Culture that developed produced excellence in a number of fields, including poetry, garden design, architecture and the tea ceremony.
Of Yoshimasa’s original estate, only two buildings have survived: the Silver Pavilion and the Togudo Hall. Like its predecessor, the two-storey pavilion mixes different styles in its architecture, with the residential style of the first floor set against the Zen style of the second. The roof is covered with overlapping shingles made of Japanese cypress, each of which is fixed in place with a bamboo nail. The route through the garden is designed so that after an initial glimpse of the pavilion, visitors are steered to a distant view from a hillside before being shown the building close up.
It is said that Yoshimasa’s plan to add silver foil to the building was never implemented for lack of funds, but there may have been another factor. The retired shogun was an admirer of the poetic and spiritual qualities of the moon, which rose from behind the ‘Moon Awaiting Hill’ to spill its light on the lacquered exterior of the pavilion. The silvery light would have been intensified by the light reflected from the pond before it, and perhaps Yoshimasa decided this was sufficient. Ironically, given its name, the bare wood building is now hailed as an example of restraint and rustic sensibility.
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