The Books That Define Ireland. Tom Garvin

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by a fellow Divine as containing merely a low kind of humour. Swift accepted that some things were too serious, solemn, or sacred to be ridiculed but abuses of them certainly were not. It was wrong perhaps to mock religion, politics or law but corruptions in these made proper topics for satire. He argued that The Beggar’s Opera would probably do more good than a thousand such sermons. His defence of Gay identified two reasons for writing satire. The less noble was for the private satisfaction of the author. The other was to write it in a public spirit, to prompt men of genius and virtue to mend the world as far as they were able. Swift argued that The Beggar’s Opera had such a moral purpose. It placed vices of all kinds in the strongest and most odious light and thereby, did eminent service to both religion and morality.

      Swift came to present himself as a patriotic Protestant Irishman loyal to the King, but like William Molyneux he argued for parity with, rather than subservience to, England. In his fourth Drapier letter in 1724 he ranked Molyneux and John Locke amongst the dangerous authors who regarded ‘Liberty as a blessing to which the whole Race of Mankind hath an Original Title.’ The Irish ought to be constitutionally ‘free’ under a limited Monarchy. But the disabilities of Ireland had everything to do with the Monarchy. His 1724 Letter to Shopkeepers, Tradesmen and Farmers and Common-People in Ireland opposed a scheme for minting Irish copper halfpence and farthings which came about because of the need to fund a pension for a mistress of the King. Wolverhampton entrepreneur William Wood got the contract to mint coins to the face value of £100,800 for £10,000. The King signed his approval in July 1722 and the Irish Revenue Commissioners had objected strenuously to the Treasury in London some two years before Swift joined the fray as Drapier. Ireland had not been permitted to mint currency since Tudor times, and sometimes the circulation of money was poor. Wood’s scheme was perceived by the Irish Establishment as the wanton mismanagement of Irish affairs by Englishmen and as a test of strength between officials in Dublin and London. The scheme unravelled. The London government under Walpole proposed some concessions, a smaller issue of coins with more copper in them than proposed by Wood. But the compromises were politically unsuccessful. Wood lost his patent and was recompensed. For Swift the underlining problem was one of attitudes to the Irish with whom he, born in Dublin to English parents, sided. As put in a 1724 open letter to Lord Chancellor Middleton from the Drapier:

      As to Ireland, they know little more than they do about Mexico, further than is a country subject to the king of England, full of bogs, inhabited by wild Irish Papists, who are kept in awe by mercenary troops sent from thence. And their general opinion is, that it were better for England if this whole island were sunk into the sea; for they have a tradition that, every forty years there must be a rebellion in Ireland. I have seen the grossest suppositions pass upon them; that the wild Irish were taken in toils, but that, in some time, they would grow so tame as to eat out your hands. I have been asked by hundreds, and particularly by my neighbours, your tenants at Pepper-harrow, whether I had come from Ireland by seas. And upon the arrival of an Irishman to a country town, I have known crowds coming about him, and wondering to see him look so much better than themselves.

      Prudent laws, Swift first argued in A Proposal for the Universal Use of Irish Manufacture, encouraged industrious cultivation in England but in Ireland landlords were ‘everywhere, by penal clauses, absolutely prohibiting their tenants from ploughing’. As a result it was cheaper to import corn from England. Swift lambasted country landlords (and landed clerics by implication) who ‘by unmeasurable screwing and racking their tenants all over the kingdom have already reduced a miserable people to a worse condition than peasants in France, or the vassals in Germany and Poland’. In various 1729 writings he disparaged the modest proposals of others for schemes for improvement that, for all that these might work in other countries, ignored the fundamental barriers to the economic improvement of Ireland:

      Another 1729 unpublished essay, The Truth of Some Maxims in State and Government examined with reference to Ireland – his most coherent analysis of the political context of Irish social and economic problems – summed up how trade barriers imposed by England, patronage on matters such as charters to mint coinage and an absentee landlord system that promoted rack-renting, made maxims for improving land and industry ineffectual in Ireland. Such maxims presumed that the people of Ireland enjoyed natural rights in common with the rest of mankind who had entered into civil society. And as for the maxim ‘that people are the riches of a nation’, this clearly did not hold in the Irish case. With little of the satire of A Modest Proposal, Swift declared:

      Swift’s grim unpublished assertion that the Irish poor might be better off dead was reworked as satire in A Modest Proposal. But he disagreed with the unnamed ‘skilful computer’ in an undated sermon, Causes of the Wretched Condition of Ireland, that must have been written around the same

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