Christmas. Adam C. English

Чтение книги онлайн.

Читать онлайн книгу Christmas - Adam C. English страница 5

Автор:
Серия:
Издательство:
Christmas - Adam C. English

Скачать книгу

to Zebedee as his Jerusalem residence.

      Be that as it may, what is imperative to John’s message is that the logos does not represent an impersonal force moving through the universe but God himself. The Word of God speaks the wisdom, will, and desire of God—the arche of all things. We tend to forget that this basic truth of Christian theology sounded radical and countercultural in its own time. The curious thing about John’s pronouncement on the Word becoming flesh is how aggressively it pushed against the grain of classical culture. The Christian theology of John’s gospel would have irritated first-century intellectuals. The popular trend was to elevate the status of the gods, not incarnate them. First- and second-century intellectuals criticized the gods of the old myths for being far too human. They could be captured or pitted against each other. They could lash out in fits of jealousy, give in to lustful desires, kill mortals unjustly, lie and deceive humans or each other. In other words, the deities of old lacked transcendence, omnipotence, omniscience, and in some cases, basic standards of morality. In the eyes of their critics, the gods did not need more humanization. If anything, they needed to become less human, more divinized, less caught up in the traffic of human interaction and more godlike.

      Amazingly, John’s gospel moves in precisely the opposite direction of his philosophical contemporaries like Albinus of Smyrna. Indeed, according to John the highest deity did something completely unexpected. The divine will that revealed itself initially in the darkness before time, organizing and systematizing the universe, threw in its lot with humanity. Banging through the door like an uninvited and very rowdy party guest, the Word became flesh and pitched his tent among us.

      Chaos. Good news.

      But oh! How even the rubble of a wall can have the effect of a real wall in keeping us apart.

      Why Flesh?

      The Word stitched flesh in the person of Jesus of Nazareth. The Word did not simply go into Jesus or hover over his head; the Word became Jesus, born of Mary. It didn’t have to be that way. It could have been otherwise. What entered the gray haze of the world could have taken the form of law or ordinance or thunderbolt. But instead what came was word, spoken logos—fleeting, uncatchable, unpredictable. It was nothing more or less than speech for those who have ears to listen. Pencil pushers and keyboard fingers put the spoken word on the record, reproducing every jot and tittle so that not one letter or one stroke of a letter passes. But writing offers at best a substitute, a transcript representation of speech—not speech itself. Speech happens in the moment. The moment is unrepeatable. Even when captured on video and audio, what has been caught is no longer a live speech but the archival record of a live speech. “You have heard that it was said to those of long ago . . . . But I say to you . . .” (Matt 5:21–22). In Jesus we encounter the unrepeatable Moment, the eternal Now, the persistent and insistent voice that counters every fixed law and written record—“But I say to you.” Such a voice cannot be snatched, penned, or engraved in stone; it can only be heard and obeyed. And for this reason the religion known as Christianity is really nothing more than a long string of calls and responses.

      But why? Why did the Word become flesh?

      Just Believe

      In my favorite scene from the 2003 family classic, Elf, Will Ferrell as Buddy the Elf tilts back his head and inhales a two-liter bottle of soda, lets out a thirty-second belch, and then exclaims at the dinner table, “Did you hear that?!” Aside from such lowbrow antics, Elf relates Buddy’s Odyssean quest to find his father and his true home. In part, the plot involves the world’s depleting supply of Christmas spirit. The depletion causes troubles for Santa Claus because his sleigh’s ability to fly is powered by the spirit of belief. Thankfully, the remedy is simple. The way to reenergize the Christmas spirit and spread Christmas cheer, as it turns out, is to sing loudly for all to hear.

      The crisis of Christmas magic serves as a plot device for many holiday movies. In the Tim Allen series of The Santa Claus movies (1994, 2002, 2006), the magic of Santa Claus comes and goes, transfers from one individual to another, and can be lost if certain contractual obligations are not met. It is always in precious supply and in peril of disappearing. In Rise of the Guardians (2012), North, Tooth, Jack Frost, Bunny, and other muscle-bound, tattooed, and ninja-trained holiday sprites must protect the innocent imagination and belief of children. More than

Скачать книгу