A Head in Cambodia. Nancy Tingley
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“Cash,” said P.P.
“That’s what I told them. The man was rather belligerent. Said he had told me to hold it for him, that he’d be back, but had an appointment first. Or he had to get cash from the ATM. I don’t remember.” She was thoughtful.
“And the papers, the invoices and notes. Your brother kept them?” I asked.
“Yes, for the auction. He had to. They worry about where things have come from.”
“The provenance,” I said, looking around the room, then back at that spot on the floor. Her description had been so vivid, so touching, that I could picture it, the blood, the head, this woman standing in the midst of it. My voice caught when I went on. “Yes, they do worry about that.”
P.P. stopped trying to move us out of the room and looked at me with concern. I shook my head.
His eyes still on me, he asked, “And the books?” Shelving covered one wall from floor to ceiling. Books filled a good half of the wall, empty niches the other.
“A book dealer over in Berkeley bought the art books. My son is going to pack up the rest for the library.”
“Which dealer?”
“I don’t recall.”
“Is that where he kept his collection?” I asked, nodding at the shelves.
“Yes, some of it. He had the larger sculptures in the living room. Most of them. Some were in the dining room. He even had a space in the kitchen where he put a sculpture. Every time I came over to visit, their placement had changed. As if all those stone and bronze figures could walk around. I warned him he was going to throw his back out if he kept moving those big stones around. Or get a hernia. But he didn’t pay much attention. He never did care about others’ opinions.”
“Stubborn,” P.P. said as he finally herded her out the door.
She released the doorframe with a glance back at the room. “Stubborn and obsessive. He’d gotten it in his head that he’d bought a fake, and he was doing everything to find out for sure and to see how he could get the person who sold it to him.”
“Get the person?” P.P. had managed to lead us to the front door.
“Yes. ‘Nail him’ was what he said.”
“He wanted his money back?” I asked.
“No, the dealer offered him the money back, but he was determined to get this person in trouble. Or ruin his reputation.”
“How did the dealer react to that?”
She shrugged. “Who knows? With my father you only heard one side of a conversation. He could be unpleasant.”
“I’m sorry . . .” But if she was searching for kind words about her father, they escaped her.
She said, “He was coming here.”
“Who?”
“The dealer. From Bangkok. My father was practically gleeful at the prospect. That was when he was talking about nailing him. He seemed to think he could get the man arrested or something. It made him crazy that he’d bought a fake.”
I looked at P.P., who didn’t look back. We were both thinking about Grey. If P.P. hadn’t dragged me off the other night, we’d know now if he’d sold Sharpen the head. “Does your brother live locally?” I asked.
“Yes, he’s in the city.”
“And he has all the papers related to the art?”
“Yes. But as I told you, I don’t think there was an invoice for that head you bought. That’s why we were selling it at the yard sale. We figured it wasn’t important enough to show to the auction house. And we came across it after we’d given them everything else. He was meticulous in his record keeping, so there was an invoice for everything, as well as his notes. There were even some notes about what different people had to say about the art he owned.”
“Different people?”
“Yes, like local collectors. Or some specialists who came here to see his collection. People he met when he went to New York for the big art fair. It’s in March, isn’t it?”
“Yes,” I said. “He bought there?”
“Sometimes. He bought at auction, and he had a few dealers he liked who attended that fair. He said it was crazy, because they all seemed to save their very best pieces for March, and why didn’t they want to sell them other times of the year. My brother said they did that because they could get more for them if there were competing offers. Is that right?”
“It’s not a bad observation.”
She waited expectantly.
“Brother’s phone number?” P.P. held out the small notebook that he carried everywhere. She wrote the number in it.
“Could you also put his name?” I asked. “No, never mind that. I remember from the obituary. Tom Sharpen Jr.” The obituary was what had led us to her.
“That’s right,” she said. “I’m sorry. I just haven’t been myself.”
“No one would be, after your experience.” I felt the need to fill the ensuing silence. “Do you think your brother would be available today?”
“He works. He’s a lawyer, but he’s pretty easygoing. If you catch him in a free moment, I’m sure he’d see you.” She looked at her watch. “You might even catch him during his lunch. He doesn’t like working then, so he keeps it open.”
She shook P.P.’s hand, and he walked down the drive.
“Thank you so much. You’ve been very helpful. We’re truly sorry for your loss.” I held out my hand and she grasped it. Our eyes locked. “Good luck.”
“If you find anything . . .” she said. She’d seen the look in my eye, just as Tyler had seen it and P.P. had suspected. My determination to solve the mystery of the head, Radha’s, though she thought I wanted to solve the mystery of her father’s death.
“I’ll let you know. I’ll let the police know.”
“I think Grey was the dealer,” I said as we climbed into P.P.’s Porsche. “I wonder if he murdered him.”
“Yes.”
“Yes, you agree that he might have been the murderer? Or that he was the dealer who sold Sharpen the sculpture?”
“Yes.”
Irritated, I looked out the window. We drove through the town streets in silence, then turned north on 280. The tan hills to either side, tufts of green trees on the summits and in the gullies between their low, humping forms. “I didn’t much like him.”