Picturing Experience in the Early Printed Book. Elizabeth Ross
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The Artist-Author’s View in Petrarch and Van Eyck
To watch Breydenbach position his works is to observe how an early printed book labored to establish its credibility and cohesiveness and how printed images benefited from this labor. The author bolsters his authority with the credibility of the images as authentic views; at the same time, the images gain credibility as authentic views from their association with an authoritative book, a book made authoritative through the author’s conception and presentation of the Peregrinatio project. “View” here is used in its broadest sense as an instance of physical sight, as the more general input of experience, or as learned opinion. “Authentic” means the image avers to conform to the experience of the artist, who has recorded the sight himself or verified the representation against what he himself saw.
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