Thinking between Deleuze and Merleau-Ponty. Judith Wambacq

Чтение книги онлайн.

Читать онлайн книгу Thinking between Deleuze and Merleau-Ponty - Judith Wambacq страница 3

Thinking between Deleuze and Merleau-Ponty - Judith Wambacq Series in Continental Thought

Скачать книгу

BETWEEN MERLEAU-PONTY’S AND DELEUZE’S READINGS OF PROUST

       6. Cézanne in Deleuze’s and Merleau-Ponty’s Philosophies of Art

       PAINTING IS NOT ABOUT REPRESENTATION

       PAINTING IS ABOUT THE EXPRESSION OF SENSATIONS

       THE CREATION OF AN ARTISTIC EXPRESSION

       The Deformation of Relations

       A Collaboration of Body and Mind

       THE NATURE OF ARTISTIC EXPRESSION

       WHAT IS EXPRESSED BY THE ARTISTIC EXPRESSION?

       COLORISM

       DELEUZE’S CRITIQUE OF PHENOMENOLOGICAL AESTHETICS

       7. Deleuze and Merleau-Ponty, Readers of Saussure

       SAUSSURE IN THE EARLY DELEUZE

       SAUSSURE IN MERLEAU-PONTY

       SAUSSURE IN DELEUZE AND GUATTARI

       COMPARISON OF MERLEAU-PONTY’S AND DELEUZE’S READINGS OF SAUSSURE

       Conclusion

       A DIFFERENT MERLEAU-PONTY AND A DIFFERENT DELEUZE

       Notes

       References

       Index

      ACKNOWLEDGMENTS

      I would like to thank Emiliano Battista for his detailed feedback and help with the language; Filip Mattens for his useful comments on the Husserl passages; Herman Parret, Eric Schliesser, the late lamented Hugh Silverman, Bart Verschaffel, and Mauro Carbone for the opportunities they gave me; my colleagues from room 201 for their friendship; the Department of Philosophy and Moral Sciences of Ghent University for its institutional and financial support; Marijke de Waal for her dietary suggestions that allowed me to get through the last phase of writing the book; my family (Dirk, Dido, Felix, Johan, Jeanine, Freek, Peggy, Roza, and Lambert); and my friends (Ellen especially) for their moral support and love.

      ABBREVIATIONS

      DELEUZE

CC Essays Critical and Clinical. Translated by Daniel W. Smith and Michael A. Greco. London: Verso, 1998.
D Dialogues. Coauthored with Claire Parnet. Translated by Hugh Tomlinson and Barbara Habberjam. New York: Columbia University Press, 2007.
DI Desert Islands and Other Texts, 1953–1974. Edited by David Lapoujade. Translated by Michael Taormina. Los Angeles: Semiotext(e), 2004.
DR Difference and Repetition. Translated by Paul Patton. London: Continuum, 2004.
F Foucault. Translated and edited by Seán Hand. London: Athlone Press, 1988.
FBLS Francis Bacon: The Logic of Sensation. Translated by Daniel W. Smith. London: Continuum, 2003.
FLB The Fold: Leibniz and the Baroque. Translated by Tom Conley. London: Continuum, 2006.
LS The Logic of Sense. Translated by Mark Lester. Edited by Constantin V. Boundas. London: Continuum, 2004.
MI Cinema 1: The Movement-Image. Translated by Hugh Tomlinson and Barbara Habberjam. London: Athlone Press, 1986.
NP Nietzsche and Philosophy. Translated by Hugh Tomlinson. New York: Columbia University Press, 1983.
PS Proust and Signs. Translated by Richard Howard. London: Continuum, 2008.
TI Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert Galeta. London; Continuum, 2005.
TP A Thousand Plateaus. Vol. 2 of Capitalism and Schizophrenia. Co-authored with Félix Guattari. Translated by Brian Massumi. London: Continuum, 2004.
WP What Is Philosophy? Coauthored with Félix Guattari. Translated by Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994.

      MERLEAU-PONTY

EM “Ontology and Painting: Eye and Mind,” by Galen A. Johnson. In The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, translated and edited by Michael B. Smith, 35–58. Evanston, IL: Northwestern University Press, 1993.
MSME Le monde sensible et le monde de l’expression: Cours au Collège de France; Notes, 1953. Edited by Emmanuel de Saint Aubert and Stefan Kristensen. Geneva: MetisPresses, 2011.
NC Notes de cours, 1959–1961. Edited by Stéphanie Ménasé. Paris: Gallimard, 1996.
PP Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962.
PriP The Primacy of Perception: And Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics. Translated by James M. Edie. Evanston, IL: Northwestern University Press, 1964.
PW The Prose of the World. Edited by Claude Lefort. Translated by John O’Neill. Evanston, IL: Northwestern University Press, 1973.
S Signs. Translated by Richard C. McCleary. Evanston, IL: Northwestern University Press, 1964.
SB The Structure of Behavior. Translated by Alden L. Fisher. Boston: Beacon

Скачать книгу