Immediate Song. Don Bogen

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Immediate Song - Don Bogen

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iv. Promise

      This is for your own good—no way to say that,

      carrying our son back to the hospital

      each morning for a week after his birth:

      from the freezing car through tunnels (warmer now,

      his eyelids starting to flutter, lips to suck)

      to a waiting room, an office with a nurse

      who jabbed his heel—and you cried, you cried,

      my sallow one. No way to tell our daughter

      the X-ray machine adjusting its black beak

      above her skull wouldn’t hurt. Or that hurt might help,

      as in my childhood, when curtains in the gym

      were placed so that we couldn’t see the nurse

      with alcohol, cotton balls, and fresh vaccine,

      the needles in wooden trays like silverware.

      We knew one of the boys would pass out,

      some girls would cry, in this ritual we performed

      one day in fall and again the following year

      so we might all escape the iron lung.

      Public health. The clinic had marble stairs

      and cheerful wood blocks in the waiting room,

      a brisk lady doctor, good with children

      (dedicated, I’d like to think, not just

      shunted off here), whom my mother chose

      to give me the earliest vaccinations,

      who looked in my ears with a tiny light,

      listened to my breathing, tapped my knee,

      asked questions, answered those my mother had,

      and wrote out the prescription, showing by this

      how all of us could meet our needs: the lost

      gleaming promise of the welfare state.

       v. Media Studies

      Hospitals look better on TV,

      with hunky interns, music, and tight plots:

      the drug-addicted nurse, bubonic plague

      a greasy terrorist keeps brandishing

      in a vial. Threats, then safety, and the news

      at eleven. Now the hospital moves

      offscreen a while, a last phase after the shootout

      or freeway chase. Heroic-medic scenes

      with hospitals in jungles, mountain huts,

      bombed-out cities, or field camps on the edge

      of the latest rubble-strewn battlefield

      add glamour to the show. But who would go

      to the hospital in real life, given a choice?

      We’re scared of the procedures and costs,

      the bad news they may carry—a load of pain

      that grows, a narrowed future—so we hide

      until the ambulance comes to scoop us up.

      A run of tests, intensive care, and then

      the quick skid to the slab. Hospitals

      keep a special place for this downstairs,

      cold storage in the basement, the whole building

      a funnel to the morgue. Vertical coffins,

      corpse silos, boxes of the grimmest facts,

      their towers suggest the long odds stacked against us.

       vi. Flags

      In the first years after college, friends found work

      in towers linked to these: the labyrinths

      of medical insurance. Hall on hall

      of monitors and keyboards, padded headsets,

      and hidden clocks for time-motion studies.

      Data on them was being entered as

      they entered data. Layers of observation

      stacked up like the cases on their screens.

      Trying to flag each doubtful claim, as they’d

      been trained, they were flags themselves, placed in

      between things: a warning left inside

      the doctor’s file, extra lid on the pill jar,

      bar on the hospital door—part of a dam

      diverting the stream of illness and its care

      to drive the whirling turbines of commerce.

       vii. Compañero

      English majors (Systems Managers there),

      they never lasted very long. Who would

      enjoy having to function as a block

      day after frustrating day? I suspect

      even the soldiers delaying the ambulance

      that carried Neruda to the hospital

      in the first days of the coup didn’t want

      to tilt up the bed, search it for weapons,

      and check the passengers’ papers. The man

      was dying, they could see that, and no threat.

      Because they followed orders he suffered more.

      He had an everyday incurable cancer

      and kept on fighting against the blocked-up world

      with rage and humor, calling himself the Great

      Urinator,

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