Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy. Joanne Faulkner

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Dead Letters to Nietzsche, or the Necromantic Art of Reading Philosophy - Joanne Faulkner Series in Continental Thought

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the only means of “knowledge,” which Nietzsche defines as essentially a reduction of multiplicity, for the sake of conscious thought (Gay Science, §355, 300). Knowledge is for Nietzsche already the province of the herd animal. Indeed, throughout his oeuvre, the body is figured in excess of our knowledge of it. Nietzsche frequently comments upon the epistemic gap between the body and consciousness. Following Spinoza, he relates that we cannot observe the simplest bodily functions as they occur within us, nor can we understand the vast complexity of our own corporeality with such an inadequate instrument as consciousness.[12]

      The cost of survival, however, is that this “herd drive” would then suppress and reorganize in its image all other forms of corporeality. By this account, the body is at war with itself: not only because it is essentially an irreducible multiplicity—each element of which must engage in a struggle in order to prevail over the others—but also because of a tendency that conflicts with this multiplicity in order to compose the body as unified. This unified entity is, indeed, a fictive account of bodily being. Yet such a fiction, or “untruth,” is a necessary “condition of life” (Beyond Good and Evil, §4, 11-2) for the human as “herd animal.” In accordance with Nietzsche’s doctrine of will to power, the body interprets itself as a unity that takes the form, in language, of the subject. The subject of language opposes itself to the body. Yet subjective being is not opposed to corporeality in any simple sense. Rather, consciousness and subjectivity are the foundational “truths” required by our species in order that its bodily existence is maintained—remembering that for Nietzsche “[t]ruth is the kind of error without which a certain species of life could not live. The value for life is ultimately decisive” (Will to Power, §493, 272).

      We can reread Nietzsche’s invitation to his reader “to be your self!” in the light of this difference between aspects of the self, as an attempt to awaken a sense of this excess—that there is another, vaster self that the regularity of everyday existence obscures. “The self” to which Nietzsche’s writing appeals is then supposed to be drawn from this limitless reservoir to which language bars access, ironically, by the language employed by Nietzsche. Nietzsche thereby promises to reunite his reader with a “self” that transcends grammar and a particular historical milieu: a “self” that is not simply installed as a means of communication between bodies. The currency of this call, however, trades on the sense of loss that characterizes human subjectivity—so that Nietzsche exploits the readers’ felt disengagement from an unconscious and instinctual plenitude summarized by “will to power,” but fails to offer a viable alternative to such separation. By invoking a self that is always already constituted in its relation to language, however, Nietzsche also taps into the hidden and unexpected corporeal depth of language, evidenced in the pleasure that the subject feels respecting his or her subjection. The pleasure of being named—of being actualized through language—is a pleasure regularly set in motion by Nietzsche’s writing. Yet given his otherwise poor opinion of language and consciousness, how does Nietzsche account for the fact that the body comes to love what apparently disempowers it?

      Nietzsche’s most systematic account of how the subject, as a denial of corporeal difference, is “born of” the body is contained in On the Genealogy of Morals. It is also the work in which we find both an explanation for, and mechanism of, the subjection of the reader to Nietzsche’s text. On the one hand, Nietzsche argues that the social requirement to understand and predict one another’s behavior suppresses differences between—and, indeed, within—individuals. Accordingly, language (in this case its exemplar is the promise) comes to represent a common ground that quite literally erases difference, by altering the way that the body organizes itself (58). For the society that runs smoothly demands not only an ontology of regularity (the institution of “natural laws,” like causation), but also a subjectivity of regularity. According to Nietzsche, social imperatives penetrate to the very body of the subject, by favoring its conformist (reactive) instincts over the active, “unruly” (and, for Nietzsche, more interesting), drives.

      On

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