Fear of the Animal Planet. Jason Hribal

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Fear of the Animal Planet - Jason Hribal Counterpunch

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beyond Singer. Hribal reverses the perspective and tells the story of liberation from the animals’ points-of-view. This is history written from the end of the chain, from inside the cage, from the depths of the tank. Hribal’s chilling investigation travels much further than Singer dared to go. For Hribal, the issue isn’t merely harm and pain, but consent. The confined animals haven’t given their permission to be held captive, forced to work, fondled or publicly displayed for profit.

      Hribal skillfully excavates the hidden history of captive animals as active agents in their own liberation. His book is a harrowing, and curiously uplifting, chronicle of resistance against some of the cruelest forms of torture and oppression this side of Abu Ghraib prison.

      Hribal takes us behind the scenes of the circus and the animal park, exposing methods of training involving sadistic forms of discipline and punishment, where elephants and chimps are routinely beaten and terrorized into submission.

      We witness from the animals’ perspective the tyrannical trainers, creepy dealers in exotic species, arrogant zookeepers and sinister hunters, who slaughtered the parents of young elephants and apes in front of their young before they captured them. We are taken inside the cages, tents and tanks, where captive elephants, apes and sea mammals are confined in wretched conditions with little medical care.

      All of this is big business, naturally. Each performing dolphin can generate more than a million dollars a year in revenue, while orcas can produce twenty times that much.

      This is a history of violent resistance to such abuses. Here are stories of escapes, subterfuges, work stoppages, gorings, rampages, bitings, and, yes, revenge killings. Each trampling of a brutal handler with a bull-hook, each mauling of a taunting visitor, each drowning of a tormenting trainer is a crack in the old order that treats animals as property, as engines of profit, as mindless objects of exploitation and abuse. The animal rebels are making their own history and Jason Hribal serves as their Michelet.

      Hribal’s heroic profiles in animal courage show how most of these violent acts of resistance were motivated by their abusive treatment and the miserable conditions of their confinement. These animals are far from mindless. Their actions reveal memory not mere conditioning, contemplation not instinct, and, most compellingly, discrimination not blind rage. Again and again, the animals are shown to target only their abusers, often taking pains to avoid trampling bystanders. Animals, in other words, acting with a moral conscience.

      So let us now praise infamous animals.

      Consider the case of Jumbo the Elephant, the world’s most famous animal. Captured in eastern Africa in 1865, Jumbo would become the star attraction of P.T. Barnums’ Circus. Jumbo earned millions for his owners, but he was treated abysmally for most of his brief life. The giant pachyderm was confined to a small compartment with a concrete floor that damaged his feet and caused his joints to become arthritic. He was trained using unspeakably brutal methods, he was shackled in leg-chains, jabbed with a lance, beaten with ax handles, drugged and fed beer to the point of intoxication. He was endlessly shipped back-and-forth across the country on the circus’s train and made to perform two shows a day, six days a week. At the age of 24 Jumbo was finally fed up. He could tolerate it no more. On a September night in Ontario, Jumbo and his sidekick, the small elephant called Tom Thumb, broke free from their handlers and wondered away from the tent and towards the train tracks. As P.T. Barnum later told the story, Jumbo pushed his pal Thom Thumb safely off the tracks and tried to ram an oncoming train. After Jumbo died an autopsy was performed. His stomach contents revealed numerous metallic objects that he had been fed over the years, including keys, screws, bolts, pennies and nickels—his reward for entertaining hundreds of thousands of people.

      Tatiana the Tiger, confined for years in a small enclosure at the San Francisco Zoo, finally reached her limit after being tormented by three teenaged boys on Christmas day 2006. She leapt the twelve-foot high wall, snatched one of the lads in her paws and eviscerated him. She stalked the zoo grounds for the next half-hour, by-passing many other visitors, until she tracked down the two other culprits and mauled them both before being gunned down by police.

      There is Ken the Orangutan who pelted an intrusive TV news crew with his own shit from his enclosure at the San Diego Zoo.

      Moe the Chimpanzee, an unpaid Hollywood actor who, when he wasn’t working, was locked in a tiny cage in West Covina. Moe made multiple escapes and fiercely resisted his recapture. He bit four people and punched at least one police officer. After his escape, he was sent off to a miserable confinement at a dreary place called Jungle Exotics. Moe escaped again, this time into the San Bernadino Mountains, where he’s never been heard from since.

      Speaking of Hollywood, let’s toast the memory of Buddha the Orangutan (aka Clyde), who co-starred with Clint Eastwood in the movie Every Which Way But Loose. On the set, Buddha simply stopped working one day. He refused to perform his silly routines any more and his trainer repeatedly clubbed him in the head with a hard cane in front of the crew. One day near the end of filming Buddha, like that dog in Racine’s play, snatched some doughnuts from a table on the set. The ape was seized by his irate keeper, taken back his cage and beaten to death with an ax handle. Buddha’s name was not listed in the film’s credits.

      Tyke the Elephant was captured in the savannahs of Zimbabwe and shipped to the United States to work in a traveling circus, where she was routinely disciplined with a sharp hook called an ankus. After 20 years of captivity and torture, Tyke reached her tipping point one day in Honolulu. During the elephant routine under the Big Top, Tyke made her break. She smashed through the railings of the ring and dashed for the exits. She chased after circus clowns and handlers, over-turned cars, busted through a gate and ran onto the streets of Honolulu. She was gunned down, while still wearing her rhinestone tiara.

      Then there is the story of Tilikum the orca. When he was two, Tilikum was rudely seized from the frigid waters of the North Atlantic off the coast of Iceland. The young killer whale was shipped to Vancouver Island, where he was forced to perform tricks at an aquatic theme park called Sealand. Tilikum was also pressed into service as a stud, siring numerous calves for exploitation by his captors. Tilikum shared his small tank with two other orcas, Nootka and Haida. In February 1991, the whales’ female trainer slipped and fell into the tank. The whales wasted no time. The woman was grabbed, submerged repeatedly, and tossed back and forth between the three whales until she drowned. At the time of the killing, Haida was pregnant with a calf sired by Tilikum.

      Eight years later, a 27-year-old man broke into the aquatic park, stripped off his clothes and jumped into the tank with Tilikum. The orca seized the man, bit him sharply and flung him around. He was found floating dead in the pool the next morning. The authorities claimed the man died of hypothermia.

      In 2010, Tilikum was a star attraction at Sea World in Orlando. During an event called “Dining With Shamu,” Tilikum snatched his trainer, Dawn Brancheau, and dragged her into the pool, where, in front of horrified patrons, he pinned her to the bottom until she drowned to death. The whale had delivered his third urgent message.

      Tilikum is the Nat Turner of the captives of Sea World. He has struck courageous blows against the enslavement of wild creatures. Now it is up to us to act on his thrust for liberation and build a global movement to smash forever these aquatic gulags from the face of the Earth.

      — Oregon City.

      Sources

      Bierne, Piers, “The Law is an Ass,” Society and Animals, Vol. 2 No. 1. (1994)

      Boguet, Henri. An Examen of Witches. Trans. E.A. Ashwin. Portrayer Pub. (2002)

      Cartmill, Matt. A View to a Death in the Morning: Hunting and Nature. Harvard. (1996)

      Castillo, Hugo P. “Captive Marine Mammals in South

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