Origami Bonsai. Benjamin John Coleman

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Origami Bonsai - Benjamin John Coleman

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pattern. Instead of trial and error style experimentation, glow-fold allows the folder to navigate diagrams with confidence. It turns the process of completing a new model from a frustrating puzzle into a coherent step-by-step progression. This diagramming system makes origami accessible to scores of people who thought they didn’t have the patience to do origami! See the facing page for a simple demonstration of how glow-fold instructions work.

      1 We begin with a square piece of paper. It is yellow on one side and white on the other. We start with the yellow side facing us.

      2 We’re going to fold the square in half on a diagonal. Notice that there’s a glow on top of the triangle formed by the bottom and right edges, and the diagonal (marked by a dashed green line) where the paper is to be folded.

      3 Imagine the overlay on top of the square in front of you. It would look like this, and you would fold the bottom right corner up to the top left corner.

      4 The next diagram would look like this. Notice that there is a narrow band of orange afterglow along the top and left edges. This afterglow represents light that would leak out along the open edges. There is no afterglow along the fold because light from the original glow would not leak out there.

      Preparing Paper for Folding

      When Tuttle Publishing asked me to design a set of origami papers I got excited. I’ve wanted to design papers for flowers and leaves for a long time, and here was an opportunity to do it! I faced a number of challenges and I thought about the designs for a long time. After a period of reflection, I decided to emphasize color relationships.

      Upon initial inspection you’ll notice that the papers have similar patterns, with different colors. The dominant colors tend to be people’s favorites. They invite people in for a closer look. The accent colors are different, each one complementing the dominant color in a different way. For example, the aquamarine blue paper has a green accent, whereas the dark blue paper has an almost black accent. Once folded into a flower, you will see that these colors—along with the geometric pattern—have been specifically chosen and blended to create a sense of complexity when people look closely at your models. I’ve also added a subtle grain to all of the patterns to achieve more natural, composite tones.

      I encountered several challenges when designing the papers. Limitations were imposed due to the printing process. In order to offer maximum benefit, I opted to supply 48 eight-inch squares, and then print patterns for four large, or 16 small flowers on each square. That means you’re going to have to cut the squares. Squares with large patterns on them get cut into quarters. Squares with small patterns printed on them get cut into sixteenths.

      Before you decide that this is a non-traditional approach, consider that every square is cut as part of its manufacture. Even paper made at home requires cutting to obtain a square. And because you’re cutting the squares, I’ve been able to include enough paper to make 448 flowers! This kit also contains enough leaf-colored paper to make about 128 large leaves, which is enough for four to six sculptures. (Download HERE.)

      I decided to include more paper for flowers than for leaves because I felt that’s what folders would enjoy most. This decision allowed me to increase the variety, giving you more color choices. Flowers make people smile. I like giving them away, and I’m sure you’ll find many uses for the extra flower paper that’s been included.

      Both the geometric pattern and the color of the highlights are designed to maximize the visual complexity of the folded flower.

      Notice how the highlight on the blue flower creates the illusion of a reflection from the yellow flower.

      Cut along the dashed lines to prepare the individual squares for folding.

      Cutting Squares for Leaves

      Perform the first eight steps of the Black Eyed Susan (page 28) to create a grid of horizontal and vertical folds.

      Cut along each horizontal and vertical fold (not the diagonals!) to create 16 squares for leaves.

      Symbols, Tips, and Tools

      The Fold Symbol and the Proper Way to Fold

      1 I’m using a square piece of paper that is yellow on one side and white on the other.

      2 The arc with a circle on one end and an arrowhead pointing to a tiny circle on the other is called the folding symbol. In this instance it means you should fold the square in half diagonally.

      3 To properly make this fold, begin by lifting the bottom right corner and lining it up with the upper left corner. I am curling and not folding the paper.

      4 Very carefully align the corners so that they perfectly match (for illustrative purposes, my corners are slightly out of alignment in this photo).

      5 Hold the corner down firmly with an index finger while you apply pressure to the curl with the fingers on your other hand.

      6 Create the fold with your index finger.

      7 Your model should look like this.

      The Fold and Then Unfold Symbol

      1 This is the fold and unfold symbol. When you see this symbol you should perform all the steps for the fold symbol just as you did in the previous section.

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