No Second Eden. Turner Cassity

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No Second Eden - Turner Cassity

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       Enola Gay Rights

       The Second-Guesser

       Estate Planning

       I Dreamed Last Night I Went Again to Manderley

       Victory

       In the Receiving Line

       Venerations

       Hanging On

       Why Geriatrics Are Not Sacrificed

       Watching the Stopwatch Stopping

       The Ultimate National Monument

       The Grateful Minimalist

      NO SECOND EDEN

      A Member of the Mystik Krewe

      For reasons having partially

      To do with Carnival as it

      Runs out of steam just off of St.

      Charles Avenue in March of nineteen

      forty-six, an Ole Miss end

      Has Celestine the Oyster Girl’s

      Assistant’s former girlfriend’s breast

      Entirely out, and to the mild

      Approval of the bar, is, with

      A ballpoint pen, inscribing there.

      I’m seventeen; I’m underage.

      It is the first time I have seen

      A ballpoint pen. And now that boob

      (The football player) hands to each

      And all, as though it were his cast

      To autograph, the fragrant globe,

      The white geography. I have at hand

      The offered whole. What shall I write?

      Another writer, not yet I,

      Takes hold, and for a moment knows.

      The pen is cold; a hot skin tight.

      The flesh is there. What shall I write?

      The Metrist at the Operetta

      By tuning somewhat low the second violins

      And somewhat high the first, the two-faced Viennese

      Attain the sound of sugar, just as, hurrying

      The second beat, they CPR three-quarter time.

      Exactitude is not a way to animate,

      And, although honesty may be a policy,

      It’s not a beat to dance to. Face it: in the arts

      It is the tricks that are the trade. The firm head snap

      That holds at bay a ballet dancer’s vertigo;

      Perspective (false perspective being no more false

      Than any); make-up and impersonation; trope.

      A metronome confirms clockmakers’ art, not this.

      Stylization and Its Failures

      The vulture, at the least, has not the look

      Of flying money, or a Seal of State

      Become a Frisbee. Eagles on a coin

      Or on a flag, or on a Roman standard,

      Look more real than in real life, so strong

      Has been convention. Formula and frame

      Do not apply at roadkill, which is why

      No march from any empire has been called

      Under the Double Buzzard. One death’s-head

      Is quite enough. Upon a currency

      It would suggest the god who is not mocked

      Is Moloch, and on specie make it clear

      All gold is in a sense fool’s gold. Not, there,

      A logo to encourage free exchange;

      Reminder, rather, that we barter life

      In kind, to have corruption as return.

      Ambitious Scout whose merit badges mass,

      Would you continue if you knew the end

      Is Court of Honor for a scavenger?

      Bald Eagle, Vulture of the Naked Neck,

      Are both of you one bird? One carrier

      To whose one message there is one reply?

      It was mere chance that a Samaritan

      Should happen by; mere chance that he was good.

      The body by the roadside nonetheless

      Would have received attention, in due time.

      WTC

      Against the best advice,

      We put up Babel twice:

      Twin towers of such forms

      As might be student dorms

      For

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