Writing Japanese Katakana. Jim Gleeson

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Writing Japanese Katakana - Jim Gleeson

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schoolchildren learn their characters by writ-ing them out, and this is generally acknowledged as the fastest way to master them.

      This book has been prepared so that students at the introductory level of Japanese can become acquainted with the written component of the language in the quickest possible way. The overriding priority has been given to active student involvement, with a variety of practice sentences and expressions provided to reinforce the characters learnt at each stage of progress. The book also features grayed-out, trace-over characters to enable the student to gain the correct feel and balance of each character.

      This book uses the Hepburn system of romanization. It is important to remember, however, that Japanese is a separate language with an independent set of sounds to English, and hence, any attempt to romanize it can only be an approximation.

      Contents

      モクジ

       Preface

       How to Use This Book

       The Evolution of Katakana

       Katakana

       a, i, u

       e, o, Lengthening Character, Special Combinations

       ka, ki, ku

       ke, ko, Voiced Counterparts, Practice

       sa, shi, su

       se so, Voiced Counterparts, Special Combinations

       Revision 1

       ta, chi, tsu

       te, to, Glottal Stop, Voiced Counterparts, Special Combinations

       na, ni, nu

       ne, no, Practice

       ha, hi, fu

       he, ho, Voiced and Semi-Voiced Counterparts, Special Combinations

       Revision 2

       ma, mi, mu

       me, mo, Practice

       ra, ri, ru

       re, ro, Practice

       ya, yu, yo

       wa, o, n

       Revision 3

       Special Combinations

       Non-English Loanwords

       Idiomatic Terms

       Sounds

       Menu

       First Names

       North America

       Europe

       Asia

       Oceania

       Fruits & Vegetables

       Sports

       Musical Instruments

       Electronics

       Accessories

       Japanese English Words

       Business

       Internet

       Glossary

       The Origins of Katakana

      How to Use This Book

      ツカィカタ

      In both printed and handwritten Japanese, the characters occupy imaginary squares of equal size, with each character centered within its square.

      All of the writing practice in this book involves writing characters within squares, and the squares have centerlines to provide the correct balance and feel for writing Japanese.

      Traditionally, Japanese is written with a brush or fude, and this fact is reflected in many typographic styles today. Although the fude is no longer widely used, some principles of using a fude still apply to writing Japanese with a pencil or ballpoint pen — in particular, the stroke endings.

      The strokes of Japanese characters terminate in one of three ways, as illustrated below.

      i) Jumping, to produce a hook at the end of the stroke. This ending is called hane, from the verb haneru, to jump.

      ii) Bringing the pen or pencil to a stop while it is on the page. This ending is called tome, from the verb tomeru, to stop.

      iii) Lifting the pen or pencil off the page while it is moving. This

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