Providential. Colin Channer

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Providential - Colin Channer

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       Table of Contents

       PART I

       Revolutionary to Rass

       First Recruits

       Lea

       Neville’s Logic

       Clan

       Mimic

       Civil Service

       Occupation

       Funeral

       Porter’s Prayer

       PART II

       Fleeings

       Intermezzo

       Clarkey and Elma

       On a Dry Field in Nowhere

       Balls

       First Kill

       Second Shot

       Corporal Teego Brown Tells Us What Every Bartender in Jamaica Knows

       Tentative Definitions

       Fugue in Ten Movements

       Kik-Kik, Pak-Pak

       General Echo is Dead

       Advantage

       Sketch: a Triptych

       PART III

       Knowing We’ll Be Mostly Wrong

       Providential

       About Colin Channer

       Copyright & Credits

       About Akashic Books

      Acknowledgments

      Thanks to the Rhode Island State Council on the Arts (RISCA) for a 2015 Fellowship Merit Award in Poetry, and to the editors of the following publications where some of these poems first appeared: Prairie Schooner, Renaissance Noire, The Common and Harvard Review.

      I must in addition turn thanks to Kwame Dawes for his steady encouragement, elegant notes and wise counsel. I offer gratitude to Jeremy Poynting of Peepal Tree Press and Johnny Temple of Akashic Books for their stalwart support.

      Chris Abani, Olga Broumas, Gregory Pardlo, Chase Twichell, Ishion Hutchinson—from being around you I inhaled much knowing of what it takes to make a poem. Thanks for the secondhand smoke.

      Marie Brown has been there since the first book. The Book of Jamaica made me want to write.

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       REVOLUTIONARY TO RASS

       (for Perry Henzell)

      Rangers.

      That is what they are.

      Perry shifts in a pink Adirondack

      rooted in the grass. We’re on a cliff between

      a white adobe cottage and the sea.

      Canoes crawl far on the red skyline.

      In these last years, last months, last days,

      he talks like he’s always—

      grand and sweeping.

      The white beard mops his neck.

      He plays prophet.

      Facing twilight with his son-out-law

      relaxing

      in the second chair,

      the director

      who shot Rhygin in a star shirt,

      made Cliff reggae Django,

      talks like he knows. Still, he proves.

      As a boy, and don’t forget,

      he

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