The Motivations of Collectors
95
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|
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Specialized Collecting
|
97
|
|
|
Notes for Novices
|
98
|
|
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Signatures
|
116
|
|
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Copies in Netsuke Art
|
118
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|
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Dealers
|
119
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|
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PART TWO
|
|
CHAPTER 5:
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Techniques
|
133
|
|
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Tools
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133
|
|
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Rough Carving
|
135
|
|
|
Polishing, Staining, and Final Carving
|
137
|
|
|
Coloring
|
138
|
|
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Reversible-Face Technique
|
140
|
|
CHAPTER 6:
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A Netsuke in the Making (A Photographic Series)
|
143
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|
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PART THREE
|
|
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CHAPTER 7:
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Contemporary Carvers
|
161
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|
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Bishu 162; Gaho 163; Hakuraku 164; Hideyuki 166; Hodo 167; Hozan 170; Ichio 171; Ichiro 172; Kangyoku 175; Keiun 178; Koyu 180; Masatoshi 183; Meigyokusai 185; Ryoshu 189; Ryushi 190; Seigyoku 193; Shinryo 194; Shinsho 195; Shinzan Masanao 195; Shodo 197; Shogetsu 200; Shoko 203; Sosui 205; Yoko 207; Yoshiyuki 209; Yukimasa 210; Yuko 211
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Appendices
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1. List of Contemporary Netsuke Carvers (with signatures)
|
214
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|
2. List of Contemporary Okimono Carvers (with signatures)
|
235
|
|
3. The Japan Ivory Sculptors' Association
|
239
|
|
The J.I.S.A. Exhibition
|
241
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|
4. List of Netsuke Dealers
|
245
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|
Bibliography
|
249
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Glossary-Index
|
253
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The Motivations of Collectors
