Painstaker. Jeffrey Galbraith

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tight,

      a shudder in air, stone-faced, just

      as they began to soar a great distance.

      Lost to myself I think on them,

      how the rich dung intrudes

      into nearby towns,

      where the thick smells waft, come down.

      Who Do You Say I Am

      To the pissed-off colleague

      I look like the cat that ate the canary,

      whereas the panhandler

      outside Home Depot says

      I look like Drew Carey,

      so I ask him for my dollar back.

      The same week a drive-thru

      worker swears I look exactly

      like that guy who plays for the Packers,

      and I remember how years ago,

      an older, hairier teen cornered me

      after football practice to say

      You know, you’re one ugly motherfucker.

      But who can really say? At the airport,

      the lead vocalist for an R&B group

      mistook me for the singer

      of another R&B group and O

      how I wanted to take her backstage.

      Even the cloudless sky is blue

      with longing. I remember

      one time a neighbor-farmer

      thought out loud I might be funny,

      so dad put me to work

      with the hogs and I watched

      from the trees as he called for me

      through outbuildings and barn,

      his anger on my name.

      Built anxious, I feared legion

      in the swine, spooked at the sound

      of shades on the stair,

      had not yet learned to thrill

      in becoming stranger, more

      distant from myself.

      Record of Persons Whose Names Have Changed

      From an exhibit of eighteenth-century documents at the public library, Chelmsford, Mass.

      All is vanity. The man who changed Bumside

      to Burnside, afraid of himself, the protuberance of it,

      hanging there for whoever

      might use it to demean him or make dirty. In such cases,

      the rubbed-out letters

      shelter and shield, Lorenzo

      rechristened Larry, in the daybreak

      of state function:

      Be it enacted, &c., as follows . . .

      The magic is immediate. The new name a sandpaper

      smoothing away bumps

      and unsightly knobs—a flatline of your former self.

      For others, before and after pictures

      show no perceptible change, no clearing away of trees

      or rocks from the rich, black soil. As in the case

      of Micajah, who strangely

      insisted on Morrill. What neighbor haunted him?

      What hope of safety? What millstone

      kept him just out of reach of the surface, that intoxication

      of air that comes

      from standing aloof, unknown, amid the rabble?

      With My Father, Cutting Pigs

      Finally I learn to hold, raise

      the small one

      head-down, hock-spread,

      to stretch flat the skin,

      my hands raw around

      the bristled hooves.

      Bending low, my father

      makes two quick cuts, kneads

      the skin to surface them.

      With enough practice I turn

      the pig quick so my father

      can scissor the tail.

      As the squealing fades

      into a burst of grunts,

      I hold out to him the next.

      When Matt’s Dad Lost His Hand

      We comforted Matt on the school bus—Does he have a fake one now?

      Then somebody made fun of Bunny Lip, aka Leon

      Stinks, aka Stutter Step, and he boxed wild as the bus

      turned from blacktop roads to gravel, past scraping

      harvesters, the eaten fields, dropping us off one by one. We trudged

      the lane to the house, heads bowed looking for rocks

      to throw at sparrows on the fence line. Everything tensed

      when we appeared, angered by hunger, lowing with milk.

      Menagerie Wish List

      If I

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