Eileen Gray. Jennifer Goff

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Haweis Papers, Arranged Miscellaneous Memoirs, Box 2, letter from Eileen Gray to Stephen Haweis, 1 November 1966.

       3

       The Artist: Painting, Sculpture, Photography

      In the first two decades of the twentieth century, Paris was the artistic centre of the avant-garde. Fauvism, Cubism, Futurism,the Russian avant-garde, De Stijl and Surrealism coupled with a rejection of academic tradition made artists and designers question traditional picture-making and sculpture techniques through other media. Gray’s art student years at the Slade, the École Colarossi and then at the Académie Julien were pivotal to so many aspects of her future work – especially her lacquer work and her carpet designs. Both mediums continued to demonstrate her painterly skills. It was during these formative years that Gray met many of her artistic circles; artists, writers, sculptors, photographers, theorists and philosophers, who would have such a profound influence on her developing ideas.

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      3.1 Drawing of a nude study, 1903, paper, pencil, charcoal © NMI

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