Blood Orbits. Ger Killeen

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as a girl’s hair:

      indoors, the new light bleaches

      all his spread-out papers blank.

      And a rain that begins

      as dashes turns into periods:

      “Es heißt ‘virga’ “, a stork

      clacks from the loft.

      Soon he can hear the roof

      whine under the grainy weight,

      see the land as far as the eye

      can see take on a black gleam.

      The postman knocks twice,

      slides under the door a postcard

      of Goethe’s spreading oak:

      “I waited and waited.

      Why did you not come?”

      in a hand he doesn’t know,

      and no return address.

      Finisterre

      Only the doggerel

      of forgetting, bitten-off palatals

      of Gaulish spat

      out of baffled faces, crab-

      crackle of carpals: it is

      late; a whirring psalm salts itself

      in between the embroiderd edges

      of every scar combed across

      the tableaux of unicorns and roses

      massed on the endless

      leveled lands behind. The sea

      widens its blind eye. All

      I want to know is

      who sees this,

      what has been hoped

      asunder by wave after wave

      of men in invisible ships?

      Blood Orbits

       (To Simone Weil)

      Prayermower, periodic

      comet.

      Of the perennial verbs

      nothing left

      but the stalks. You keep one

      step ahead, out-

      traveling the snowline,

      the interrogation cell,

      the gnomon’s testscalpel.

      You listen for silence

      where the crowing calipers

      browse on the zodiac.

      You feed yourself

      through the pummeled lips

      one more night

      First Flesh

      Hand—terminal azimuth

      hiving the new verbs of plenty:

      cast, grasp, cup, rub between the fingers...

      and so it is a pitched brightness,

      part salt, part spilling, part

      disappearance into some cut less

      known than night which migrates

      out of the pulsed breath that was

      all you sensed of the other side

      of the infinite margin.

      Tenebrae

      Hope-hours. A snowy hum

      darkens through

      the companionable chatter

      hedging us off.

      Poised heronlike above

      the sense-rifts

      your mouth zeros in on

      a breath’s hesitation.

      I lie with you

      in the unquotable instant

      before a vowel, kiss

      you out of hunger.

      Twinberry

      Ravenblack. Gleaming.

      To eat is to become

      speechless,

      as though you are caught

      in the seahiss

      between transmissions.

      The blue jay fanning

      his blackish headcrest,

      the smell of an alder

      catkin, a face you love,

      dissolve in the twilit

      sibilance of the same word.

      Once, early Summer,

      each of the yellow

      tubular flowers was the paired

      node of a new phrasing,

      a tenuous, exact rendering

      of promise. Once.

      To eat is to fall

      somewhere like the inside

      of a stone, gray and amniotic. Seahiss.

      Without end.

      Seahiss engorging

      the lungs of myth.

      Winged

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