Ordinary Time. Michael D. Riley

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with miracle,

      rebirth and rebirth.

      Come to the manger

      without frankincense or shoes.

      Bring only your hunger

      for what you dream

      you cannot bear to lose.

      ADVENT

      Tugging his shoulders after him,

      flimsy rake tines tremble through leaves

      dank and flat as stripped skin.

      Down his thighs his muscles grieve

      their work under pewter skies.

      December’s stainless steel winds

      incise the bared face of his alibis.

      He is naked neck to shins

      under these clothes, and alone.

      Roots beneath his feet, he’s been told,

      hold these waving branches down.

      He feels how deep they are. And cold.

      The necessary work lags, stalls

      against this iron ground freezing

      into permanence. He pulls

      night closer with every swing.

      Painfully, he leans forward.

      Indistinct mounds surround him.

      The moon disappears. He looks toward

      the house, its sharp edges growing dim.

      Soon he must go in. The wind

      is rising, nailing leaves to the trees

      and his rake again. The ground

      beneath one golden window glows.

      ADVENT SONG: WOODEN ANGEL

      She knows.

      She tries to tell the traffic

      moiling through the blowing surge,

      peach-pink streetlights

      just coming on, fuzzy with snow.

      They cannot hear her

      for their radios and icy wipers.

      The snow collects light

      despite the growing dusk.

      She heralds its glowing

      reflection, its hoarded joy,

      sun and moon somewhere else,

      just gray light enough

      to release my window panes

      and set embroidered animals

      dancing. An old engine,

      the radiator steams

      beneath the windows.

      I fill one chair.

      My angel of the sill

      welcomes me also

      with her wooden horn,

      but I am not the one

      she has waited for

      seed to split to trunk

      in that wide stand of pine

      where the snow also blew

      and melted, the life

      before this life

      of paint and jubilatio,

      further intervention

      of the shaping hand,

      sanding fine as skin

      to another’s touch,

      strokes of expression

      doweled and ribboned,

      transplanted here.

      She practices her song

      too perfectly to be heard.

      She teaches me to wait,

      to praise with her the traffic

      inching past, attend

      to the song of silence,

      the song of cold

      that brings the fire

      that never is consumed.

      Her wooden cheeks

      never empty of breath

      call us all day.

      The snowy light

      has almost reached

      her shoulders, turning her

      horn silver. The light

      arrives on waves of music.

      Soon it will reach me.

      THIS STABLE GROUND

      Bull, donkey, lamb, goat, cow.

      They share the redemption

      of cell and story, fierce frost searing

      them a little less, yet still palpable

      as this birth, as rich with blood.

      They stand peripheral

      and hear the cries, woman and child.

      They smell the active bringing-forth,

      steaming breath like his. They escape

      eternity together, into this

      cold air where he is caught

      with rough cloth, dried and held

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