Fish Story. Allan Sekula
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As the crew filed back into the house from the main deck after the memorial service for the two Americans, the usually taciturn captain announced to no one in particular and everyone in general: “Well, that should put an end to all the ghost stories that have been going around.”
FIRE AND EMERGENCY
Muster at boat station
ABANDON SHIP
Muster at station
NUCLEAR, BIOLOGICAL, CHEMICAL WARFARE
Remain in stateroom
Notice engraved on steel plate bolted to stateroom bulkhead, Sea-Land Quality.
THE BO’SUN’S STORY
“Black-and-white photos tell the truth. That’s why insurance companies use them.”
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WORKERS' MUSEUM
Question?
De-flagging.
Is it true
Sea-Land will
use Russian officers
with Vietnamese crew?
They are digging
up Jack Kennedy
to see if he’s rolled
in his grave.
They couldn’t beat us
so they’ll unemploy us!
God bless corporate America.
Handwritten message on yellow legal pad, engine-room bulletin board, Sea-Land Quality.
Launched in 1984, the Sea-Land Quality was one of the first ships built at the Daewoo shipyard on the island of Keoje off the southeast coast of South Korea, and one of a series of “econships” commissioned by the now-defunct United States Lines of Malcom McLean, the trucking executive who initiated containerized cargo movement in 1956. These were the biggest container ships built to date, deliberately slow: exercises in economies of scale, cheap construction, and conservative fuel use.
When an American crew picked up the first of these ships from the Daewoo dockyard, completed the sea trials, and began the voyage back across the Pacific, they discovered in the nooks and crannies of the new ship a curious inventory of discarded tools used in the building of the vessel: crude hammers made by welding a heavy bolt onto the end of a length of pipe, wrenches cut roughly by torch from scraps of deck plate. Awed by this evidence of an improvisatory iron-age approach to ship building, which corresponded to their earlier impressions of the often-lethal brutality of Korean industrial methods, they gathered the tools into a small display in the crew’s lounge, christening it “The Korean Workers’ Museum.”
American elites have cultivated a fantastic fear of superior Asian intelligence; in doing so they obscure their own continued cleverness. For their part, American workers fear the mythic Asian brain and something else: an imagined capacity for limitless overwork under miserable conditions. The first assistant engineer, once a Navy commando in Vietnam, fears being replaced by former enemies. Veering abruptly from the right-wing paranoia of the politician Ross Perot to the left-wing paranoia of filmmaker Oliver Stone, his diatribe is less farfetched than it seems. Shipping companies increasingly turn to flag-of-convenience registry, a legal loophole that allows for the hiring of cheaper, usually Asian, crews. American shipowners have long favored Liberia and Panama, two notoriously independent nations, for these registry services, services which require an infrastructure roughly equivalent to that needed for commemorative stamp issues. Now Sea-Land threatens to turn to the newest bastion of paper sovereignty, the Marshall Islands, otherwise renowned as a cluster of irradiated coral atolls devastated by American thermonuclear testing in the 1950s.
And thus the general spirit of the ship was one of mournful and weary anticipation of unemployment, heightened by a pervasive insomnia caused by the vibration of the low-speed Hyundai-Sulzer diesel running at 100 RPM, the speed of an amphetamine-driven human heart.
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27Detail. Inclinometer. Mid-Atlantic.
28Panorama. Mid-Atlantic.
29Chief mate checking temperatures of refrigerated containers. Mid-Atlantic.
30Filling lifeboat with water equivalent to weight of crew to test the movement of the boat falls before departure. Port Elizabeth, New Jersey.
31Third assistant engineer working on the engine while underway.
32–34Conclusion of search for the disabled and drifting sailboat Happy Ending.
35Model simulating the movement of the sea. Maritiem Museum Prins Hendrik, Rotterdam.
36Pornographic scrimshaw carving on a whale’s tooth. Maritiem Museum Prins Hendrik, Rotterdam.
37Engine-room wiper’s ear protection.
38Figurine based on the television series Star Trek mounted on engine-room control console.