Glad to Be Human. Irene O’Garden

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Glad to Be Human - Irene O’Garden

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Fifteen thousand petroglyphs are carved below our feet. I like what the people have written.

      Spirals. Dots. Targets. Lots more dots. Compelling human forms. It’s said that sailing and animal adventures are told here. But so many plum-sized dots!

      An information board tells us parents traveled here in hopes of ensuring long lives for their children. Each “dot” was carved to cup an umbilical cord which was then covered with a rock. This hill shimmers with wishes.

      Those who flourished returned to carve their stories, and their wishes. I love this old human impulse to inscribe, to write, to leave a mark. Whatever the challenges. I like what hope has written.

      Peace.

      Free Sample.

      Like dust. Worse. Like rust on my desk: two or three months’ worth of unprocessed paperlife. Not bills, you understand—all the really urgent stuff got done. But filing and questions and forms. Matted, as ever, with perfect excuses: travel, performance, submissions, and family and friends.

      (Not only that, but here in the Age of Distraction, we have hyper-super-ultra-extra other ways to duck and cover.)

      Pussyfooting around my desk, I thought I was postponing discomfort. Truth is, I felt it every time I entered my office.

      Once I faced that heap of indecision, I found two funny pockets of irrationality. First: Stern verdicts are called for: imprison things in the file cabinet or slay them in the wastebasket. Seated at last, sorting and tossing, I smiled. Silly fear, as if letting paper go is letting go of people or events. As if memory were made of paper.

      But clearing the desk feels like a waste of creative time. I could be making something new! Rust eats whatever is beneath it. A desk is space for new creation.

      Making space is never a waste of time, just as making time is never a waste of space.

      The shadow side of our wildly entertaining Age of Distraction corrodes our Age of Satisfaction. But with a bit of inner elbow grease, we are cleared for take-off.

      There’s always time if you do it now.

      Near our little house in the woods runs a lovely rushy stream, Clove Creek. While it’s often brisk and prosperous, it takes a huge spring thunderstorm to understand how such a modest flow could carve out the dramatic and beautiful area known locally as The Gorge.

      The Gorge is right across from our three acres. Hemlocks veil the approach, but cooler air and the sound of dashing water draw the visitor to a stony path between two handsome maples. The path shortly opens to a massive outcropping of rock and The Gorge itself.

      Here, Clove Creek—tumbling over boulders over centuries—has carved sheer rock walls, blue with lichen, graced with fern. The most vigorous waterfall narrows through two huge rocks and creates a swirling pool some twenty feet below an immense stone promontory. It’s a place of remarkable power and beauty. Dag Hammerskjold summered nearby, and often could be found on this great jutting jaw of rock, gazing down at the falls.

      It used to be a rite of passage for local teenage boys to leap off The Rock into the cold pool, but with the abscess of insurance rates, the owner got crabby. He took to calling the police to chase the hoodlums off.

      For nine years I’d been saying to my husband, “One of these days, I’m gonna jump off The Rock myself.” No small aspiration for me, considering my last game of Neat Falls.

      Neat Falls was a backyard game invented, as far as I know, by my older brother. He would start as The Judge, packing his Daisy Air Rifle. He would then shoot each player one by one (or “pick ‘em off,” as he liked to say). The object of the game was to stage the “neatest fall,” that is, the most realistic, exciting or gruesome death. The winner got the honor of becoming The Judge and shooting everybody else.

      Although I’d taken it in the gut many times and writhed in what I thought were truly excruciating and lifelike deaths, by the age of seven, I had yet to be The Judge.

      One hot Saturday I’d had enough. I resolved to make the coolest, the bravest, the very Neatest Fall of All, one that had never been conceived, much less attempted, by the older kids.

      Our backyard had two areas, the upper part for baseball, Neat Falls and other games, and the sunken part, where the swing set and sandbox were. An eight-foot wall of pebbly cement marked yard’s end. Every spring a dump truck in the alley dumped a fresh load of sandbox sand over this wall.

      It’s true that one or two of the braver desperados had gone to the last round-up from this wall, but in sissy ways: a slow crumple and fold, and an inching grapple downward. No drama, no propulsion.

      When my turn came that day, I waved everyone down to the wall. Heart pounding, I went through our garage to the alley and stepped on to the wall, with my back to The Judge.

      “Fire!” I shouted. The bullet sears into my back. Do I crumple and turn like a coward to fall forward? No! With a cry of anguish I fall backward, down, down, down seven feet into the foot-high mound of sand, thud. All the wind knocked out of me. Neatest Fall Ever Accomplished. Rotten thing was, my brother didn’t agree with me. He gave The Judgeship to one of the Archibald boys.

      Jumping off high places stayed on my list of high-risk, low-gain activities, until I heard the first screech and splash of a triumphant adolescent at The Gorge. If they can do it, I can do it, I thought to myself. It was a pleasant nugget to carry on my walks, stepping out onto The Rock in all seasons with the knowledge that someday I would step off it into space and whirlpool. This vivid picture entertained me for almost a decade.

      Then we began our search for a larger house. My days by The Gorge were numbered. I took other, milder risks—a barefoot walk in a nearby marsh, a naked moonlight swim in a neighbor’s pond. The summer was drawing to a close.

      I was reading on my porch one warm evening, my husband out of town, when my friend Jane drove up with a guest in her car.

      “Meet Rainbow Weaver,” she said as she got out. “She’s in town to give some workshops and I thought she’d like to see The Gorge.”

      Abundant and radiant as a full moon, Rainbow Weaver rose out of the car. Jane had mentioned that a Native American wise woman was coming to town, but I never expected her to be so young. She was not long into her thirties, if she’d gotten there at all.

      She had a firm handshake and a ready laugh. As we chatted, I sensed her natural reverence, but there was not a somber

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