A New Kind of Bleak. Owen Hatherley

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       THE CITY OF LONDON The Beginning is Nigh

       Acknowledgements

       Notes

       Index

       Index of Places

      Introduction

      Will There Still Be Building,

      in the Dark Times?

      Gateway to New Europe

      It is always difficult to return to Britain. One of the most painful places to arrive is via Luton Airport; or, to give it its full title, ‘London Luton Airport’, demoting a town of over 100,000 people to a mere adjunct of the Great Wen. It’s also one of the main places for processing the thousands of poorly-paid, poorly-housed East and Central European Gastarbeiter, those who largely constructed the ‘New Britain’ promised by the now defunct New Labour movement. The destinations from London Luton are overwhelmingly either the ‘transition’ countries, where it’s not usually holidays that are the purpose – Slovakia, Lithuania, Latvia, Hungary, Romania, Bulgaria, and above all Poland – or cheap getaways to the south of Spain or Portugal. One of the operators here, Wizzair, had until recently as its slogan, as you enter the airport, ‘Wizz off to New Europe!’ This Donald Rumsfeld-inspired catchphrase was recently replaced, which is a shame, as Luton services quite precisely the European countries which have been most engulfed by the financial crisis, those that fully embraced in all its lunacy the ‘Anglo-Saxon model’ of deregulated finance, property booms and deindustrialization, adding more recently the concomitant of ruthless, punitive austerity programmes. For these reasons Luton is, in its largely unspoken way, a very important place – a fulcrum of the real New Europe, where neoliberalism has created a new and bracingly unpleasant landscape, leaving far behind the attachment to making and crafting that still occasionally rears its head in France, Germany or Scandinavia.

      This is communicated especially sharply in Luton’s architecture, as here you can see that the UK is the very newest part of New Europe, in its total lack of concern for the built environment, in its heedless accumulation of exurban kipple. For instance, if you leave Ok

cie airport in Warsaw – Poland being admittedly the ‘transition’ economy least affected by the crash, due to ‘old’ methods such as a strong industrial base and public capital investment – you’re leaving behind a reasonably clean, expensive, airy piece of design. Arrive in Luton, and you’re in a carceral, cheap, chaotic place, one that has happened seemingly entirely by accident. At the same time, no other European country, not even the Russian Federation, makes as much fuss about itself at its entrance as Great Britain. First, there’s the posters, designed to intimidate the guest worker and ‘reassure’ the Daily Mail reader: ASYLUM (don’t even think about it). HUMAN TRAFFICKING (you probably are, or the friendly man next to you in the queue is). TERRORISM, too, is a constant visual presence. On little screens above the concourse, Sky News broadcasts a perpetual loop of horror – economic crisis, natural disaster, environmental catastrophe, helpfully subtitled in broken sentences so that you can read as you queue. The sign ‘UK BORDER’ is over the passport desk, again in another ostentatious gesture of reassurance/intimidation. There is, in proper dystopian sci-fi fashion, a bio­metric passport gate through which the lucky few can pass, though the nightmarish future is postponed by the fact that it is seldom working. Get through all that, past a sign informing you that Alistair Darling MP opened the building in 2003, and you’re in a tin hangar where every available space has been crammed with retail. If you’re on your way out of the UK, it’s even more extreme; the waiting room is a cramped, low-ceilinged, badly-lit shopping mall, where the visual gestures – a curved, swoopy roof, Vegas light fittings – are just so much extra clutter.

      Then, you’re out, into the forecourt, where you can see some more architectural things; fragments of the earlier, 1970s Luton Airport, such as the concrete watchtower, some dour brick offices for the airlines, and most interestingly an orange hangar for EasyJet, which almost seems to have been conceived as a visual object, with its huge steel supports visible on the façade. One of the blanker hangars on the runway bears the Harrods logo. There’s no way to walk out of the airport, obviously, so you must take a shuttle bus (another £2, please) to the railway station in order to escape; on the way you pass under a heavy concrete bridge – this is here because the runway actually passes overhead, an impressive piece of heavy engineering. You also pass a factory – this is General Motors’ Luton branch, a complex of some size, a reminder that things are made here, after all. In the near distance is the skyline of Luton itself, with its Arndale Centre and its multistorey car parks. Then, the station, which uses the same architectural language as the airport – metal panels that are filthy with accumulated muck, despite the fact that they are designed to be wipe-clean. The small station has to hold many more people than it was planned for, and gets around this by a bizarre circulation system of multiple escalators, each with a barrier to ensure that heavy baggage is not dragged through. Here, you can wait for the most expensive, lowest quality trains in Western Europe to take you somewhere.

      The End of the Urban Renaissance

      We’re here as an appropriate entry into a country which, from 1997 to 2010, was supposedly going to create a new and better landscape, but produced instead the purgatory around Luton Airport, and the many places like it. In the near-decade-and-a-half of New Labour hegemony there were certain changes slated to be introduced, after the Thatcher-Major years of underinvestment in the cities in favour of out-of-town retail parks and exurbs, when entirely unplanned ‘Enterprise Zones’ were the vehicles for any new development. New Labour didn’t quite break with Thatcherism, but rather attempted to realize a version of the European social democratic city, fundamentally via Thatcherite means. Labour politicians like John Prescott, Richard Leese or Ken Livingstone, urbanists and architects like Richard Rogers and Ricky Burdett, all seemed to want to create Barcelona or Berlin using the methods of Canary Wharf. Rather than leaving everything to the market, there would be ‘public–private partnerships’ for directing the market into the places it had hitherto neglected – public services, inner cities – which it soon found were profitable enough in their way, especially when underwritten by the state. I wrote about the consequences in 2010 in a book called A Guide to the New Ruins of Great Britain, in which it’s fair to say I was scornful towards the results. Even when writing the book, it was abundantly clear that New Labour and its peculiar form of ‘social Thatcherism’ was coming to an end, although it was not entirely clear what it was going to be replaced with. A new Keynesianism, as favoured by the likes of the current Shadow Chancellor, Ed Balls? A new One Nation Toryism, under a Conservative leader determined to lose the bad smell associated with the ‘nasty party’? Or something else?

      What we got was, as we now know, something considerably worse: a Tory–Whig coalition committed to an extremist revision of Thatcherism with the New Labour fig leaf stripped off as no longer useful. Yet it won’t do to present this, as Labour apologists are fond of doing, as a phenomenon which owes nothing to the outgoing government. What with the likely production of a double-dip recession by cutting off the stimulus programmes brought in under Gordon Brown, not to mention the ex-PM’s startling and passionate attack on Rupert Murdoch and News International, some act as if the man was the greatest prime minister we never had. Harriet Harman is reincarnated as the scourge of benefit-cutters (does anyone remember her first move as Social Security

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