Two Souls. Henry McDonald

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Two Souls - Henry McDonald

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sets of fans, including Lanky Balls, who is booting the shit out of some spide with fuzzy Starsky hair and a Portadown scarf. Rex Mundi and a handful of other Reds supporters who reached the pitch are now dodging and weaving their way back to the Kop as bottles and stones are showered on them from the South Stand.

      The gladiators from either side eventually scatter as the cops chase them down. My cousin trampolines over the fence and into a group of fans who help him hide from the arrest squads. Missiles, toilet rolls, even smoke bombs keep coming over as the peelers grab a couple of stragglers caught on the pitch, including Lanky Balls himself with someone else’s blood over his face and fists. While I picture him handcuffed in the back of an RUC Land Rover, Padre Pio is still writhing on the ground. ‘Suffer baby, suffer,’ I whisper, as Trout reappears beside me. He runs down the steps to pick up PP just as Jackie Hutton appears from the side of the stadium and marches over to our end. Our manager has his hands outstretched like some spirit-possessed American preacher: the voice of reason on the park, appealing for us to let the game get started. His pleadings actually seem to be working miracles: the Red Army suddenly goes quiet and there are no more attempts to invade the pitch. As the fans pay homage to Hutton, Trout is helping Padre Pio back to our spot.

      ‘What the fuck happened to him, Mr Ruin?’ Trout asks in an accusatory tone, as if I’m in charge of that fuckwit’s welfare.

      ‘Never mind what happened to him, where the fuck is that joint I rolled?’ Rex Mundi interrupts, before receiving congratulatory slaps on the back for making it back amongst us after the pitch incursion.

      The crowd sing to the tune of ‘Guantanamera’ – one of my mother’s favourite songs: ‘One Jackie Hutton, there’s only one Jackie Hutton, one Jackie Hutton, there’s only one Jackie Hutton …’

      Padre Pio turns his pain into a sudden surge of ire towards me. ‘See when this is over today, I’m gonna get you outside, you cunt.’

      ‘Don’t talk shite, PP. You’re still stoned,’ I say, trying to play down his threat.

      ‘Cos I know what you’re at with my ma,’ he goes on. ‘I’m wise to you, lover boy.’

      ‘You are well and truly out of your box, mate,’ I say, attempting to calm him.

      ‘Cos she told me, lover boy. She bastard and well blurted it out. She couldn’t help herself. She can never help herself, the dirty oul cow,’ he hisses, right into my face.

      I am sure he is about to make his move when Trout comes to the rescue and delivers a sober-up slap to the back of Padre Pio’s head.

      ‘Stop acting the wanker. There’s more important work to be done here today than you two squarin’ up to each other. We need to get on TV shouting for prisoner rights,’ Trout says as he turns to Rex Mundi and me. ‘And you two – just ask yourselves what we can do for the struggle today! Ask yourselves how we can show that none of this here in this place is really normal!’

      ‘What are you waffling on about, Trout? Of course it’s not normal. That’s what’s great about it all,’ PP interrupts with regained lucidity.

      Rex Mundi tears off his biker jacket, jumps up on one of the crush barriers, whips off his Troops-Out T-shirt and starts waving it at the snouts of the South Stand. The assorted Blues and Ports fans retaliate with wank-hand signals, choruses of ‘Oh Spot the Loony’ and then a piece of flying roof slate skims over the top of the flame-haired punk before slicing into the face of some poor kid standing behind us. In celebration of another injured Taig, the North Stand breaks into what must be now the fifteenth version of ‘The Sash my Father Wore’. On cue, the teams file out onto the pitch, the band strikes up a couple of marching tunes and 15,000 spectators wait for what’s coming next.

      Cliftonville and Portadown players, their managers, their coaches and their team doctors all line up near the touchline facing the South Stand, and the band break into the first bars of a very familiar song. The North and South Stands start to sway in hypnotic unison. Red, white and blue colours are held aloft. Union Jacks and even Orange Order banners with King Billy on his white horse are waving in deference. Their loyal emblems are billowing and swelling in the gentle April wind.

      When the upright and vocal Portadown fans and their newly found friends from Belfast find their voice, Trout and his beefy, beardy mates, dotted all over our end of the ground, start roaring at everyone around them, ‘Sit down, sit fucking down. Don’t stand for it! Don’t fucking stand up. Get down!’

      Almost everyone in our end suddenly crumples to the concrete, into a defiant protesting seated mass. As ‘God Save the Queen’ is met by thousands of wanking hands, it occurs to me that this is the big dramatic event Trout has being harping on about. And here was me worried that he’d slipped Padre Pio a few exploding pineapples.

      8

      ‘BREAKING GLASS’

      July 1978

      All through the summer, my father continued to be obsessed with the Dutch midfielder Robbie Rensenbrink. The TV broadcasted images from Buenos Aires of the Argentine masses marking out their team’s triumphant progress with ticker-tape and toilet-roll storms and of their manager, Menotti, chain-smoking in the dugout. When their captain, Passarella, eventually lifted the World Cup in the sky-blue-and-white stripes, my dad cursed under his breath and muttered angrily about an ‘inch’ and a Junta.

      For him the ‘inch’ became the difference between justice and injustice both on and off the field. In the last thirty seconds of normal time, the Dutch midfielder broke through Argentina’s defence and almost won the World Cup for the Netherlands, his shot striking the post just an inch away from global football glory. But that inch gave the Argentinians the space to regroup and go on to win 3-1 in extra time, thus allowing the military dictatorship to milk the victory. Even before that if-only moment, I had been subjected to lectures from my father all through the competition about CIA-trained torturers who put electrodes on their captives’ genitals, the thousands of ‘Disappeared’, the reports and rumours of death flights over the South Atlantic and the near total annihilation of his comrades far away across the ocean. After the Argentine team won, he would preface every lecture about the Junta’s exploitation of the World Cup by berating Rensenbrink for missing his chance.

      When Rex Mundi arrived back in Belfast after six long years of exile, he brought over a birthday present for me, one which enraged my dad. It was a blue-and-white striped football shirt he had pilfered from an Argentinian student who had fallen asleep bare-chested on Brighton beach, having left the jersey on the pebbled shore. I barely took it off during the tournament, much to the disgust of my dad, who branded me a traitor to the ‘Disappeared’, the defeated Argentine Left, the Dutch and to Robbie Rensenbrink.

      ‘Take those colours off inside this house! And you, Aidan McManus, should know better than to bring the jersey being used by the Junta Generals. Your brother would be ashamed of you,’ my father said, thumping the table during one late Friday-night game and his fifth bottle of Red Heart Guinness.

      Rex Mundi reminded me of this a few weeks later as we made our way via the railway tracks running parallel to the River Lagan up to Sabine’s house in the Holy Lands. He informed me that his once-firebombing brother cared little anymore for politics anywhere. After his release, Mick had ended up in West Berlin, dossing down in a squat of hippies by the Landwehr Canal, close to the Wall, which sounded even worse than the accommodation he had once shared with other prisoners during that eighteen-month stint in Crumlin Road jail. His brother was now an entrepreneur of narcotics, both a user and a dealer, who sent parcels of dope home to the English south coast with his couriers of hippy trailers, Bowie-disciples and German punks, the latter on their

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