Dixie Be Damned. Neal Shirley

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presented the land as a symbol of the moral stagnation of white southern civilization. Her portrayal of the environment also perfectly suited the “dark” racial stereotypes she used in her writing.20

Map_of_the_Dismal_Swamp_Canal_1867bxw-fix.tif

      An 1867 map of the Great Dismal Canal portrays the Albemarle Sound and the counties surrounding the swamp on both sides of the Virginia-North Carolina dividing line. D.S. Walton/Hosford & Sons

      The emergence of white supremacy, new divisions of labor, new forms of misogyny, and a paranoid fear of magic and witchcraft all intersected with a fear of the wild.

      This mythology about the natural world, paired with the very real dangers of the swamp, created a place the “better” sort of people tried to avoid—in other words, a perfect environment for the formation of hidden, yet permanent large-scale maroon communities, otherwise more common to the Caribbean than North America.

      Many of the inhabitants of the Great Dismal were known to temporarily leave the swamp to do small jobs, either for trade or petty cash. In particular the maroons were known as excellent shingle-makers; nearby settlers would often turn a blind eye to their illegal status in return for help harvesting wood for roofs. One runaway slave who spent some time in the swamp, and was interviewed after he escaped to Canada, had this to say about the inhabitants’ hospitality:

prosser-Z.tif

      An early print of the blacksmith Gabriel Prosser that appeared in white newspapers.

prosser.tif

      Images like this one appeared in white newspapers and journals after conspiracies like Gabriel’s Insurrection, galvanizing white fear and hatred.

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