Auschwitz, Poland, and the Politics of Commemoration, 1945–1979. Jonathan Huener
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Emphasizing the German menace was one way for Poles to articulate their common suffering and common cause, and this served the political exigencies of the fledgling Warsaw government. The threat was not a temporary, exceptional phenomenon, but an ever-present danger in a long historical continuum of Teutonic aggression toward the Slavs and, more specifically, of German aggression toward the Poles. This was, for example, the theme of a 1946 Warsaw exhibition on German crimes, the purpose of which was “to show that the Hitlerite crimes in Poland do not constitute an abstract episode in German history, but are a culminating point—the crowning of eternal German annexationism in the East.”72 By recalling German crimes and emphasizing the continuing German threat, the regime was able to posit national identity, national unity, and nationalist fears against a common enemy in the service of its larger political goals, such as international recognition of the Oder-Neisse Line as Poland’s western frontier or the highly symbolic prosecution of Nazi criminals. As the nation that had suffered the most under the Germans, Poland had not only a right, but also a responsibility to annex German territory, to punish German criminals, and to inform the world of the horrors of Auschwitz and other camps. The moral duty was clear. As one Polish publicist wrote in May 1945:
The Polish press has written and continues to write much and often about Auschwitz. But it is all still too little, even for the development of the most superficial view of the immensity of German atrocities. It is necessary to write about Auschwitz again and again. It is necessary to write just now as we have arrived at the day of judgement for the perpetrators of those inhuman crimes. It is necessary to write lest the crimes fall into the shadow of oblivion, so that a false sense of compassion does not become the cause of impunity or easy treatment of the criminals. It is necessary to write in order to rouse the conscience and eradicate the indifference and dullness that has overcome the world after six years of war. We must avenge these crimes—those 4 million innocent victims of Auschwitz call for it.73
Writing and rewriting meant italicizing Polish suffering, underscoring Nazi atrocities, and even deleting references to Jewish mass death while emphasizing throughout the call to bear witness to and avenge German crimes. Revenge could take many forms: territorial “reclamation,” reparations, or the expulsion of Germans from Silesia, Pomerania, and East Prussia. Such were the early postwar goals of Warsaw’s policy toward a defeated Germany, and Poles had little patience for German cries of postwar injustices inflicted upon them or for voices in Britain and the United States that were sympathetic to the Germans’ plight or calling for Germany’s rehabilitation. It was Auschwitz, more than any other wartime site of destruction, that pointed to the naïveté, danger, and insult of a conciliatory policy toward Germany. As an editorial columnist wrote on the occasion of the Auschwitz museum’s dedication in 1947:
We are a nation that has suffered the greatest wrongdoing at the hands of the followers of the [German] system. We are not repeating the Auschwitz story in order to spread an unnecessary and harmful self-pity. We are reiterating this doubtless truth because we are a state that is sentenced for all time to be the neighbor of Germans—the nation that invented and carried out “genocide.” That is why we, above all else, should be alert to what transpires beyond our western border. And we, above all, have to remind other nations that what was yesterday our lot could befall other nations tomorrow.74
Auschwitz memory was to be a catalyst for anti-German attitudes and policy, a pillar of support for a consistent policy on the Oder-Neisse issue, and a general caution to the rest of the world. This admonitory role was an appropriate complement to the symbolic role of Auschwitz as the “golgotha” of the “Christ among nations,” for a martyrological idiom that emphasized the suffering and sacrifice of the Polish nation also gave that nation a unique responsibility, or even mission, to the rest of the world.
As inspiring and politically serviceable as this narrative may have been, it left little room for historical specificity and nuance of interpretation. It emphasized, in the first place, the Nazi goal of enslaving the Poles and destroying their state and nation. Auschwitz was, of course, the most memorable and visible symbol of this, and it represented for many Poles their own exterminationist fate, or at least what would have become so had the Nazis had the opportunity to follow through with their plans. Second, the narrative emphasized the sacrificial suffering of the Polish nation and, at the same time, the resistance and resolve of the prisoners. Neither element of the story could easily accommodate the unregistered deportee, Jewish or otherwise; both offered postwar Polish society a locus of common identity and the postwar Polish state a degree of much-needed legitimacy. As Jonathan Webber has noted, “in the post-war Polish construction of the symbolic meaning of Auschwitz, to identify Jews as the principal victims would have been to clutter, if not to obfuscate, the cultural and political message; it was an inconvenient irrelevance best left to one side.”75 Webber’s insight is accurate, especially when applied to the early postwar development of the Auschwitz site and museum, for a Polish-national martyrological idiom required the concurrent marginalization or assimilation of other victim groups. It would be convenient to claim aggressive anti-Semitism as the main author of this narrative, or to dismiss it as the product of communist machinations at the state level. Anti-Semitism was a tragic and obvious problem in postwar Poland, and a new communist regime was consolidating its power in the years 1945–47. But neither of these influences was decisive on its own. One also has to allow for the possibility that the stewards of Auschwitz memory in these early years were drawing upon broader, non-ethnic, and assimilationist notions of “Pole” and “victim”—notions that eschewed Nazi racial categorizations even as they inappropriately blurred the historical distinctions so important to the process of accurate memorialization. In short, the Polish-national martyrological narrative was more complex than is apparent at first glance, and designating the Auschwitz site and museum as its principal illustration was a natural stage in the process of constructing a viable framework of memory in the postwar era.
2
From Liberation to Memorialization
The Transformation of the Auschwitz Site, 1945–1947
TO MANY POLES in 1945, the need to preserve the Auschwitz site as a memorial to those who had suffered and perished there was obvious. The topography and structures of the Auschwitz complex were well suited to the Polish-national martyrological narrative