements

       Picture Acknowledgements

       Source Notes

       Index

       About the Author

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      TRAVEL EAST BY TRAIN from Moscow and the clip of iron on track beats out the rhythm of your approach towards the Ural Mountains. This band of hills separates Western Russia from Siberia, rising in Kazakhstan and following an almost direct line up through Russia to the Arctic Ocean. The train passes lazy trails of chimney smoke, gilded churches, and layers of snow stacked like bolts of silk, with the rhythm of the journey – the sluggish gait, the grinding stops into gaunt platforms and huddled towns – much as early travellers described Russian trains in the fashionable Siberian railway sketches of the time. These days, however, fellow passengers are few; most Russians now fly to and from Siberia rather than use the railways.

      During the time of the last Tsar, travellers on the country’s most iconic train of all – the train de luxe Sibérien, running for some five-and-a-half thousand miles from Moscow to Vladivostok on Russia’s Pacific coast – described an ebullient opulence, with passengers dripping in ‘diamonds that made one’s eyes ache’, and music from a Bechstein piano. Siberia’s railway was dizzy with ambition: ‘From the shores of the Pacific and the heights of the Himalayas, Russia will not only dominate the affairs of Asia but Europe as well,’ declared Sergei Witte, the statesman and engineer responsible for building the track at the end of the nineteenth century. In the fancy tourist carriages, there was a busy restaurant panelled in mahogany, and a Chinese-style smoking lounge, the train presided over by a heavily perfumed fat conductor with a pink silk handkerchief. French-speaking waiters came and went with Crimean clarets and beluga caviar, pushing through carriages decorated with mirrored walls and frescoes, a library, a darkroom for passengers to process camera film, and according to adverts promoting Siberia to tourists, a hairdressing salon, and a gym equipped with a rudimentary exercise bike. Singsongs tumbled out of the dining car as if it were a music hall, with the piano used like a kitchen sideboard to stack the dirty dishes on.

      At no point on this great Eurasian railway journey, then or now, was there a sign saying ‘Welcome to Siberia’. There was only the dark smudge bestowed by cartographers denoting the Ural Mountains – a line that conjures up something vaguely monumental. In reality, the Urals feel closer to a kind of topographical humph, as if the land is somehow bored, the mountains showing as bumps and knuckles and straggling knolls. There is no dramatic curtain-raiser to the edge of Siberia, no meaningful brink to a specific place, just thick weather hanging over an abstract idea.

      Siberia is difficult to pin down, its loose boundaries allowing each visitor to make of it whatever shape they want. In a drive for simplicity to organize these indistinct frontiers, I have therefore provided a few notes to explain my parameters.

      The breadth of Russia has been squashed and squeezed into chapter maps in a struggle to fit this vast territory on to a single page. What makes it even more challenging is that aside from China, this country has more international borders than any other nation. In this Author’s Note I also give explanations about the time periods and terminology, which can get complicated in Russia. If my definitions are in any way reductive, it is because I am not a historian. If they are Eurocentric, it is because I am English; any journey to Siberia is one I take from the West to the East – physically, culturally, musically. This book – written for the general reader, about a hunt that is sometimes more about the looking than the finding in the so-called ‘land of endless talk’ – is a personal, literary adventure. More nuanced scholarly research and further reading is indicated in the Source Notes and Selected Bibliography.

      My Siberia covers all the territory east of the Ural Mountains as far as the Pacific, which is the ‘Siberia’ defined on imperial Russian maps up until the Soviet period. It is an extremely broad interpretation, which includes the Far North and the Russian Far East, taking in dominions lost and gained during the eighteenth and nineteenth centuries. I therefore apologize in advance with the full knowledge that I have not subscribed to modern administrative boundaries or prevailing political correctness about who or what is Siberian. I have instead gone by Anton Chekhov’s description: ‘The plain of Siberia begins, I think, from Ekaterinburg, and ends goodness knows where.’

      There were three significant revolutions in early twentieth-century Russia. The first was in January 1905, after government soldiers opened fire on peaceful protesters in St Petersburg in what became known as ‘Bloody Sunday’. Vladimir Ilyich Ulyanov, known by his alias, Lenin, and Leon Trotsky became the main architects of the two socialist revolutions in 1917 – the February Revolution, and the October, or Bolshevik, Revolution. I tend to refer to the events of 1917 collectively as the Russian Revolution, unless otherwise stated.

      I use ‘Russia’ to describe the country prior to the end of the Russian Civil War, which ran from 1918 to 1922, when the ‘Reds’ (Bolsheviks, later known as communists) fought the ‘Whites’ (anti-communists, with some factions retaining Tsarist sympathies). The USSR refers to the Union of Soviet Socialist Republics, or Soviet Union, formed in 1922, which expanded to comprise Russia and fourteen surrounding republics. After the breakdown of the Soviet regime following a tumultuous period of economic restruc turing known as perestroika, Russia changed its name. On 31 December 1991, it became known as the Russian Fed eration, which I shorten to Russia for the sake of simplicity. To track these political changes, as well as key moments in the history of Siberia, please refer to the brief Chronology at the end of the book.

      Until 31 January 1918, Russian dates conformed to the Julian, or Old Style, calendar, which ran between eleven and thirteen days

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