One Man's Wilderness, 50th Anniversary Edition. Sam Keith
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A turning point in Dick’s life came when a retired Navy captain who had a cabin in a remote wilderness area invited Dick to spend a few weeks with him and his wife. They had to fly in over the Alaska Range. This was Dick’s introduction to the Twin Lakes country, and he knew the day he left it that one day he would return.
The return came sooner than he expected. He was working for a contractor who was being pressured by union officials to hire only union men. Dick always felt he was his own man. His philosophy was simple: Do the job you must do and don’t worry about the hours or the conditions.
Here was the excuse Dick needed. He was fifty years old. Why not retire? He could afford the move.
“Get yourself off the hook,” he told the contractor. “That brush beyond the big hump has been calling for a long time and maybe I better answer while I’m able.”
That was in the spring of 1967.
He spent the following summer and fall in the Navy captain’s cabin at Twin Lakes. Scouting the area thoroughly, he finally selected his site and planned in detail the building of his cabin. In late July he cut his logs from a stand of white spruce, hauled them out of the timber, peeled them, piled them, and left them to weather through the harsh winter. Babe Alsworth, the bush pilot, flew him out just before freeze-up.
Dick returned to Iowa to see his folks and do his customary good deeds around the small town. There in the “flatlander” country he awaited the rush of spring. He had cabin logs on his mind. His ears were tuned for the clamoring of the geese that would send him north again.
Here is the account of a man living in an area as yet unspoiled by man’s advance, a land with all the purity that the land around us once held. Here is the account of a man living in a place where no roads lead in or out, where the nearest settlement is forty air miles over a rugged land spined with mountains, mattressed with muskeg, and gashed with river torrents.
Using Dick Proenneke’s rough journals as a guide, and knowing him as well as I did, I have tried to get into his mind and reveal the “flavor” of the man. This is my tribute to him, a celebration of his being in tune with his surroundings and what he did alone with simple tools and ingenuity in carving his masterpiece out of the beyond.
Sam Keith
Duxbury, Massachusetts (1973)
Looking up the lake from Low Pass
I’m Scared of It All
I’m scared of it all, God’s truth! so I am
It’s too big and brutal for me.
My nerve’s on the raw and I don’t give a damn
For all the “hoorah” that I see.
I’m pinned between subway and overhead train,
Where automobillies sweep down:
Oh, I want to go back to the timber again …
I’m scared of the terrible town.
I want to go back to my lean, ashen plains;
My rivers that flash into foam;
My ultimate valleys where solitude reigns;
My trail from Fort Churchill to Nome.
My forests packed full of mysterious gloom,
My ice fields agrind and aglare:
The city is deadfalled with danger and doom …
I know that I’m safer up there.
I watch the wan faces that flash in the street;
All kinds and all classes I see.
Yet never a one in the million I meet,
Has the smile of a comrade to me.
Just jaded and panting like dogs in a pack;
Just tensed and intent on the goal:
O God! but I’m lonesome … I wish I was back,
Up there in the land of the Pole.
I feel it’s all wrong, but I can’t tell you why …
The palace, the hovel next door;
The insolent towers that sprawl to the sky,
The crush and the rush and the roar.
I’m trapped like a fox and I fear for my pelt;
I cower in the crash and the glare;
Oh, I want to be back in the avalanche belt,
For I know that it’s safer up there!
I’m scared of it all: Oh, afar I can hear
The voice of the solitudes call!
We’re nothing but brute with a little veneer,
And nature is best after all.
There’s tumult and terror abroad in the street;
There’s menace and doom in the air;
I’ve got to get back to my thousand mile beat;
The trail where the cougar and silvertip meet;
The snows and the campfire, with wolves at my feet …
Goodbye, for it’s safer up there.
From “Rhymes of a Rolling Stone,” by Robert W. Service.
Reprinted by permission of Dodd Mead and Company,
from the collected poems of Robert Service.
CHAPTER ONE
Going In
I recognized the scrawl. I eased the point of a knife blade into the flap and slit open the envelope. It was the letter at last from Babe Alsworth, the bush pilot. “Come anytime. If we can’t land on the ice with