194.
Aburatsuki-futatsu-ori-honke-bin (another version)
195.
Fukurotsuki-honke-bin-mushiri-no-ichō-no-tsumuji
196.
Fukurotsuki-honke-bin-no-ichō
197.
Fukurotsuki-honke-bin-no-ichō (another version)
198.
Goma-no-fukurotsuki
199.
Fukurotsuki-ukine-no-ko-mage
200.
Fukurotsuki-honke-bin-kado-maru-no-megane
201.
Fukurotsuki-honke-bin-nonoko-no-ke-botto
202.
Fukurotsuki-honke-bin-no-wakashu-mage
203.
Fukurotsuki-honke-bin-sakaguma-no-gokenin-mage
204.
Agemaki wig (back and front)
205.
Habutae-maru-tabo-tsubushi-shimada-no-kara-ke
206.
Habutae-ji-tabo-no-tsubushi-shimada
207.
Habutae-ji-tabo-no-yuiwata
208.
Habutae-maru-tabo-no-wari-ganoko
209.
Mino-maru-tabo-no-shimada-kuzushi-no-bōshi
210.
Habutae-ji-tabo-no-otarai
211.
Habutae-uma-no-shippo
212.
Habutae-tosaka-no-uma-no-shippo
213.
Habutae-maru-tabo-haku-no-kirikami-no-babā bōshi
214.
Habutae-baren-no-chōchō-mage-maru-tabo
215.
Habutae-mushiri-no-hariuchi-no-koban
216.
Mae-chasen
217.
Abu-hachi-tombo
218.
Ito-jike
219.
Habutae-maru-tabo-no-fukiwa
220.
Habutae-hana-gushi-tsuki-sagegami
221.
Habutae-kasshiki with hachimaki in Nō style
222.
Habutae-shiitake-tabo-no-katahazushi-mage
223.
Habutae-maru-tabo-no-marumage
224.
Habutae-shiitake-no-bunkin
225.
Habutae-Katsuyama-no-maru-tabo
*226.
Suji-guma
*227.
Genroku Shibaraku kumadori
*228.
Ryakushi-guma
*229.
Ippon-guma
*230.
Hannya-guma for demoness in Momijtgari
*231.
Kumadori for inhuman characters
*232.
Kumadori for demon
*233.
Kumadori for Kumagai in Ichinotani Futaba Gunkt
*234.
Kumadori for lion in Shakkyō
*235.
Kumadori for tiger in a shosagoto
236.
Takamomodachi
237.
Ryōmomodachi
238.
Ryōbashori
239.
Shichisan-bashori
240.
Azuma-karage
241.
Yakko-no-nejikiri (front and back)
242.
Tsuma-tori
243.
Hidari-zuma-tori
244.
Kata-zuma-tori
245.
Hikinuki
246.
Bukkaeri
247.
Women's styles of tying the obi
248.
Men's styles of tying the obi
249.
Footgear: geta and zōri
250.
Footgear: geta, zōri, shoes, and boots
251.
Accessories
252.
Kurombo
Acknowledgments
I owe much to the many invaluable friends I have made in the Kabuki theater over a span of some thirteen years. During this time I attended Kabuki performances on an average of six times a month, or a total close to one thousand performances. Among my Kabuki friends, I owe special thanks to Onoe Baikō VII, Onoe Kikuzō VI, Onoe Taganojō III, Ichimura Uzaemon XVII, and Sawamura Tanosuke VI, not only for their special friendship, but for their patient and thoughtful instructions
194.
