Milos Forman and Steven Spielberg. Butler has also shot the first features of some younger, talented directors like John Badham and Randall Kleiser. His versatility has been proven in his ability to bring a specific style to “important” pictures like The Conversation and Drive, He Said as well as to lighter fare like Alex and the Gypsy and Grease. Two films photographed by Butler, Jaws and One Flew over the Cuckoo’s Nest (co-credit with Haskell Wexler), have between them earned over a quarter of a billion dollars.
The secret to Butler’s success is that he is a consummate professional in anything he does. After little more than a decade of shooting features, he has compiled a track record and a list of credits that any student cinematographer would aspire to and that even a veteran cameraman would envy. It makes one wonder what Butler is planning for his fourth career.
How do you choose your film projects?
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