among them architectural styles and the myth of the Sun Goddess as divine progenitrix, point to strong Polynesian influences.
Japan's earliest people were capable of shaping crude stone implements but were unable to make pottery. Sometime around 8000 B.C. Japan's inhabitants evolved from a "nonpottery" people to a Neolithic people able to make pottery that is impressed with rope patterns. The Japanese term for this distinctive pottery lends its name to the period, the Jomon, which lasted until around 300 B.C.
The Yayoi period that followed marked another distinct cultural shift. While Jomon pottery was shaped, Yayoi pottery was turned on a wheel. Jomon people were nomadic hunters and gatherers, while Yayoi people were wet-rice farmers who were able to forge tools and weapons of bronze and iron.
Wet-rice farming demands intensive labor, organization, and cooperation, and it is credited with fostering the values of diligence, loyalty, and group cohesion often remarked as characteristic of modern Japanese. It is not certain whether this shift from hunters and gatherers to farmers was due to the natural evolution of a single people or to new migrations from outside of Japan.
The 4th century A.D. marks the beginning of the Tumulus period, so named for the enormous burial mounds that are its archaeological legacy. The largest of these, located near Osaka, dates from the 5th century and is about 1,600 feet long. Pottery called haniwa, many pieces simple cylinders but others depicting warriors, houses, horses, and other animals, was often arranged around the mounds. It has been suggested that these mound builders were tribes of mounted warriors from the mainland who conquered Japan around A.D. 300, and the similarity of their tomb designs to those of Korea and China lends support to this theory. However, the mounds might also be the work of the highly organized Yamato tribes under the sway of styles from the Asian mainland, with which there was ongoing contact.
Meotoiwa, the 'wedded rocks" near Ise, are joined by a rope and symbolize the male and female deities Izanagi and Izanami, the mythical creators of Japan.
In the namahage, an ancient New Year's rite still observed with gusto in Akita Prefecture, young men dressed as ogres visit neighborhood homes, warning against laziness in the coming year.
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