you obey?
I’d say: the discontented.
Yet how to begin? How to show
The living together of men
That it may be understood
And become a world that can be mastered?
How to reveal not only yourselves and others
Floundering in the net
But also make clear how the net of fate
Is knotted and cast,
Cast and knotted by men?
Above all other arts
You, the actor, must conquer
The art of observation.
Of no account at all
How you look.
But what you have seen
And what you reveal does count.
It is worth knowing what you know.
They will watch you
To see how well you have watched.
But one who observes only himself
Gains no knowledge of men.
From himself he hides too much of himself.
And no man is wiser than he has become.
Therefore your training must begin among
The lives of other people. Make your first school
The place you work in, your home,
The district to which you belong,
The shop, the street, the train.
Observe each one you set eyes upon.
Observe strangers as if they were familiar
And those whom you know as if they were strangers.
Look. A man pays out his taxes. He differs from
Other men paying their taxes.
Even though it is true
No man pays them gladly.
In these circumstances
He may even differ from his normal self.
And is the man who collects the taxes different
In every way from the man who must pay?
The collector must also contribute his due
And he has much else in common
With the one he oppresses.
Listen.
This woman has not always spoken with her present harshness;
She does not speak so harshly to all.
Nor does that charmer charm every one.
Is the bullying customer
Tyrant all through?
Is he not also full of fear?
The mother without shoes for her children
Looks defeated,
But with the courage still left her
Whole empires were conquered:
She is bearing – you saw? – another child.
And have you seen
The eyes of a sick man told
He can never be well again
Yet could be well
Were he not compelled to work?
Observe how he spends such time as remains
Turning the pages of a book telling
How to make the earth a habitable planet.
Remember too the press photos and the newsreels.
Study your rulers
Walking and talking and holding in their pale
Cruel hands
The threads of your fate.
Make pictures
Unfolding and growing like movements in history.
For later that is how you must show them on the stage.
All this watch closely. Then in your mind’s eye
From all the struggles waged
The struggle for work,
Bitter and sweet dialogues between men and women,
Talk about books,
Resignation and rebellion,
Trials and failures,
All these you must later show as
Historical processes.
(Even of us here and now
You might make such a picture:
The playwright, having fled his country,
Instructs you in the art of observation.)
To observe
You must learn to compare.
To be able to compare
You must have observed already.
From observation comes knowledge.
But knowledge is needed to observe.
He who does not know
What to make of his observation
Will observe badly.
The fruit grower will look at the apple tree
With a keener eye than the strolling walker.
But only he who knows that the fate of man is man
Can
