Illustrated Ninja Handbook. Remigiusz Borda

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       MISLEADING ESCAPE AND THE GANSEKI OTOSHI THROW

       YOROI: THE TECHNIQUES IN ARMOR

       THROW OVER THE KNEE

       OPEN STANCE (KOKU) AND SOFT UNDERCUT

       HAPPO KERI AND KERI KUDAKI

       THE SACRIFICE THROW: COUNTERATTACK TO CHOKING

       FOURFOLD OXYGEN DEPRIVATION

       A LOPSIDED DUET

       KOPPOJUTSU: THE DEFENSE AGAINST WAKIZASHI

       SHIN CHU: THE CENTER OF THE HEART

       METSUBUSHI

       METSUBUSHI 1: MORNING MIST

       METSUBUSHI 2: INCAPACITATION

       DOKO NO KAMAE: THE ANGRY TIGER

       SWORD

       THE HISTORY OF NINJATO

       NINJA SHIZUMI IAI

       NINJA IAI - YOKO ARUKI

       NINJA TO - ARUKI 1

       NINJA TO - ARUKI 2

       NINJATO: ATYPICAL WAY OF PULLING OUT THE SWORD 1

       NINJATO: ATYPICAL WAY OF PULLING OUT THE SWORD 2

       THE FLOWING SWORD: A TRAINING FORM 1

       THE FLOWING SWORD: A TRAINING FORM 2

       STOPPING AN ATTEMPT TO SEIZE THE WEAPON

       ATTACK WITHOUT WARNING

       HAPPO GAKURE NO KAMAE

       NINJATO - SAYA

       THE HIDDEN WEAPON

       THE REVERSE BLADE

       COUNTERATTACK WITH TAIHENJUTSU

       SHORTENING THE DISTANCE: BO AGAINST SHINOBITO

       STAFF WEAPONRY

       BŌ - FURI GATA

       BŌ - 2

       BŌ - 3

       BŌ - 4

       JŌ - 1

       JŌ - 2

       HANBŌ

       NINGU

       KYOKETSU SHOGEI - 1

       KYOKETSU SHOGEI - 2

       KYOKETSU SHOGEI - 3

       SHURIKEN

       MANRIKI KUSARI - 1

       MANRIKI KUSARI - 2

       KAKUSHI KUSARIGAMA

       JITTE (JUTTEJUTSU) - 1

       JITTE (JUTTEJUTSU) - 2

       SHUKO (CAT HAND) 1

       SHUKO (CAT HAND) 2

       KUNAI

       OTHER OBJECTS AS COMBAT TOOLS

       INCAPACITATION: A STREET FIGHT

      Introduction

      the traditions of ancient japan included the idea of connecting, or more precisely, of not disconnecting the two aspects of a human being: the mind and the body. the samurai’s daily task was to work towards self-development. this process of development included all sorts of severe forms of combat training: fencing (with swords, daggers, different kinds of spears, and halberds), archery, horseriding, and various ways of fighting without weapons. A samurai spent the large part of a day on mental and spiritual development, studying classic chinese literature, poetry, and painting, as well as practicing meditation (zen). the educated samurai deserved respect — he was effective in battle and admired in the society — yet he also undoubtedly felt good about himself. the knowledge he gained, he was able to transmit to others.

      At the same time, other warriors — monks — were developing their skills in monasteries and hermitages on Mount Hiei, near kyoto. Monks perfected and invented new kinds of weapons, new tactics, and a new approach towards the enemy or the fight itself. They often had the opportunity to test their knowledge in practice. over time, people tried to combine these two visions of a warrior. new schools and styles were established that have been passed down from generation to generation in an almost unchanged form. this centuries-old tradition is taught and developed by Dr. Masaaki Hatsumi. the bujinkan School is known around the world. the knowledge of the school is rooted in the most ancient scrolls and manuscripts. remigiusz borda (b. 1965) maintains and cultivates the art of ninjutsu. He established a center for promoting, practicing, and developing fine arts, called the House of Arts, in which the bujinkan Dojo was also opened. He has been practicing both fine arts and martial arts with equal success for decades. He is a highly regarded painter and his work has been shown in galleries around the world. He is also a photographer and poet. remigiusz borda is a charismatic and spiritual man. His close connection to nature is not only determined by the fact that he lives in one of the least populated regions of poland, but also comes from the fact that he is interested in herbalism, chiropractic, and other forms of natural therapy. His metaphysical artistic work helps him in conducting energy psychotherapy and reiki energy work. ninjutsu is an integral part of his practice.

      In the Ninpo approach, life, human beings, and fighting are treated as a sort of completeness. this approach is expressed in acting in accordance with the rules of the world, nature, elements, seasons, and the principles of psychology. remigiusz borda gained his experience for many years through the study of karate, judo, and other martial arts, which perfectly complemented his practice of bujinkan ninjutsu. regular attendance at seminars and training with masters such as Soke Masaaki Hatsumi, Somei Sensei, nuguchi Sensei, Shiraeshi Sensei, Seno Sensei, and Heinz H. Meyer Sensei contribute to the continuous development his art.

      Marian Winiecki

      Remigiusz Borda. Still life with fire (oil, 2012)

      Remigiusz Borda in his studio.

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