with salt! After this indignity the aureole is, not unnaturally, said to have disappeared and was beheld no more by the rough traffickers of those regions.
Footnote
* Now stored at the Kokuhokan.
Zuisen-ji
THIS FAMOUS old temple stands back from the Kanazawa road some distance beyond Daito-no-miya; the narrow road leading to it intersects the pine avenue of Egara Tenjin. Formerly ranking second of the ten leading monasteries in Eastern Japan of the Rinzai sect of Buddhism, it was founded in 1327 by Ashikaga Motouji, and was distinguished by becoming identified with the Ashikaga shoguns.
The approach gradually ascends between high grassy banks until the Uiatched gate is reached which marks the temple enclosure: the grounds are beautiful with lawns and flowers, rocks and caves, and many interesting old trees. The fragrant foliage of an exceptionally large eucalyptus towers in front of the temple, the seed of which was brought from Australia in 1878.* The small cavern behind the lake** contained the statue of Benten and was known as the Angel's Cave. Beyond this, on the extreme left steps are hewn in the mossy rock. This route gradually ascends through charming environment to the top of the mountain; from its winding nature the path is called the Juhachi-mawari, or Eighteen Curves. In olden times the distant view commanded from this small plateau was highly renowned amongst poets and nature lovers, its beauties having been immortalized in many songs and poems. Beyond the irregular ridges lies the deep blue ocean, distant purple mountains closing in the picture with lovely effect. In spring the masses of red and crimson azaleas lend a brilliant note of color to the scene; the groves are musical with the cry of the uguisu (nightingale), the little brown bird whose note is supposed to be a text of scripture— hō-hokekyō —while the trees and bushes of this thickly wooded region are gay with newly budding foliage, the delicate shell-pink and pale green hues presenting the felicitous appearance of giant clusters of blossoms. In bygone days Zuisenji enjoyed a high reputation for its maples; their "flaming brocade" is still effective and beautiful. But of late years their number has somewhat decreased. In 1328, shortly after the temple was founded, the first priest—the celebrated Muso Kokushi—caused a pavilion called Ichirantei to be erected upon the summit of the hill in order to afford rest and appreciation of the landscape. Poets have compared this little structure to a miniature Elysium from which one could gaze down upon the vision of the world below. When in the course of time this fabric fell into ruins, a new structure was erected some two hundred years ago by the enlightened scholar and philosopher Mitsukuni, lord of Mito, who was also a constant visitor and patron of Zuisen-ji. This building was modeled upon the Chinese pavilion Suiotei, built by the Chinese Emperor Kiso, of the Sung Dynasty (420-79). Around the interior panels of lacquered wood were suspended upon which a collection of poems—inspired by the beauty of the scenery and composed upon the spot—were inscribed: these panels are still preserved in the guest room of the temple. About a century after its construction, this second pavilion was destroyed in a severe storm but its site is still plainly to be seen. Within it was installed a "thousand-handed" statue of Kannon that is now enshrined upon the altar of the temple below.
The centerpiece and place of honor upon the main altar is occupied by a large and interesting effigy of the first priest of Zuisen-ji, the erudite and renowned Muso Kokushi. The tints are considerably faded and the flight of centuries has left its mark upon this ancient work; it is said to have been executed during the lifetime of the original, and has therefore been in existence some six hundred years. In the left-hand division is the chief object of worship, a valuable statue of Shaka; on either side are small but realistically painted images of Ashikaga Motouji and Ujimitsu, the third Ashikaga shogun. The right-hand division is occupied by the above-mentioned Kannon, in front of which is a fierce little statue with gleaming yellow eyes. This is the ever-popular Daruma (Sanskrit: Dharma), the Indian missionary priest who founded the Zen sect in China in the sixth century. Much depicted in popular art, and generally with a ruffianly countenance strangely belying his saintly character, Daruma was the great exponent of the doctrine of 'Thought transmitted without utterance"; he is said to have remained in profound religious abstraction for nine years, after which his legs withered away from disuse, and disappeared!
In olden times a high tower was erected in the grounds to the right of the entrance gate. This was used as a repository for the most valuable statues, but when the tower was attacked by fire they were rescued and removed to the main temple. Behind the site of this structure is a large cavern in three divisions; the rocky chamber on the left is dimly lighted by a natural opening like circular windows, shaded with ferns and greenery. In the congenial gloom of this retreat, the ancient priest Muso Kokushi was in the habit of practicing zazen, the mystic art of detaching the mind from the body in religious meditation. The sequestered path to the right of this historic cave—between the cliffs and a grove of bamboo—leads to the graveyard, where interest centers in the fine old tomb of Motouji, founder of the temple. This archaic monument has a beautiful setting; it stands in a mossy cave surrounded by wet and glistening pebbles, upon which drops of water continually percolate from the rock above, conveying a strange symbolism of purity and peace. A little beyond is the solitary rounded tomb of a former priest of the temple, but amongst these venerable sepulchers no relic exists of Muso Kokushi. This great divine had been summoned to officiate at Tenryu-ji, the temple of the first Ashikaga shogun at Kyoto; there he died at the age of seventy, and there his ashes were interred.
Originally another temple, Eian-ji, stood in close proximity to Zuisen-ji, built and dedicated to the memory of Ujimitsu after his death in 1398. On February 10,1439, the fourth Ashikaga regent Mochiuji, on the betrayal of his plans, committed suicide in this temple together with over thirty of his retainers. On that tragic day, the battle raged fiercely in Kamakura and unhappily a strong wind fanned on the flames that were the inevitable feature of these conflicts. It is recorded of this calamity that many temples and vast numbers of dwellings perished in the holocaust.
The wife of the ill-starred regent, with many of her attendant lathes, had taken shelter in the three-storied tower of Zuisen-ji, but it was impossible to avert their doom: the tower caught fire and all the unhappy fugitives were burnt to death. The two little princes alone had managed to escape, but as a sequel to this disaster the Ashikaga family entirely disappeared for nine years. At the end of that time the family was forgiven and Mochiuji's son Nariuji returned to take up his quarters in Kamakura. However in 1445—while Nariuji was officiating as kanryō—he was attacked by his too-powerful representative, and from whose violence he fled to Koga in the north of Japan. This feud caused the termination of the office of governor of Kamakura, a fact that materially conduced to the decline of the city.
Just within the entrance gate of Zuisen-ji is a newjizo-do. This small structure is a recent erection, the opening ceremony having taken place on June 26, 1916. It was built to enshrine a fine old statue of Jizo—a standing figure sculpted in dark wood; this image dates back from the Kamakura period and is considered a representative example of the art of that age. Upon either side are ranged six small figures of pugilistic demeanor, armed with various weapons: these are the twelve Shinsho, or guardian ministers of Yakushi Nyorai, the god of wisdom and healing. These valuable images have only recently been acquired by the temple. In past times there were twelve vassal shrines attached to the temple of Hachiman, but at the Restoration these buildings gradually fell into decay and disappeared. At that time the statues were acquired by a resident of Kamakura named jimbei Yoshimura; he presented them to Zuisen-ji and the Jizo-do was erected under his auspices.
An interesting fact in connection with this temple is that for a time its tranquil seclusion afforded a shelter to the celebrated patriot and martyr Yoshida Shoin,
